Tag Archives: Mona Lisa

MY PERSONAL MONA LISA

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“Much like Leonardo da Vinci, I worked intermittently on this single painting over a period of many years, never satisfied that it was finished, and continually improving upon the original.  This painting is my personal Mona Lisa, my daughter, Maria.

We had a live-in servant for many years, named Tanneke Everpoel, hired and paid by Maria Thins.  She did all of the “heavy labor”, as it were: cooking, cleaning, washing clothes, carrying water, tending fires, and a myriad other chores, including helping with the children.  However, the expense of paying her wage and room did not include standing for endless hours, day after day, while I painted this portrait!  My daughter, Maria, was lovelier and much more readily accessible for the task of standing for this portrait.

It is argued, convincingly, that the immortal painting by Leonard was his own self-portrait as his own, feminine  reflection. What man, or woman, regardless of sexual preference in a given lifetime, has not inhabited the flesh of ten thousand bodies, some human, many not, through  a nearly infinite cascade of galaxies, stars and planets come and gone.  Is not survival a nearly infinite game, in which we interchange ourselves as the players of many parts?

Leonard kept his portrait with him all his life.  He never considered that it was complete or perfect.  Nor did he ever intend to sell it.  How could one sell a most cherished reflection of himself?  It is more meaningful than one’s own body, which only disguises the inner self, the essence of spirit that animates the fragile flesh.

In fact, a body hides the reflection of the soul!  How can any substance, especially that as rude and fragile as meat, reveal the inherent qualities an immortal nothingness?  Indeed, it is the fundamental challenge and the most formidable task of an artist to reveal it!

The name given to this painting by others, “The Milkmaid”, is a sacrilege!   It rivals the incomprehension others have for Leonardo’s personal masterpiece.  Yet, how can anyone truly understand that a painting is meant to reflect the  essence of an immortal being, seen through the eyes of another?

She is painted with angelic colors: blue, gold and white, in contrast to the menial nature of her station in life.  From her issues, for me, the Milk and Bread of Life.  Life is embodied in her and through her.  Women, are the source of children, the source of energy, the source of care.  There is no more vital responsibility for any being who plays the game of life, than to confront dreary daily tasks.  To humbly make the daily loaf.  To soak that bread, mix and soften it with milk, make it warm and feed it to a teething child.  Survival is made of such things.

In those days I viewed life as idyllic.  My dreams were more real than reality.  All things were a possibility.  Tragedy could not find me.  Until it did, of course.  Even when we lost a child, which we did with several, my wife, Catharina, remained resolute in her Faith.  God guided us.  He did what was best.  We knew not why and need not question His purpose for us.

I have no such faith in predetermination.  A loaf of grain, clean water and a bed was my fare.  Time and a place to paint, uninterrupted, were necessities.  My love, shared with wife and family, was the staple diet of my life.  I assumed, as a Fool who knows not his own mortality, that they would endure, even when I was gone.”

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Excerpt from the book VERMEER: PORTRAITS OF A LIFETIME, by Lawrence R. Spencer

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CATHOLIC CAT CURSE CATASTROPHE

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The decree that “cats are evil” by the catholic church created the conditions that lead up to THE BLACK DEATH by associating the common house cat with Satan. The Black Death is estimated to have killed 30% to 60% of Europe’s population, reducing the world’s population from about 450 million to between 350 and 375 million around 1400.

Remember that the plague was spread by fleas that lived on rats. A viscous cycle kept the disease going. Infected fleas would bite a rat, and the rodent would become infected. Then other fleas biting the infected rat would become infected themselves. Once the host rat died of the plague, any fleas living on it would find themselves homeless and would go in search of a new host. Unfortunately, this often took the form of a human. When the sick infected fleas bit the human in order to feed, the human would become infected. So why didn’t the Europeans just keep plenty of cats around to kill the rats and thereby reduce the incidence of the plague? They had cats at the time. They were originally brought to Europe by the Romans, who had discovered the felines in Egypt. Keeping pet cats as mousers had become popular in Europe by the time of the first plague.

The black plague, also known as the Black Death, is a disease caused by the bacterium Yersinia pestis. It enters the body through the skin and travels via the lymph system. The bacteria live in the digestive tracts of fleas. The fleas, of course, live off blood from a host, and when the fleas swallow the blood, it becomes infected with the bacteria. As the bacteria multiply inside the flea, an intestinal blockage forms, starving the parasite because nutrients cannot be absorbed. The flea vomits in an effort to clear the blockage, and since the flea is starving, it feeds voraciously. When the infected flea vomits the diseased blood into a bite site on a host animal or human, the host becomes infected with black plague.

The disease was once devastating, and the resulting death was horrible. There were actually three forms of the black plague – the bubonic form, the pneumonic form, and the septicemic form. Victims of the bubonic plague suffered painful swollen lymph nodes in the neck and the underarms, called buboes. They were also wracked with high fever, vomiting, pounding headaches, and gangrene. Some were so weak that they barely had the energy to swallow.

The pneumonic form was even more punishing. As the body tried to fight off the disease, large amounts of phlegm were produced. The victims had to constantly cough up sputum in an effort to breathe, and more than ninety-five percent of the time, the patient drowned in his own body fluids. The pneumonic form of the plague didn’t need rats or fleas to spread – it was an airborne bacterium spread by the coughs of infected individuals.

Septicemic black plague was a form of blood poisoning and had a mortality rate of one hundred percent. With this type of plague, the individual suffered from high fever and purple blotches on the skin. Fortunately, this deadliest form was also the rarest.

From the middle of the 1300s until the 1700s, the black plague terrorized much of Europe and parts of Asia. Most historians believe the plague was first brought to Europe on ships from Asia. The most likely culprit was the black rats that often foraged among the ships’ holds for food scraps. These were smaller relatives of the brown rats.

The initial outbreak of the plague in fourteenth-century Europe was the most virulent. In fact, much of the populations of England and France were decimated. In some parts of England the death toll was 50%. Some parts of France suffered an astounding loss of ninety percent of their populations.

Many modern readers assume that there was only one outbreak of the black plague, but there were actually several. In fact, it raged through Europe about once every generation until the beginning of the eighteenth century. One of the last major outbreaks occurred in England with the Great Plague of London, which took place in 1665-1666.

SOURCE: https://owlcation.com/humanities/Cats-and-the-Black-Plague