Category Archives: UNIVERSES

Universes are comprised of thoughts, ideas, dreams, illusions, delusions, which may also include stars, space, time, energy and objects. Or not. These are the universes of the author Lawrence R. Spencer, and others for whom he has an affinity.

...and other stuff, ALIEN INTERVIEW BOOK, ART, FREE ADVICE, LIVES, READING MATTER, UNIVERSES

SENTIENT BEINGS

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Is-Be

“Personally, it is my conviction that all sentient beings are immortal spiritual beings.  This includes human beings.  For the sake of accuracy and simplicity I will use a made-up word: “IS-BE”.  Because the primary nature of an immortal being is that they live in a timeless state of “is”, and the only reason for their  existence is that they decide to “be”.

No matter how lowly their station in a society, every IS-BE deserves the respect and treatment that I myself would like to receive from others.  Each person on Earth continues to be an IS-BE whether they are aware of the fact or not.”

— Airl.  Officer, Pilot and Engineer of the Roswell UFO, from the book ALIEN INTERVIEW

...and other stuff, LIVES, UNIVERSES

2001: A SPACE FAIL

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“OPEN THE POD BAY DOORS, HAL….”

“HAL?   WHAT’S HAPPENING HAL….?”

“SORRY DAVE…..YOU’RE SREWED…”

“Ooohhhh shiiiiiitt……”

2001: A Space Odyssey is a 1968 science fiction film produced and directed by Stanley Kubrick. The screenplay was co-written by Kubrick and Arthur C. Clarke, and was partially inspired by Clarke’s short story “The Sentinel”. Clarke concurrently wrote the novel of the same name which was published soon after the film was released. The story deals with a series of encounters between humans and mysterious blackmonoliths that are apparently affecting human evolution, and a space voyage to Jupiter tracing a signal emitted by one such monolith found on the moon. Keir Dullea and Gary Lockwood star as the two astronauts on this voyage, with Douglas Rain as the voice of the sentient computer HAL 9000 who has full control over their spaceship. The film is frequently described as an “epic film”, both for its length and scope, and for its affinity with classical epics.