Category Archives: INSIDE THE BOOK

Inside the book, Vermeer: Portraits of A Lifetime. Analysis of all the paintings of Johannes Vermeer. The book reveals for the first time that the women featured in the paintings of Johannes Vermeer were members of his own family, his daughters, his wife and mother-in-law, Maria Thins.

STRANGE FACES IN CENTRAL AMERICA

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“Amid the ruins of vast pyramid civilizations lay inexplicably intricate hieroglyphic writings and sculptures with oriental features; massive walls built with 30 ton stones fitted so precisely that a sheet of paper can not be inserted between them; and, stone heads with distinctly African faces wearing helmets, weighing 20 or 30 TONS each, which lay about randomly in the jungle. 
In the Yucatan at the ancient city of Xumal is found a magnificently sculpted building of stone named by the Spanish, “Casa del Gobernador” (House of the Ruler). The entire facade of the building is fitted with dozens of highly stylized representations of elephants! The elephants’ trunks are very easily identifiable and cannot be mistaken for anything else. Yet, there were no elephants on the American continents–at least not in recent history. So, how would the Olmec who carved the building know about elephants? The answer is obvious. The architects had seen elephants, either in Asia or Africa.
Remember, the Olmecs also carved 30-ton boulders into statues with African features, wearing helmets. Question: What kind of people wear helmets? Answer: Miners.
Also found at these sites are carvings which show people wearing helmets inside a stylized serpent cave using a tool which shoots out flame.
At Copan, there exist many sculptures of rulers who are clearly oriental, complete with characteristically slanted eyes, mustaches and beards (which the native Maya do NOT have). These sculptures are dismissed by archaeologists as inexplicable anomalies.”

— Excerpt from the book THE OZ FACTORS, by Lawrence R. Spencer

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THE ARTIST

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Vermeer Back Cover
Vermeer: Portraits of a Lifetime is written from what I imagine to be the perspective of the artist himself, with his passion, with empathy for his personal dream and tragedy, as well as his transcendent technical ability.  As a writer my vision is to reveal the nature of the immortal spirit — The Artist — through their own thoughts, rather than through the effete, intellectual interpretations of academics or journalists.
Paintings are the communication of the artist, inviting the viewer to participate together in their mutual creation of it.  It is my observation, that this can be supplemented with verbal descriptions of the painting by the artist — not about the “meaning” of the art — but, concerning the esoteric origins of it, the subtle technologies and careful observations brought to bear upon the creation of it.  The “meaning” of the painting is a purely subjective experience for every viewer.  I want to understand, more completely, the subjective experience of The Artist.  I am certain that many admirers would also.
“Priests of Art” attempt to place themselves between Mankind and The Artist, as surely as the priests of religion prevent the souls of Mankind from communicating directly with the gods. In order to understand an aesthetic or a spirit, one must “be” The Artist, as themselves, while as a viewer, participating in The Creation, as though it is their own. Creation is a collaboration of spirits, painting and viewing together in admiration of All Beings Who Create.

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THE AQUARIUM CLUB

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MARK TWAINI am a great admirer of Mark Twain (Samuel Clemens).  After reading his Autobiography I discovered that Mark Twain became increasingly   cynical, depressed and disillusioned by the behavior of the human race.  His revolutionary books, Huckleberry Finn and Tom Sawyer were protests against the institution of human slavery in a time when "owning people" for commonplace.  Toward the end of his life, in his 70s, Mark Twain became reclusive and bitter about the pain and suffering he witnessed on his extensive travels around the world during lecture tours.  This was compounded by the agony and personal responsibility he felt for the death of his infant son, the death of his daughters and his beloved wife.  The accumulated tragedy of his his observations and experience as a human being overwhelmed him in the end.  He died defeated by the pain of his own compassion for humanity and from the loss of the people he loved the most-- his family.

Many men who are "dreamers" and "visionaries", like Twain, are highly empathetic.  They FEEL the pain of other beings as a personal, subjective pain.  Some beings find relief from this chronic agony in drugs or alcohol.  Or, they just stop looking and caring.  Mark Twain found a temporary relief from his own pain in tobacco, humor, and a "collection" of young girls....

This article is re-posted from the Blog "Today I Found Out":
Samuel Clemens (aka, Mark Twain) used to “collect” girls between the ages of 10-16 years old.

On February 12, 1908, Clemens said, “I suppose we are all collectors… As for me, I collect pets: young girls — girls from ten to sixteen years old; girls who are pretty and sweet and naive and innocent — dear young creatures to whom life is a perfect joy and to whom it has brought no wounds, no bitterness, and few tears.”

Okay, so it isn’t actually as creepy as it initially sounds and in some ways is kind of sweet, but Samuel Clemens did love to entertain young girls.  Towards the end of Clemens life, he suffered quite a lot of hardship. His daughter Susy died in 1896 and his wife Olivia passed away in 1904, followed by a second daughter, Jean, in 1909. Clemens fell into a depression in the early 1900s and noted that while he had reached the grandfather stage of life, he had no grandchildren to keep him company. He therefore went about befriending young girls who he treated as surrogate granddaughters.ANGELFISH










The girls in question were the daughters of couples who ran in his same social circle. He often met them on boats carting him back and forth to England or Bermuda, as was the case with Helen Allen. Allen was just twelve years old when Clemens stayed with her family in Bermuda. Her father was the American Vice-Council in Bermuda; her grandmother had known Clemens’ wife as a child. Clemens said Allen was “perfect in character, lovely in disposition, and a captivator at sight,” everything that Clemens wanted in his collection of young girls.

The group of girls were called “Angel Fish” or “the Aquarium Club.” The name is derived from the fish that Clemens first saw in Bermuda. He decided on that name because the angelfish “is the most beautiful fish that swims.” Clemens would buy angelfish pins in Bermuda and present them to each of his girls. Out of a dozen or so original pins, at least one is still in existence. It currently resides in the Mark Twain Library in Redding, Connecticut.

So what exactly did a man in his late seventies do with a bunch of teenaged girls? All manner of innocent, grandfatherly things. Clemens invited the girls to concerts, the theatre, and to his own house for card games, billiards, and reading. While in Bermuda, several of his Angel Fish had fun riding in a donkey-pulled cart with him. Clemens initially called his estate “Innocence at Home” in honour of “his girls.” He kept in touch with them by exchanging letters when they couldn’t visit, but always kept a room available and hoped to have an Angel Fish “in it as often as Providence will permit.” Before you get too much of a “Michael Jackson” vibe, it should be noted that the girls were always accompanied by a chaperone; the room for the Angel Fish even had two beds to accommodate a mother or guardian along with a girl.

Besides the room, Clemens’ house also had a billiard room which was refashioned into a sort of shrine to the Angel Fish. Above the door was a sign that said “the Aquarium” and inside the walls were lined with framed photos of each of the Aquarium Club’s members.Mark-Twain1

As innocent as it all was, if some celebrity tried to do that today, the press would have a field day with it, insinuating all manner of disgusting things, whether there was any evidence of such acts or not. In his day, it wasn’t really much of a scandal, though Clemens’ remaining daughter, Clara, didn’t appreciate the behavior, perhaps being a tad jealous. When she returned to her father’s home from a stint in Europe to find that her father had collected a group of young girls to entertain, she made her father change the name of his house to “Stormfield” and stopped the household staff from saving letters from the Angel Fish. (Today the full collection of every surviving letter can be read in Mark Twain’s Aquarium: The Samuel Clemens-Angelfish Correspondence.)

The presence of chaperones probably should have put Clara’s mind at ease, but the letters Clemens wrote to his girls would definitely raise some eyebrows today. Shortly after Dorothy Harvey’s fourteenth birthday, he wrote to tell her “I wish I could have those free-gratis-for-nothing-voyages-&-nothing-to-do-but-look-at-you every day.” To Dorothy Quick, just eleven years old, he wrote after one of her visits, “I went to bed as soon as you departed, there being nothing left to live for after that, & all the sunshine gone. How do you suppose I am going to get along without you?” The letters showed his love and devotion to his girls and the enjoyment he experienced in spending time with them, but today parents would likely have used these letters as evidence in civil lawsuits.

mark-twain-154x210Despite this, only one relationship ever looked to be somewhat improper, and that wasn’t with one of his Angel Fish; further, the inappropriate overtures didn’t come from Clemens. The girl was Gertrude Natkin. He met her when she was fifteen and he was 70 in 1905.  The two exchanged letters and Natkin developed a “school girl crush” on Clemens and went somewhat overboard in expressing her affection for him through her letters. Clemens became concerned about this and distanced himself from her- his letters growing more and more infrequent, because he didn’t want to gain a reputation for impropriety nor encourage her affections, perhaps proving that he saw his Angel Fish as nothing more than granddaughters.  Certainly, at the time, an adult male courting a 15 year old girl wouldn’t have raised eyebrows, particularly if the suitor was well-to-do and not too old.  But at 70, it would have been a scandal even in that time period.

Clemens died on April 21, 1910 of a heart attack, just a few years after establishing the Aquarium Club for his Angel Fish. All in all, there were around a dozen members of the club who visited Clemens regularly until his death, but his enthusiasm for the club waned in the last year of his life; he complained that his girls were growing up too fast, complained about their boyfriends, and cut off one girl when she turned sixteen.  In the end, his fondness for them primarily lying in their innocence, as something of a breath of fresh air in a cynical world, waned as they gradually lost that defining feature of children."

AGREEMENT

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REALITY IS AGREEMENT

“DOESN’T ANYBODY BELIEVE ME?

Doesn’t anybody believe me?“–Dorothy

Of course we believe you, Dorothy…“–Uncle Henry in ‘The Wizard of Oz’

Is reality really real?

As Dorothy discovered when she returned back to Kansas, her friends and family did not agree that the Land of Oz was “reality”.

Conversely, gaining agreement from one’s friends does not guarantee that the information agreed upon is true or workable or survival. Agreement is not necessarily reality. Although Man seems to crave agreement with his fellows, the fact that “everyone agrees that the world is flat” or that “the sun revolves around the Earth”, does not make it a reality.

History has shown that agreements among people have very frequently proven to be disastrous.

Example: Adolph Hitler gained the complete, unabated agreement of the majority of the German population before he led them into total self-destruction.

Lots of people agree when fast food franchise advertisements tell them that cheeseburgers, fries and milk shakes are good for them. We were, and still are, told, based on “medical research” that these foods contain nutrients from all the “four basic food groups”. This doesn’t change the fact that you get fat, develop hardened arteries and die an early death from heart disease or cancer if you keep eating cheeseburgers, fries and shakes.

1ozdef_butThe unprecedented multi-billion dollar profit margins earned by the beef and dairy industry and sugar growers in cooperation with the fast food restaurant cartels have a heavy influence on “truth in advertising”. In addition, the quality of information we receive, as consumers, from the American Medical Association regarding “the science of nutrition” is directly influenced by fast food commercial interests.

Only one generation ago the Japanese people were nearly free of heart disease and cancer. In just 20 short years, since they have openly adopted the Standard American Diet (SAD)–cheeseburgers/French fries/milk shakes and liquid caffeine-filled sugar water called cola–the incidence of heart disease and cancer among the Japanese people has skyrocketed. The Japanese agreement with Western lifestyles is killing them.

Reality is often heavily influenced by the Oz Factor of agreement. Agreements influence our perception of reality. A child’s perception of his environment, his religious and political ideas and viewpoints about people are often heavily influenced by agreement with his mother and father.

Be cautious with whom you agree. Carefully examine ideas and information before you agree. Just because the preacher says, “sex is evil” or the President says, “I’m not a crook”, does not make it reality.

Be careful about agreeing with Wicked Witches and Wizards who promote unworkable solutions. By your own observation decide what is real in the Physical Universe and in Your Own Universe.  Your reality is based on your agreements.”

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THE OZ FACTORS Audiobook

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RED RISING REVIEW

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red rising“The Red Rising Trilogy is an epic Macho Cinderella Story. The story and characters are eloquently sculpted from well-weathered egalitarian clichés of Star-Wars-Hunger-Game-Of-Thrones post-apocalyptic-peasant-revolts set in a high-tech ultra-hierarchal-Greco-Roman-space-opera-society.  Brilliant prose, plot twists and legions of antagonists are collectively dedicated to dystopian gore, guts and glory of gold-obsessed class-based blood feuds wherein the purposelessness of human life is to learn to love pain and power.

Predictably, The “Golden Couple” get married and live happily ever after, as most human fantasy stories aspire… getting married, having babies, living in a castle, served and lauded by the peasants is a “happy ending”.

The unwritten story, as usual, is that humans all die, inevitably, with nostalgic finality to seek their reward in “The Veil”.

This trilogy is perfect Hollywood film fodder for servants of money-motivated vested interests of the planetary power elite. The subservient classes: Red, Pinks, Browns etc., will spend their minimum wages in theaters by the shovel full to wallow in the “beautiful dramatic pain” of egalitarian dreams crushed in the subterranean mines of Mars.

Sadly, the genius of Pierce Brown as a masterful wordsmith and epic storyteller is wasted on repeating the same worn out “Hero Epic” story line recycled ad nausea since the days of Homer. Humans live in painful servitude until they die to be rewarded in the “afterlife”.  All in a blink of the eye for the soulless of “gods” who worship power and gold.

Where have all the Immortals gone?  Buried in the gory-damn dust of impossible dreams.

~ Lawrence R. Spencer ~