SHERLOCK HOLMES COMMENTS ABOUT OSCAR WILDE

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“The only thing that sustains one through life is the consciousness of the immense inferiority of everybody else, and this is a feeling that I have always cultivated.”
— Oscar Wilde

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“The most difficult task for the rational observer is to avoid becoming, through empathy or introspection, that which one observes.  This ability, applied, enables a detective to emulate the impulses of the criminal – no matter how insane or counter-survival the result of their behavior might be.  Fortunately, one need not become a criminal in order to fully comprehend the demented universe of these insane creatures!

Many years ago I read about the case of the Irish poet, Oscar Wilde, a man of great intelligence and artistic sensibilities.  The man, although married, with children, who was a respectable person of society, was attracted into a licentious life through association with decadent perverts. It ruined him thoroughly, causing him to lose all that he had gained in reputation, respect, possessions and freedom.

This once great and clever man was cast out from society, and imprisoned to serve for two years of hard labour.  As such, he was removed from contact with the depraved associates who precipitated his undoing.  During the interval of his imprisonment he applied the innate intellect which elevated him above the multitude, to reflect upon the essence of his existence.

Here is a small portion of a letter he wrote to an associate which was published in the London Times obituary notice of his passing:

“When first I was put into prison some people advised me to try and forget who I was. It was ruinous advice. It is only by realising what I am that I have found comfort of any kind. Now I am advised by others to try on my release to forget that I have ever been in a prison at all. I know that would be equally fatal.

It would mean that I would always be haunted by an intolerable sense of disgrace, and that those things that are meant for me as much as for anybody else – the beauty of the sun and moon, the pageant of the seasons, the music of daybreak and the silence of great nights, the rain falling through the leaves, or the dew creeping over the grass and making it silver – would all be tainted for me, and lose their healing power, and their power of communicating joy. To deny one’s own experiences is to put a lie into the lips of one’s own life. It is no less than a denial of the soul.”

I have concluded that criminality, and insanity – forms of the same disease – are contagious.  In human society, as with the cancerous cells of a dying body, a healthy cell can be corrupted or overwhelmed by proximity to or interaction with the cancer.  Therefore, I esteem that it is important to differentiate and segregate the sane from the insane, the healthy from the unhealthy, and likewise, the identification of the spirit with the body.”

— Excerpt from SHERLOCK HOLMES: MY LIFE, by Lawrence R. Spencer

HOW TO HAIKU

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The Japanese haiku and the English language haiku have several critical differences. In Japanese the haiku is composed of 17 sound units divided into three parts – one with 5 units, one with 7 units and another with 5 units. Since sound units are much shorter than English syllables, it has been found that following the Japanese example results in a much longer poem often filled up to make the count with unnecessary words.

The Japanese write their haiku in one line, in order to see clearly the parts of the haiku. In English each part is given a line. This allows the reader time to form an image in the mind before the eyes go back to the left margin for more words. The line breaks also act as a type of punctuation. The kigo, or season word, is a vital part of the Japanese haiku, but in English it is often ignored and not well understood. Therefore, a great number of English haiku do not have a season word and yet are considered to be haiku. The Japanese, because of their longer history of reading haiku, understand that there are two parts to the poem. In English these are called the phrase and fragment. One line is the fragment and the other two lines combine grammatically to become the phrase. Without this combining the two lines together the haiku will sound ‘choppy’ as the voice drops at the end of each line.  (WikiHow.com)