Category Archives: INSIDE THE BOOK

Inside the book, Vermeer: Portraits of A Lifetime. Analysis of all the paintings of Johannes Vermeer. The book reveals for the first time that the women featured in the paintings of Johannes Vermeer were members of his own family, his daughters, his wife and mother-in-law, Maria Thins.

THE POWER

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“You’ve always had the power to go back to Kansas” — Glinda, The Good Witch of the West

“Oh Dear! That’s too wonderful to be true!”  — Dorothy

“Now those magic slippers will take you home in two seconds. Just close your eyes and think to yourself, ‘There’s no place like home’.” — Glinda

“Then why didn’t you tell her before”? — The Scarecrow

“Because she wouldn’t have believed me. She had to learn it for herself.” — Glinda

               “Like Dorothy in ‘The Wizard of Oz’ we are creatures of our own design. We live in universes created by our own agreements and imagination. We are inside the Physical Universe looking out to find the origin of our being. We long for a place we feel certain must exist; a place where there is no trouble. We wait for wizards and witches to show us the way home. Yet we fear to close our eyes and click our heels to see the Universe Within.

               Our journey home begins at the source of the rainbow; shining light upon our own eternal, ethereal selves.

               The history of mankind seems blanketed in a simultaneous state of amnesia and deja vu. The ruins of ancient civilizations whisper a reminder that we have forgotten everything we knew.

A multitude of gods have shown themselves like shadows in the halls of history. We know not yet, except by our own observation and decision, which of them is real. We are betrayed by those who teach us that we must trust the Wizards of the West. While pretentious politicians defend the castles of the Witch, the media monkeys swarm to spin perverted lies to cover up their covert tricks.

The voiceless bones of wonderful wizards have dissolved to mortal dust once more. Their words have vanished in the smoke of sacred libraries, searing our souls with the stupefying stench of wisdom lost forever in their flames. From day to day the timeworn treadmill of survival forces us to worship at the soulless bankers’ shrine. Gold is still the god of the great and powerful Oz.

We have crash-landed in a twisted alien landscape of pain and mortality, far away from our home Universe. As a race we have amnesia. We are repeatedly bumped on the head by the recurring cataclysmic upheavals of a planet whirling in space like a farmhouse in a tornado.

               The future is an extension of the present. We must live our lives in the present in a manner which will create the greatest good for the greatest number of beings in the future. If we are aware of our own past lives, we must also be aware that we are creating our own future by our present actions. We will inherit our own legacy.”

— Excerpt from the book THE OZ FACTORS by Lawrence R. Spencer

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FEELING ELEPHANTS

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FEEL THE ELEPHANT

THE BIG BLEEP Audiobook

“I took an elective course just for the (bleep) of it.  It was called Intimate Interpretations of Einstein’s Unified Field Theory.  The instructor was a former room-mate of Al Einstein from when Al worked in the patent office in Switzerland from 1902 to 1909.  His name was Professor Hans Schlongholder.  This is how he explained Einstein’s theory to our class in his cheesy, Swiss accent:

“The universe, or any other relative reality, is like a group of people, each of whom is blindfolded.  Each person is feeling a different part of an elephant.  Each person describes the part of the elephant he feels. Al’s theory says that if everyone compares what they feel and they all agree on a collective feeling of the elephant, then they will all have an accurate picture of the whole elephant. 

However,  Al was never really quite sure that the picture of the elephant we were getting was of the hole, or the trunk.  It all depends on which end of the elephant one is feeling and how fast he is traveling while feeling it, relative to the speed of the elephant itself and how the elephant feels about being felt at the time”.

Transcendentally speaking, in order to understand any universe one must look at the word itself: UNIVERSE.  Basically, it’s made up of two separate words,  “univ” and “erse.”  Does anyone understand what these words really mean? No.  So, is it any mystery why the mysteries of the universe have never been solved?”  — Excerpt from THE BIG BLEEP by Lawrence R. Spencer

LISTEN TO A SAMPLE OF “THE BIG BLEEP” AUDIOBOOK

EARTH IS NOT OUR HOME

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TOP SECRET

Official Transcript of the U.S. Army Air Force

Roswell Army Air Field, 509th Bomb Group

SUBJECT: ALIEN INTERVIEW, 27. 7. 1947, 1st Session

“The actual history of Earth is very bizarre.  It is so nonsensical that is it is incredible to anyone on Earth who attempts to investigate it.  A myriad of vital information is missing from it.  A huge conglomeration of non sequitur relics and mythology has been arbitrarily introduced into it.  The volatile nature of the Earth itself cyclically covers, drowns, mixes and shreds physical evidence.

These factors, combined with amnesia and post-hypnotic suggestions, false facades and covert manipulation make  a reconstruction of the factual origins and history of Earth civilizations virtually indecipherable.  Any investigator, no matter how brilliant, is doomed to wallow in a quagmire of inconclusive assumptions, unworkable hypotheses, and perpetual mystery.

“Sophisticated technologies of entrapment and enslavement,  which were developed over millions of years in the “Old Empire”, have been applied to the IS-BEs on Earth with the intention to create a false facade for the prison.  These facades were installed on Earth in totality, all at once.  Every piece is a fully integrated part of the prison system.

This includes a religion of mumbo-jumbo double-speak. Every pyramid civilization uses this as part of a control mechanism to keep the population enslaved by force, by fear and by ignorance. The indecipherable muddle of irrelevant information, geometric designs, mathematical calculation, astronomical alignments, are part of a false spirituality based on solid objects, rather than immortal spirits, in order to confuse and disorient the IS-BEs on Earth.”

“Countless people have spent endless hours attempting to solve the jig-saw puzzle of Egypt and other “Old Empire” civilizations. They are puzzles made of pieces that do not fit.  A question states its own answer.  What is the mystery of Egypt and other pyramid cultures?  Mystery!”

_________________________

Excerpts from the Top Secret transcripts from Roswell, 27 July, 1947. The complete transcript is published in the book ALIEN INTERVIEW, edited by Lawrence R. Spencer

“IS-BE” = Immortal Spiritual BEing”