Category Archives: ART

Paintings, photography, aesthetic objects, beautiful communication, and anything I consider to be art, artful, artistic, artsy or whatever.
Art is subjective. It is a quality of communication can be contributed to by the viewer through empathy or agreement with its creator.

ALONE AND BORED: SATURDAY NIGHT MUSING

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It’s not easy to say what I really think about Life in this Universe.  It’s complicated.  It’s a Love / Hate relationship. The random, unpredictable drama of it is entertaining, amusing and terrifying.  I love the sensual scenery on Earth and the impassioned sensations of sex.  I hate pain, lies, stupidity and injustice.  The wonder and mystery of an endlessly starry night is a facade of pretended majesty.  The sounds of soft, subtle jazz are sublime.  A trusted companion is comforting.  Ice cream is irresistible.  The blissful buzz of booze is bemusing. I am enamored with the innocent insouciance of animals.  Life Forms are reflections of The Divine Essence of Life.

Yet, I detest greed and the callous brutality of possessions.  I would love to love this universe.  But, it’s not my universe.  It’s not the universe I would create if I could create my own. It is full of recycled pain and dying and death. Agony, mystery and ignorance are everywhere. There are no real angels or faeries here. No honor. No Integrity. No Justice. No Mercy. No Poetic Magic. This universe in impassive and intolerant of nonsensically nonsequitur nonsense.

This universe is frozen, dark, impartial vacuum dotted with incandescent infernos of light-emitting balls of eternally burning gases!  Sprinkled, intermittently, throughout are gaseous clouds of radioactive poison and icy balls of rock.  It swirls and grows relentlessly in an eternally timeless now of revolving, random rotation. It is not me. It is not mine. I can’t own it and I don’t want it.  Yet, I can’t leave it behind!  (as far as I know, I’m stuck here….)

Does it have a purpose and destiny?  Does it know that I exist?  Does it care?

No. It does not.

I am a Nothingness of Thought.  I’m not from here. I didn’t begin anywhere. I am not a Thing. I Am Endlessly Emitting Emotions, Ideas, Compassion and Creative Notions.

I am Universes Apart from this universe.  Universes apart.

In My Own Universe I Am what I dream: Sensual, Dramatic, Comic.  I AM.  Motionless.  Curious. Playful. Joyful. Pleased with my Own Existence.  I Create. I Change. I Destroy, or not, at My Whim. I Am My Universe in My Universe.  You’re welcome to share it with me, as long as you Admire My Creations.  I’d like to Admire Yours too.  More than anything, I don’t like being Alone and Bored.

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— Lawrence R. Spencer. Saturday Night Musing. November 2012.

SMILING FACE HAIKU

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smiling face haiku

A Haiku (in the English language) is a short poem which uses imagistic language to convey the essence of an experience of nature or the season intuitively linked to the human condition. It is a development of the Japanese haiku poetic form in the English language.  Some of the more common practices in English include:  use of three lines of up to 17 syllables;  most commonly, 5, 7, 5.  Haiku uses an economy of words to paint a multi-tiered painting, without “telling all”.

WILLIAM BURROUGH’S THANKSGIVING PRAYER

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William Burroughs’ Thanksgiving Prayer from J. Sprig on Vimeo.

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TEXT:
“Thanks for the wild turkey and the passenger pigeons, destined to be shit out through wholesome American guts.
Thanks for a continent to despoil and poison.
Thanks for Indians to provide a modicum of challenge and danger.
Thanks for vast herds of bison to kill and skin leaving the carcasses to rot.
Thanks for bounties on wolves and coyotes.
Thanks for the American dream,
To vulgarize and to falsify until the bare lies shine through.
Thanks for the KKK.
For nigger-killin’ lawmen, feelin’ their notches.
For decent church-goin’ women, with their mean, pinched, bitter, evil faces.
Thanks for “Kill a Queer for Christ” stickers.
Thanks for laboratory AIDS.
Thanks for Prohibition and the war against drugs.
Thanks for a country where nobody’s allowed to mind the own business.
Thanks for a nation of finks.
Yes, thanks for all the memories—all right let’s see your arms!
You always were a headache and you always were a bore.
Thanks for the last and greatest betrayal of the last and greatest of human dreams”.

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William Seward Burroughs II ( /ˈbʌroʊz/; also known by his pen name William Lee; February 5, 1914 – August 2, 1997) was an American novelist, poet, essayist and spoken word performer. A primary figure of the Beat Generation and a major postmodernist author, he is considered to be “one of the most politically trenchant, culturally influential, and innovative artists of the 20th century.”[1] His influence is considered to have affected a range of popular culture as well as literature. Burroughs wrote 18 novels and novellas, six collections of short stories and four collections of essays. Five books have been published of his interviews and correspondences. He also collaborated on projects and recordings with numerous performers and musicians, and made many appearances in films.

REPRODUCTIVE TRIGGER

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“Every trap in the universe, including those used to capture IS-BEs who remain free, is “baited” with an aesthetic electronic wave.  The sensations caused by the aesthetic wavelength are more attractive to an IS-BE than any other sensation.  When the electronic waves of pain and beauty are combined together, this causes the IS-BE to get “stuck” in the body.

The “reproductive trigger” used for lesser life forms, such as cattle and other mammals, is triggered by chemicals emitted from the scent glands, combined with reproductive chemical-electrical impulses stimulated by testosterone, or estrogen.

These are also interactive with nutrition levels which cause the life form to reproduce more when deprived of food sources.  Starvation promotes reproductive activity as a means of perpetuating survival through future regenerations, when the current organism fails to survive.  These fundamental principles have been applied throughout all species of life.

The debilitating impact and addiction to the “sexual aesthetic-pain” electronic wave is the reason that the ruling class of The Domain do not inhabit flesh bodies.   This is also why officers of The Domain Forces only use doll bodies.  This wave has proven to be the most effective trapping device ever created in the history of the universe, as far as I know.”

— Excerpted from the top secret transcripts published in the book, Alien Interview