Tag Archives: the gods

PAN – GOD OF THE WOODS

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“When Zeus still ruled Olympus, the face of Mother Nature was puerile, the bright blue sea and sky shined brightly in Her eyes.  Life, abundantly renewed, abounded from Her virgin womb. The myriad creatures flourished, safe and suckling on Her verdant breasts while fishes filled the pristine waters of Her world.

In those primal days, gods of ancientSumeria,Egypt,Greece,China,India, and many other civilizations of Earth, commanded extraordinary power over men.  Spirits were conceived to permeate all matter and space in the ancient world. The gods, however, were not much different than each of us as spiritual beings, except to the degree they were immortal, that is, free from having to inhabit a body. Mortals were condemned to repeat the cycle of birth and death and rebirth into carnal form. Release of the spirits of men from the endless cycle of reincarnation remains the ultimate goal of many world religions to this day.

Gods actively intervened in the affairs of Mankind.  Some made their presence known in the form of an animal, as an aura of light or scent, or as an apparition in nature.  More often, the gods pervaded the body and mind of a man or woman, either in a dream or simply by taking over their thoughts to carry out their plans.

Since the gods were seen to cause events, both natural and supernatural, they were intimately personified, widely idolized, and artfully glorified by men.  Aristocracy, citizens and slaves alike, sought the blessing or advice of the gods regarding marriage, travel, war, purchases, planting, harvesting, building, birth and death.  Every village, district and nation had its own retinue of gods.  A discreet traveler was wise to observe the rites accorded to the local deities and religious tolerance was widespread.

A vast number of myths or stories about the exploits of the gods have passed down to us through the generations of Mankind from nearly every society of antiquity.  Culturally, we have inherited tremendous works of art, poetry, literature, and tradition derived from human interaction with the immortals.  The pagan cultural tradition, religious beliefs, and practices associated with the gods still permeate our language, social and religious customs today.

With the advent of the Christian church 2,000 years ago, communication with the pagan gods was very heavily suppressed in Western civilization.  Priests had a vested interest in eliminating religious competition, by any means required, including, but not limited to lying, stealing, cheating, murder, mayhem, extortion, torture and blackmail. This included outlawing all pagan religions and the destruction of all pagan temples and schools throughout theRoman Empireby the decree of Emperor Justinian in the third century AD. As a result, general public attention to the pagan gods disappeared.

Yet, the gods are active, living beings, who may only appear to have disappeared! If any of the ancient gods are still around in the 21st century, what are they doing now?  If they are here now — still watching, still powerful, still immortal — where or how might we contact them? “

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Excerpt from the Introduction to PAN-GOD OF THE WOODS, by Lawrence R. Spencer

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VOICE OF THE GODS

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VOICE OF GOD

About the painting“Circe Offering the Cup to Ulysses” is an oil painting in the Pre-Raphaelite style by John William Waterhouse that was created in 1891.  The painting depicts a scene from Greek mythology, the sorceress Circe offering Odysseus a cup containing a potion with which she seeks to bring him under her spell as she has his crew.

In Greek mythology, Circe (pronounced “Keer-keeh” “falcon”) is a minor goddess of magic (or sometimes a nymph, witch, enchantress or sorceress).  By most accounts, Circe was the daughter of Helios, the god of the sun, and Perse, an Oceanid. Her brothers were Aeetes, the keeper of the Golden Fleece and Perses, and her sister was Pasiphaë, the wife of King Minos and mother of the Minotaur. Other accounts make her the daughter of Hecate.  Circe was renowned for her vast knowledge of drugs and herbs. Through the use of magical potions and a wand she transformed her enemies, or those who offended her, into animals.

ATTRIBUTE ALL TO THE GODS

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“Attribute all to the gods.  They pick a man up, stretched on the black loam and set him on his two feet firm.  Then again, they shake solid men until they fall backward into the worst of luck, wandering hungry, wild of mind.”  

 Archilochus of Paros ( c. 648 BC )  Greek poet of Paros, notable for using his own experience as subject matter.

— From the Introduction to Chapter 1 of the book PAN – GOD OF THE WOODS

by Lawrence R. Spencer

(Painting by Frank Frazetta © 1976.  All Rights Reserved.)