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ANAMNESIS

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ANAMNESIS

Anamnesis (/ˌænæmˈnsɪs/) is a concept in Plato‘s epistemological and psychological theory that he develops in his dialogues Meno and Phaedo, and alludes to in his Phaedrus.

It is the idea that humans possess knowledge from past incarnations and that learning consists of rediscovering that knowledge within us.

Socrates suggests that the soul is immortal, and repeatedly incarnated; knowledge is actually in the soul from eternity, but each time the soul is incarnated its knowledge is forgotten in the shock of birth. What one perceives to be learning, then, is actually the recovery of what one has forgotten. (Once it has been brought back it is true belief, to be turned into genuine knowledge by understanding.) And thus Socrates (and Plato) sees himself, not as a teacher, but as a midwife, aiding with the birth of knowledge that was already there in the student.

Plato develops his Theory of Anamnesis, in part by combining it with his theory of Forms. First, he elaborates how anamnesis can be achieved: whereas in Meno nothing more than Socrates’ method of questioning is offered, in Phaedo Plato presents a way of living that would enable one to overcome the misleading nature of the body through katharsis (Greek: κάθαρσις; “cleansing” (from guilt or defilement), “purification”). The body and its senses are the source of error; knowledge can only be regained through the use of our reason, contemplating things with the soul (noesis). Secondly, he makes clear that genuine knowledge, as opposed to mere true belief (doxa), is distinguished by its content. One can only know eternal truths, for they are the only truths that can have been in the soul from eternity.

For the later interpreters of Plato, anamnesis was less an epistemic assertion than an ontological one. Plotinus himself did not posit recollection in the strict sense of the term, because all knowledge of universally important ideas (logos) came from a source outside of time (Dyad or the divine nous), and was accessible, by means of contemplation, to the soul as part of noesis. They were more objects of experience, of inner knowledge or insight, than of recollection.

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Socrates — (c. 469 BC – 399 BC) was a classical Greek Athenian philosopher. Credited as one of the founders of Western philosophy, he is an enigmatic figure known chiefly through the accounts of later classical writers, especially the writings of his students Plato and Xenophon and the plays of his contemporary Aristophanes.

Plato —  (428/427 BC– 348/347 BC) was a philosopher in Classical Greece. He was also a mathematician, student of Socrates, writer of philosophical dialogues, and founder of the Academy in Athens, the first institution of higher learning in the Western world. Along with his mentor, Socrates, and his student, Aristotle, Plato helped to lay the foundations of Western philosophy and science.

— Reference Source: Wikipedia.org

IMMORTAL FRIENDS

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PAN_telthonaimage by Telthona

~ below is an  excerpt from the book Pan-God of The Woods   

“Derek wondered how astronomers ever managed to get over the feeling of their own utter insignificance; a majestic humiliation brought on by this clashing contrast of magnitudes. The microcosm within the macrocosm; a flea on a flea on a flea on a flea, ad infinitum. The was, the is, and the will be of infinite space and time and matter and the inestimable magnitude and power of twinkling stellar energy: the face of God.

PAN GOD OF THE WOODS

There was nothing to save him from these thoughts except to sleep; to not be — until the chariot of dawn was driven by the sun to slay the dark illusion of the night and restore myopic sight to those who need eyes to see.

Towering trees seemed to touch the stars above him. Through the boughs a breeze whispered a hushed and haunting hymn.

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In sleep he dreamed he heard the simple piping of a flute. There were words he would not remember in the morning — words without a voice to sing them, as though a child were humming a rhyme to himself:

“I hide in the fuzz on a butterfly wing.

I ride the on waves of electron rings.

I hear the songs that a ladybug sings.

I can be small, like the tiniest things.

 I like to play leapfrog over the sun,

Run around Venus and Mars just for fun.

Jogging to Pluto is just a short run.

Heavenly hopscotch is easily done.

 By changing my viewpoint I’m smaller than small

I fly with my thoughts! I’ll never fall!

I decide to be none! I decide to be all!

I am immortal — immeasurably tall.

 You’re just a man! You’re weak and small!

I dare you to find me! I dare each and all!

You’ll never see me. You’ll never get near.

I am a god! I don’t have your fears!

 I’m here, then I’m there. I’m free to be free.

I don’t need to eat or breathe or pee!

I am who I am. It’s fun being me!

The same Pan I’ve been, and always will be!”

DEAD OR ALIVE

dead or aliveSamuel Butler (1835 – 1902) was an iconoclastic Victorian-era English author who published a variety of works. Two of his most famous pieces are the Utopian satire Erewhon and a semi-autobiographical novel published posthumously, The Way of All Flesh. He is also known for examining Christian orthodoxy, substantive studies of evolutionary thought, studies of Italian art, and works of literary history and criticism. Butler made prose translations of the Iliad and Odyssey, which remain in use to this day.