Category Archives: …and other stuff

miscellaneous postings by Lawrence R. Spencer

CLOTHES OF THE SOUL

Republished by Blog Post Promoter

The BHAGAVAD GITA is an ancient Sanskrit text comprising 700 verses of the Mahabharata. The verses, using the range and style of Sanskrit meter (chandas) with similes and metaphors, are very poetic; hence the title, which translates to “the Song of the Divine One”, of Bhagavan in the form of Krishna. It is revered as sacred by the majority of Hindu traditions, and especially so by followers of Krishna. In general speech it is commonly referred to as The Gita. The content of the Bhagavad Gita is a conversation between Krishna and Arjuna taking place on the battlefield of Kurukshetra just prior to the start of a climactic war. Responding to Arjuna’s confusion and moral dilemma, Krishna explains to Arjuna his duties as a famous warrior and Prince and elaborates on number of different Yogic and Vedantic philosophies, with examples and analogies. This has led to the Gita often being described as a concise guide to Hindu philosophy.

PHOTOGRAPH:  taken during the 1930s in the workshop of Madame Tussauds  wax museum in London.  The museum was founded by wax sculptor Marie Tussaud (1761–1850) who was born in Strasbourg, France.  Her mother worked as a housekeeper for Dr. Philippe Curtius in Bern, Switzerland, who was a physician skilled in wax modelling. Curtius taught Tussaud the art of wax modelling.  Tussaud created her first wax figure, of Voltaire, in 1777.

ETERNAL FLAME

Republished by Blog Post Promoter

THE ONE

THE ONE
I look into a mirror and see your face reflected there.
My Other Self…. You Are Who I Am.
We Are One, Separated: In space, in time, embodied.
Tragically torn in two by ignorance and flesh!
I have yearned for you…knowing you are there…yet, not knowing where!
Enduring alone for a billion, billion years….
Separation is pain…. My pain. Your pain. Our Pain.
Two Halves of a Single Soul, Female / Male: Two halves of a Whole.
I Search, and Seek, and Yearn for you!
We have been Lost! Immortally! Still, my passion is to merge with you!
A Perfect Union of Our Single Selves: Complete, and Whole Again!
You ARE Me. WE are WE. Your Thought is My Thought.
I Am You, Within You…. You ARE Within ME….
NOW, and Always, NOW!
Suddenly, I’ve found you! We are here!
The barriers are gone! We are aware!
Our Journey has begun….travelling as One!
On Earth we can sit together by a fire, warming our bodies in the sun.
Drinking. Smoking. Talking. Laughing. Reminiscing. Remembering. Rediscovering.
Embracing, Caressing, Touching, Searching, Reaching, Recognizing,
Wishing, Wanting, Holding, Opening, Inviting, Kissing
Warm and Wet Welcoming, Probing, Pervading, Penetrating …
Hard and Soft Entering, Strong and Gentle Blending
Lusting, Thrusting, Pulsing…Pounding…Bursting!
Your Senses Are My Senses. Your Pleasure is My Desire!
Rhythmically Rising, Writhing, Resounding, Quivering, Quaking, Shuddering….
All-Consuming! Releasing! Exploding! Fulfilling!
Merging, Blending, Releasing into delightful, joyful, Unity!
Again! Again! Again! Again!
A Single Flame is Bright: Twin Flames – United — are a SOURCE of LIGHT!
Irresistible Attraction! Unquenchable Desire! Together. Inseparable.
We Are an Eternal Flame of Love!

~ Lawrence R. Spencer ~

11 March 2014

MYSTERY WOMEN

Republished by Blog Post Promoter

Women in the paintings of Vermeer

“Exhaustive research conducted by a wide range of investigators during the 300 years since his death proves that Vermeer had no other studio outside of his home in which to paint.  The logical extension of this fact, inasmuch as Vermeer and his wife Catharina produced 15 children during his short life, what that he must have been constantly, and continually surrounded by his family in the house while he painted!  By extrapolation, is it not obvious, even at the most casual investigation, that the most readily available models for his paintings would be his own family members?   This observation is compounded and ratified by the fact that nearly every one of his surviving paintings features young women as the principle model!

Therefore, it is reasonable to assume that Vermeer worked at home, and that he painted pictures of the women in his own family.  It is clearly documented that Vermeer had 5 daughters old enough to be the women shown in the paintings.  Also, his wife and mother-in-law, are very likely candidates to be women shown in his paintings.  A very thorough comparison of the faces of each of the women shown in his paintings reveals the obvious observation that the same women are being painted again and again. ”

— Excerpted from the book, “Vermeer: Portraits of A Lifetime”, by Lawrence R. Spencer

Support independent publishing: Buy this e-book on Lulu.