Category Archives: POETIC NONSENSE

Poetry by Lawrence R. Spencer. Poetic nonsense by Lawrence R. Spencer and others. Haiku poems by Lawrence R. Spencer.

PLAYERS ON A STAGE

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I PLAY A ROLE IN THE THEATER OF LIFE.
A HUNDRED THOUSAND ENCORES UPON THIS STAGE.

I’VE PORTRAYED THE PART OF A MAN:
HARD, THRUSTING, BRUTAL, AND DOMINEERING.
I’VE BEEN CAST IN THE ROLE OF WOMEN:
AESTHETIC, SOFT, SUBMISSIVE, SECRET, AND PERSEVERING.

I CHERISH DRAMA. COMIC ABSURDITY.
TRAGIC PATHOS AND MYSTERY.
I WEAR A BODY LIKE A MASK.

I KNOW WHICH ROLE I’M PLAYING WHEN I PLAY.
THE SCENERY CHANGES. THE STAGE REMAINS.
THE MASKS MAY CHANGE:
THE PLAYERS STAY THE SAME.

— LAWRENCE R. SPENCER. 2012. —

TESLA-DETERMINISM

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automaton beingsPredeterminism is the idea that all events are determined in advance. Predeterminism is the philosophy that all events of history, past, present and future, have been already decided or are already known (by God, fate, or some other force), including human actions.

The concept of predeterminism implies that there is an unbroken chain of prior occurrences stretching back to the origin of the universe. In the case of pre-determinism, this chain of events has been pre-established, and human actions cannot interfere with the outcomes of this pre-established chain.

Tesla-determinism” is the observation and opinion of Nikola Tesla (arguably the most intelligent human in the history of Earth) that “Every living being is an engine geared to the wheelwork of the universe. Though seemingly affected only by its immediate surrounding, the sphere of external influence extends to infinite distance.” and  “The human being is a self-propelled automaton entirely under the control of external influences. Willful and predetermined though they appear his actions are governed not from within but from without.”
Although humans and other sentient being in the physical universe may be somewhat “self-determined” it is only with the context of a very finite and limited ability to influence the “wheelwork of the universe” of which the existence of all living  “engine”  is an automaton inextricably linked and predetermined by external influences.

“The gift of mental power comes from God, Divine Being, and if we concentrate our minds on that truth, we become in tune with this great power.”

Example:  In the Lensmen Series books, by E.E. Smith, the god-like guardians of civilization know as “Mentor” conceived a “Cosmic All” in which every detail of existence was envisioned and planned in advance.   Envisioning and causing every aspect of existence was a game played for the amusement of Mentor.

This idea does not necessarily exclude the notion that “divine” spiritual entities are creating and moving the “gears” of our universe.  Telsa was certainly aware of a “Divine Being”.  Our ability to determine our own existence depends on concentrating our minds to become in tune with “this great power”.   Tesla was certainly a preeminent practitioner of this ability.

~ Lawrence R. Spencer. 2016.

“…THEY’VE BUILT THEIR OWN PRISON…”

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MY DINNER WITH ANDRE is a 1981 film starring Andre Gregory and Wallace Shawn, written by Gregory and Shawn, and directed by Louis Malle, depicting a conversation between Gregory and Shawn (not necessarily playing themselves) in a chic restaurant in New York City. Based mostly on conversation, the film’s dialogue covers such things as experimental theatre, the nature of theatre, and the nature of life, contrasting Shawn’s modest, down-to-earth humanism with Gregory’s extravagant spiritual experiences.

TEXT ANNOTATIONS FROM THE SEGMENT OF THE FILM ABOVE:

“I mean, things don’t affect people the way they used to.
I mean, it may very well be that 1 0 years from now…
people will pay $1 0,000 in cash to be castrated…
just in order to be affected by something.
Well, why-why do you think that is? I mean, why is that?
I mean, is it just because people are lazy today, or they’re bored?
I mean, are we just like bored, spoiled children…
who’ve just been lying in the bathtub all day…
just playing with their plastic duck…
and now they’re just thinking, ”Well, what can I do?”
Okay. Yes. We’re bored.
We’re all bored now.
But has it every occurred to you, Wally, that the process…
that creates this boredom that we see in the world now…
may very well be a self-perpetuating, unconscious form of brainwashing…
created by a world totalitarian government based on money…
and that all of this is much more dangerous than one thinks…
and it’s not just a question of individual survival, Wally…
but that somebody who’s bored is asleep…
and somebody who’s asleep will not say no?
See, I keep meeting these people – I mean, uh,just a few days ago…
I met this man whom I greatly admire.
He’s a Swedish physicist. Gustav Bjornstrand.
And he told me that he no longer watches television…
he doesn’t read newspapers, and he doesn’t read magazines.
He’s completely cut them out of his life…
because he really does feel that we’re living in some kind of Orwellian nightmare now…
and that everything that you hear now contributes to turning you into a robot.
And when I was at Findhorn, I met this extraordinary English tree expert…
who had devoted his life to saving trees.
Just got back from Washington, lobbying to save the redwoods.
He’s 84 years old, and he always travels with a backpack…
’cause he never knows where he’s gonna be tomorrow.
And when I met him at Findhorn, he said to me, ”Where are you from?”
I said, ”New York.” He said, ”Ah, New York. Yes, that’s a very interesting place.
Do you know a lot of New Yorkers who keep talking about the fact that they want to leave, but never do?”
And I said, ”Oh, yes.” And he said, ”Why do you think they don’t leave?”
I gave him different banal theories. He said, ”Oh, I don’t think it’s that way at all.”
He said, ”I think that New York is the new model for the new concentration camp…
”where the camp has been built by the inmates themselves…
”and the inmates are the guards, and they have this pride in this thing they’ve built.
”They’ve built their own prison.
”And so they exist in a state of schizophrenia…
”where they are both guards and prisoners.
”And as a result, they no longer have – having been lobotomized –
”the capacity to leave the prison they’ve made…
or to even see it as a prison.”
And then he went into his pocket, and he took out a seed for a tree…
and he said, ”This is a pine tree.”
He put it in my hand and he said, ”Escape before it’s too late.”
See, actually, for two or three years now…
Chiquita and I have had this very unpleasant feeling that we really should get out.
We really feel like Jews in Germany in the late ’30s.
Get out of here.
Of course, the problem is where to go.
‘Cause it seems quite obvious that the whole world is going in the same direction.
See, I think it’s quite possible that the 1 960s…
represented the last burst of the human being before he was extinguished…
and that this is the beginning of the rest of the future, now…
and that from now on there’ll simply be all these robots walking around…
feeling nothing, thinking nothing.
And there’ll be nobody left almost to remind them…
that there once was a species called a human being…
with feelings and thoughts…
and that history and memory are right now being erased…
and soon nobody will really remember…
that life existed on the planet.
Now, of course, Bjornstrand feels that there’s really almost no hope…
and that we’re probably going back to a very savage…
lawless, terrifying period.
Findhorn people see it a little differently.
They’re feeling that there’ll be these pockets of light…
springing up in different parts of the world…
and that these will be, in a way, invisible planets on this planet…
and that as we, or the world, grow colder…
we can take invisible space journeys to these different planets…
refuel for what it is we need to do on the planet itself…
and come back.
And it’s their feeling that there have to be centers now…
where people can come and reconstruct a new future for the world.
And when I was talking to, uh, Gustav Bjornstrand…
he was saying that actually these centers are growing up everywhere now…
and that what they’re trying to do, which is what Findhorn was trying to do…
and, in a way, what I was trying to do –
I mean, these things can’t be given names…
but in a way, these are all attempts at creating a new kind of school…
or a new kind of monastery.
And Bjornstrand talks about the concept of”reserves” –
islands of safety where history can be remembered…
and the human being can continue to function…
in order to maintain the species through a dark age.
In other words, we’re talking about an underground…
which did exist in a different way during the Dark Ages…
among the mystical orders of the church.
And the purpose of this underground…
is to find out how to preserve the light, life, the culture…
how to keep things living.
You see, I keep thinking that what we need…
is a new language –
a language of the heart…
a language, as in the Polish forest, where language wasn’t needed.
Some kind of language between people that is a new kind of poetry…
that’s the poetry of the dancing bee that tells us where the honey is.
And I think that in order to create that language…
you’re going to have to learn how you can go through a looking glass…
into another kind of perception…
where you have that sense of being united to all things…
and suddenly you understand everything.”

REINCARNATION: THE PROOF ~ Maria Mozart and Alma Deutscher

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Alma Deutsher was born in 2005. At the date of this video performance of her OWN COMPOSITION she was ELEVEN YEARS OLD…. I don’t think there is any doubt that she is the reincarnation of the sister of Wolfgang Amadeus Mozart.  Read more about her amazing musical career….  https://en.wikipedia.org/wiki/Alma_Deutscher