Category Archives: VERMEER REVEALED

Vermeer: Portraits of A Lifetime explores the life of the world famous Dutch artist, Johannes Vermeer. This book reveals observations that have never before been made about his paintings, his life, his friends and his family. Dedicated to revealing observations about the life and paintings of Vermeer, and the women featured in his painting — his family.


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iphone4_v_screen02-640I stopped watching television.  I refuse to be “dumbed down” by the “vast wasteland” of insidious drivel produced by the “mind-control media”.  I prefer to spend my time with great writers.  Like most writers I read a lot of books.  In recent years I have become a huge fan of audio books! I listen to at least one book each week on my iPhone.

Recorded books are read to you, sometimes by the authors themselves, such as Stephen King or Neil Gaiman, while you do the routine hands-free activities of daily living: driving, grocery shopping, riding a bicycle, jogging, walking, cooking, cleaning, washing dishes, eating and pooping.

There are thousands of recorded books available.  You can start by downloading a FREE AUDIO BOOK from

This is a list of 64 Audio books I personally enjoyed hearing during the last year (many for the 2nd or 3rd time):

The Riverboat Series (5 books) by Philip Jose Farmer

Shantaram: A Novel by Gregory David Roberts

The Hitchhiker’s Guide to the Galaxy (Series of 6 books, including “And Another Thing”) by Douglas Adams

The Salmon of Doubt by Douglas Adams

The Long Lost Tea Time of The Soul by Douglas Adams

Dirk Gently’s Holistic Detective Agency by Douglas Adams

Ecco Homo by Friedrich Nietzsche

Heresy by S.J. Parris

Prophecy S.J. Parris

Sacrilege S.J. Parris

Touch by Clair North

The First Fifteen Lives of Harry August by Clair North

Escape from Camp 14 by Blaine Harden

Wizard: The Life and Times of Nikola Tesla by Marc J. Seifer

My Inventions by Nikola Tesla

The Art of Happiness by Dalai Lama

Our Occulted History by Jim Marrs

Ubik by Phillip K. Dick

The Hair Potter Series (7 books) by J.K. Rowling

Hyperion by Dan Simmons

The Fall of Hyperion by Dan Simmons

The Domain Expeditionary Rescue Mission by Lawrence R. Spencer

Alien Interview by Matilda MacElroy

Kill Decision by Daniel Suarez

Daemon by Daniel Suarez

Influx by Daniel Suarez

Theft of Swords by Michael J. Sullivan

Hollow World by Michael J. Sullivan

The Republic of Pirates: Being the True and Surprising Story of the Caribbean

Pirates and the Man who brought them down by Colin Woodard

Far Journeys by Robert Monroe

Tao Te Ching by Stephen Mitchell

Off to Be The Wizard by Scott Meyer

Spell and High Water by Scott Meyer

Seize The Night by Dean Koontz

Fear Nothing by Dean Koontz

Ashley Bell by Dean Koontz

Bag of Bones by Stephen King

The John Carter Trilogy by Edgar Rice Burroughs

Neverwhere by Neil Gaiman

The Ocean at The End of The Lane by Neil Gaiman

The Graveyard Boo, by Neil Gaiman

Good Omens by Terry Pratchet and Neil Gaiman

Dune (Series of 7 books) by Frank Herbert



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Shocking, irrefutable PROOF IN PHOTOGRAPHS that aliens have been living amongst us, CAREFULLY DISGUISED AS HUMANS, for a hundreds of years!  The following set of photographs has been revealed after decades of conspiratorial secrecy, clever trickery and deceit upon the part of these diabolical infiltrators of the human race!  No one knows where they came from.  No one can say what their INSIDIOUS INTENTIONS might be toward us. In the opinion of this observer, for one, it cannot be good!

A classic painting by Johannes Vermeer reveals the identity of “MADAME MUTT” circa 1560

A 19th Century portrait of CAT CHILDREN FROM PLANET “X” circa 1907

“COLONEL CLUCK” dashingly disguised as an officer in the French military, circa 1887

A rare daguerreotype print of “MORTIMER MOUSE”, circa 1873



( Photographs copyrighted by Martine Roch. All Rights Reserved. )


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Paintings of Johannes Vermeer exhort a mystic awe in the human soul.   Aesthetics, women and mystery are each a glue that have baited many of the most powerful traps in history.  Vermeer combines all three.  Almost nothing factual is known about the painter personally, or the bevy of enchanting women he painted.

Compounding the mystery is the puzzle of identifying the people he painted so repetitively.  Apparently, they were nearly all his wife or daughters!  Moreover, they were portrayed at various ages in their lives, over a span of twenty-two years during which he and his wife produced an family of 15 children, 11 of whom survived! As a consequence of their common genetic similarities in their physical appearance, they also shared clothing, hair styles, and jewelry.   Add to this monochromatic puzzle are identical rooms, windows, lighting, furniture, fixtures and the themes surrounding them.  The resulting maelstrom of similarities make differentiating one person from another a near impossibility.

Most of his work, apart from the paintings produced during his six year apprenticeship at the Guild of St. Luke, were portraits of his wife, family and a few close friends. Vermeer never painted his family members, or his self-portrait, with the intention of selling them, any more than you and I would think of selling photographs or home videos of the members of our own family.

He painted people in his surroundings that were close at hand, familiar, and endeared to him.  Mostly he painted for the love of aesthetics, and to innovate the technology of painting — to discover new techniques to more exactly render the myriad subtleties of light, and to endow love, and life on canvas, with colors and brushes.  Like many artists before and after Vermeer, these challenges intrigued and consumed his interest, intellect and spiritual passion.

Apparently, during his own life, it never occurred to him that anyone would be interested in paying money for many of his paintings.  Most of his paintings were still in the possession of his wife when he died prematurely at the age of forty-three!  Astoundingly, they were never sold, even though he and his family were literally starving from the want of money to buy food!

According to the research of Vermeer scholar, Anthony Bailey, the value of Dutch money was as follows:  “…a Dutch cloth-worker in 1642 got eighteen stuivers a day; there were twenty stuivers to one guilder, and a 6-pound loaf of rye bread coast about four and a half stuivers…”.

Imagine his shock and dismay to discover, 300 years later, that his paintings are worth many millions of dollars!  Yet, during his own lifetime, he never earned enough from them to feed his family, and indeed, died from an overwhelming bought of depression because of it.

These facts confound comprehensive and compound the mystery of Vermeer.

In this book, I propose to travel this impossible labyrinth, to discover the long-hidden key to ancient riddles: Who were the people painted by Vermeer?  Who was Vermeer, the artist and the man?

As though this were not daunting enough, I propose to do this, in part, by leaping the abyss of 300 years from the present year of 2008, returning through my own experience as an artist, a father, a husband and a man, through my own, personal life experiences, to re-experience the life of Vermeer, as though it were my own!

I do not claim that I am or was Vermeer.  Such an assertion would be entirely subjective, impossible to prove, and irrelevant. As do myriad other people fascinated by his art and his life, I have a good deal of personal empathy and common life experiences that I share with this obscure man, as a father, as a parent, as an artist and as a spiritual being.  I intend to employ this empathy as a tool of investigation and discovery:  just as one might use a divining rod to seek out water in the desert.

As a lost dog uses native intuition to find it’s way home, I am searching for a lost self.  As a tourist in Italy feels a sense of deja vu when visiting the Coliseum in Rome: one can almost smell the roar of blood spattering on the sand, and reel at the lust for pain and death oozing from the crowd!  And thrill as a blade slashes and vomits entrails to the ground.  The spirit writhing to be free of a mangled corpse crumpled in the dust.

I yearn to recover a lost identity.  Vermeer.

Does the intervening distance of time make a difference in this investigation?  Let me propose that time is only an arbitrary measurement of the movement of objects through space that has no effect or relevance here.

Has time changed the emotions of love, lust or hatred in ten thousand years?

When struck in the heart by a spear, does a great-great grandson not bleed just as profusely now as when his ancestor was struck down on a ancient battlefield?

Were the tears shed and anguish suffered over the dead child of our mother’s, mother’s, mother any less real than our own in the eternal now?

If I experience what another man has experienced, am I not, to that degree, that man myself?  If I am willing to invade, permeate and be that experience, and to assume responsibility for it, is it not my own?

My experiment is to be Vermeer.  That is, to return to his life and time to experience his existence from the perspective of subjective emotional, artistic, and spiritual experience in present time.  To this degree, I am Vermeer.

To the degree that you re-experience his life with me, you are Vermeer.  In truth, Any Man who is willing to be Vermeer, is, to that degree, Every Man.

— Excerpted from the book, “Vermeer: Portraits of A Lifetime”, by Lawrence R. Spencer