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WITCHES RITE OF RENUNCIATION
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(This article is reposted from “quedavathegrey” on Tumbler)
“The Witches’ Rites of Renunciation are meant to sever the religious ties of your own personal past. This is done (I have found) for two distinct reasons: to shed the preconceptions forced by organized religion, including both the doctrines and the antithetic notion of hierarchal power in regards to Enlightenment, and as a symbol of rebirth. Much like a baptism! Only in this instance, the sin you wash away is the sin of religious indoctrination, hypocrisy and the very human realities that accompany the notion of “church.” It is meant to be a freeing exercise – one that cleanses all the malformed ideologies imbued on you throughout your earlier life. Of course, that is easier said than done and no one ritual can truly clear the slate completely, but it serves as a formal boundary between the past and the future – a future in which you must relearn your understanding of the world at large. One in which the answers presented are not set in stone, but fluid – from which you must come to your own conclusions, test your own theories and tessellate the scattered mythos and ideas into a cohesive faith – you own faith, reliant wholly on none other than yourself.
That is The Witches’ Baptism, and this is one example of how it may be performed:
Ideally, the rite should be done at a Crossroad (of whichever type speaks to you the most) as it is a transformative ritual! Bring with you whatever you need to light a fire in your preferred method – such as wood for a classic bonfire, Sacred Fire to light in a bowl/cauldron/vessel, or alcohol – which can be poured in a circle (note: isopropyl alcohol isn’t fond of the cold or wind, so either plan according to weather or bring a backup solution).
On site, when you are emotionally prepared, build your fire. Depending on your chosen medium, your window of opportunity will differ greatly (the above are listed from greatest to least burn-time), so factor this in as well. For those of you who thoroughly enjoy taking your time, I recommend building a true fire.
The following part should be personalized to fit your taste, as how you wish to release the past is up to you. You can do it simply, by speaking out loud that you rebuke the religion of your youth/past (traditionally, this is done by rebuking the Holy Spirit of Christianity – the unforgivable blasphemy – so as to free oneself from its vice-grip, though the renunciation can extend to any religion [or even no religion]).
A few other options consist of writing these things out – in as long-winded or concise a manner as you wish (these can even be written days in advance) – or burning a symbol of the past. The flames are freeing – allow them to be.
Purge these broken things from the mind and heart, and cast them symbolically into the consuming fire of creation and destruction. It is these things that stand as obstacle – let them be cleansed from you. And when the time has come, when these things have been expressed and used as kindling (carefully) leap the fire (and try not to wear any hairspray!). Then you are free.
Upon the other side, you may douse the fire, allow it to burn out, or use this time to connect with another Spirit or Deity (I said you were free, not that you had to stay free!), Nature at large, or even with yourself – whichever is most befitting your chosen path. Theoretically, this could be done by an Abrahamic witch if only to cleanse the effects of church indoctrination – for those who wish to follow the gospels/tomes in a unique or personal way.”
IMAGE: “Baptism of fire: Girls leap over flames as part of ancient cleansing ceremony held on the birthday of John the Baptist,”
The Virus that Destroyed the Dutch Economy
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Famously, the tulip speculation that happened in the late 1600s brought down the Dutch economy. But did you know that it wasn’t botany that brought down Holland, it was virology? The thing that sent speculators into despair wasn’t a flower, but a virus.
Tulip speculation was rampant in Holland in the 1600s. Brought over from Asia Minor, the flowers enlivened the Dutch landscape. They were sought after just at a time when money was pouring in to the Dutch economy, preparing people to spend their new found wealth on silly things. Prices climbed high and fast, and entire businesses were sold or traded at auction for a single bulb. Anything that gave people the opportunity to make money in a single transaction was valuable in and of itself, so tulip bulbs became a sensible thing to speculate on, right up until they weren’t. Suddenly people realized that they didn’t have the intrinsic value that everyone seemed to believe they did, and prices collapsed. Everyone old enough to read this has seen a crash or two in their time, so we can’t look on with too much smug superiority.
Well, maybe a little. After all, they’re just tulips. They can’t do anything except make more tulips, which should, if anything bring the price of tulips down. There doesn’t seem to be a reason for that kind of price range.
It turns out, though, that there was something that turned tulips into gold. Some tulips turned out to have a special quality that sent their worth through the roof. Some tulips, for no apparent reason, erupted from a solid color into a swirled, feathery bloom that was incredibly exotic and beautiful. No one seemed to know why any single bulb did this, and no one was able to establish a pattern for the change. The trade turned from an exchange of pricey luxury items to speculating on eagle eggs, on the understanding that sometimes, for no readily apparent reason, an egg hatched a griffin instead of an eagle.
But there was a reason, and it was called the Tulip Breaking Virus, or mosaic virus. It was transmitted either by contact with the bulb of an infected tulip or by different species of aphids. It changes pigmentation by affecting the distribution of anthocyanin, a pigment that can appear different colors depending on the pH of its area.
Of course, since that wasn’t known at the time, the Dutch dumped everything from pigeon droppings to dish water on their bulbs, all the while keeping prized bulbs away from the aphids or the other tulips which might actually have gotten them to break.
Sadly, the virus did what viruses generally do — it killed the tulip after a few blooming seasons, driving up the price for a newly-broken bulb even higher. The virus turned tulips into lottery tickets , and so it was understandable that people paid too much for them. Semper Augustus, pictured to the left, was famous for being the most expensive bulb sold during the period. It cost 13000 florins, at a time when one could get a house and garden for a third of that price. But the rampant speculation one which bulb was a winner, mocked even at the time, could only be kept up for so long. The economy collapsed, and what caused tulips to break remained a mystery until the 1900s.
The Tulip Breaking Virus is one of the many four viruses that cause flower ‘breaking’ that are still around today, with other strains affecting lilies. Gardeners now are cautioned to watch for these once-priceless flowers, and carefully weed them out of any gardens. Since the collapse of tulip speculation and the rise of tulip agriculture, botanists have selectively bred ‘Rembrandt Tulips,’ which mimic the swirled colors of breaking — without the degenerative virus. The name comes from the famous Dutch painter, since many owners of broken tulips would pay artists to make permanent copies of their fragile purchases. The paintings, of course, tend to be the priceless things now.
( via i09 )
Top Image: Web Gallery of Art
Semper Augustus Image: Norton Simon Image
Via SGM and Yard Smart.
BREATHLESS IN 524 FRAMES PER SECOND
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“Experimental film maker Gerard Courant has taken Jean-Luc Godard’s classic French film from 1960, Breathless, and sped up it (or compressed it as he prefers to call it) into a four minute movie.
The French title of Godard’s debut film is À bout de souffle which translates to English as “out of breath.” Courant’s compression is most likely a play on the title.
What I find interesting about the compression is the way it brings Godard’s style and the American noir films he was inspired by to the foreground. The nervous energy of the film, the pans and tracking shots, cigarettes smoked, automobiles in motion, zooms, jump-cuts, and close-ups, all create an angular yet fluid motion that seems driven by forces of destiny – the movie is tumbling into a dark void of betrayal and its opposite – yin and yanging to the beat beat beat of a heart in the throes of atrial tachycardia. No time to catch your breath – you’re breathless.
Fucking with Godard’s masterpiece is very Godardian. If, as Godard claims, “cinema is truth at 24 frames per second” what is cinema at 524 frames per second”
— va Dangerous Minds
RECYCLING
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