THIS IS A “FALSE FLAG” UFO ATTACK INCIDENT CREATED BY ORSON WELLS IN A LIVE BROADCAST ON CBS RADIO IN 1938
The War of the Worlds was an episode of the American radio drama anthology series Mercury Theatre on the Air. It was performed as a Halloween episode of the series on October 30, 1938 and aired over the Columbia Broadcasting System radio network. Directed and narrated by Orson Welles, the episode was an adaptation of H. G. Wells‘ novel The War of the Worlds.
The first two thirds of the 60-minute broadcast were presented as a series of simulated “news bulletins”, which suggested to many listeners that an actual alien invasion by Martians was currently in progress. Compounding the issue was the fact that the Mercury Theatre on the Air was a ‘sustaining show’ (it ran without commercial breaks), thus adding to the program’s quality of realism. Although there were sensationalist accounts in the press about a supposed panic in response to the broadcast, the precise extent of listener response has been debated.
In the days following the adaptation, however, there was widespread outrage. The program’s news-bulletin format was decried as cruelly deceptive by some newspapers and public figures, leading to an outcry against the perpetrators of the broadcast, but the episode secured Orson Welles’ fame.
any of an order (Carnivora) of typically flesh-eating mammals that includes humans, dogs, foxes, bears, raccoons, and cats. Derived from Latin carnivorus“flesh-eating”
c. 1600, from Middle French carnage (16c.), from Old Italian carnaggio “slaughter, murder,” from Medieval Latin carnaticum “flesh,” from Latin carnaticum “slaughter of animals,” from carnem (nominative caro) “flesh,” originally “a piece of flesh,” from PIE root *(s)ker- (1) “to cut” (see shear (v.)). In English always used more of slaughters of men than beasts. Southey (1795) tried to make a verb of it.
Definition and derivation of carnal
relating to or given to crude bodily pleasures and appetites, especially when marked by eating and sexuality. c. 1400, “physical, human, mortal,” from Old French carnal and directly from Medieval Latin carnalis “natural, of the same blood,” from Latin carnis “of the flesh,” genitive of caro “flesh, meat“
Milan Kundera (born 1 April 1929) is a Czech-born writer who went into exile in France in 1975, and became a naturalized French citizen in 1981.
Kundera’s most famous work, The Unbearable Lightness of Being, was published in 1984. The book chronicles the fragile nature of an individual’s fate, theorizing that a single lifetime is insignificant in the scope of Nietzsche’s concept of eternal return. In an infinite universe, everything is guaranteed to recur infinitely. In 1988, American director Philip Kaufman released a film adaptation.
Prior to the Velvet Revolution of 1989 the Communist régime in Czechoslovakia banned his books. He lives virtually incognito and rarely speaks to the media. A perennial contender for the Nobel Prize in Literature, he has been nominated on several occasions