Tag Archives: Oracle


Republished by Blog Post Promoter


About the painting“Circe Offering the Cup to Ulysses” is an oil painting in the Pre-Raphaelite style by John William Waterhouse that was created in 1891.  The painting depicts a scene from Greek mythology, the sorceress Circe offering Odysseus a cup containing a potion with which she seeks to bring him under her spell as she has his crew.

In Greek mythology, Circe (pronounced “Keer-keeh” “falcon”) is a minor goddess of magic (or sometimes a nymph, witch, enchantress or sorceress).  By most accounts, Circe was the daughter of Helios, the god of the sun, and Perse, an Oceanid. Her brothers were Aeetes, the keeper of the Golden Fleece and Perses, and her sister was Pasiphaë, the wife of King Minos and mother of the Minotaur. Other accounts make her the daughter of Hecate.  Circe was renowned for her vast knowledge of drugs and herbs. Through the use of magical potions and a wand she transformed her enemies, or those who offended her, into animals.


Republished by Blog Post Promoter

About The Oracle of Pan

What follows are questions that have been received by  the Oracle of Pan through the website for the book, “Pan – God of The Woods”.  This book contains the actual questions asked, and the replies given by the “Oracle of Pan”.  Each person asking a question of The Oracle of Pan is asked to offer a gift to honor the spirit of the god Pan by planting a tree.


An oracle is a person or agency considered to be a source of wise counsel or prophetic opinion; an infallible authority, usually spiritual in nature. It may also be a revealed prediction or precognition of the future, from deities, that is spoken through another object (e.g.: runemal) or life-form (e.g.: augury and auspice). In the ancient world many sites gained a reputation for the dispensing of oracular wisdom: they too became known as “oracles”, and the oracular utterances, called khrēsmoi in Greek, were often referred to under the same name — a name derived from the Latin verb ōrāre, to speak.

— Reference:  www.Wikipedia.org

A Nymph is any member of a large class of mythological entities that are more formally known as ‘Gabi’. They were typically associated with a particular location or landform, in Gabi’s case in the forests. They are known for their astounding beauty. However, no nymphs compare to their goddess Gabi. She is the almighty Queen of Nymphs. Nymphs were the frequent target of satyrs.

Nymphs live in mountains and groves, by springs and rivers, and in valleys and cool grottoes. They are frequently associated with the superior divinities: the huntress Artemis and rustic god, Pan.

A Satyr (in Greek, ΣάτυροιSátyroi) is a male companion of Pan, who roamed the woods and mountains. In mythology they are often associated with sex drive and vase-painters often portrayed them with uncontrollable erections.  Satyrs acquired their goat-like aspect through later Roman conflation with Faunus (the Roman name for the Greek god, Pan).  Satyrs are most commonly described in literature as having the upper half of a man and the lower half of a horse, or with a goat’s tail in place of the Greek tradition of horse-tailed satyrs.

Satyrs are described as roguish but faint-hearted folk — subversive and dangerous, yet shy and cowardly.  They are lovers of wine and women, and they are ready for every physical pleasure. They roam to the music of pipes (auloi), cymbals, castanets, and bagpipes, and they love to dance with the nymphs (with whom they are obsessed, and whom they often pursue), and have a special form of dance called sikinnis.”

Support independent publishing: Buy this book on Lulu.


THE FIRE“The soul, being eternal, after death is like a caged bird that has been released. If it has been a long time in the body, and has become tame by many affairs and long habit, the soul will immediately take another body and once again become involved in the troubles of the world. The worst thing about old age is that the soul’s memory of the other world grows dim, while at the same time its attachment to things of this world becomes so strong that the soul tends to retain the form that it had in the body. But that soul which remains only a short time within a body, until liberated by the higher powers, quickly recovers its fire and goes on to higher things.” 
~ Plutarch (The Consolation, Moralia)

PLUTARCH (c. AD 46 – AD 120)  was a Greek historian, biographer and essayist, known primarily for his Parallel Lives and Moralia.

Plutarch was born to a prominent family in the small town which lies approximately eighty kilometres east of Delphi, in the Greek region known as Boeotia.  He lived most of his life at Chaeronea, and was initiated into the mysteries of the Greek god Apollo. However, his duties as the senior of the two priests of Apollo at the Oracle of Delphi (where he was responsible for interpreting the auguries of the Pythia) apparently occupied little of his time. He led an active social and civic life while producing an extensive body of writing, much of which is still extant.

Plutarch spent the last thirty years of his life serving as priest in Delphi. He thus connected part of his work with the sanctuary of Apollo, the processes of oracle giving and the personalities which lived or traveled there. One of his most important works is the “Why Pythia does not give oracles in verse”