Category Archives: POETIC NONSENSE

Poetry by Lawrence R. Spencer. Poetic nonsense by Lawrence R. Spencer and others. Haiku poems by Lawrence R. Spencer.

BE AWAKE

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BE AWAKEmore thoughts from Sri Nisargadatta Maharaj  (17 April 1897 – 8 September 1981):

“My Guru ordered me to attend to the sense ‘I am’ and to give attention to nothing else. I just obeyed. I did not follow any particular course of breathing, or meditation, or study of scriptures. Whatever happened, I would turn away my attention from it and remain with the sense ‘I am’. It may look too simple, even crude. My only reason for doing it was that my Guru told me so. Yet it worked!”

“Give up all questions except one, “Who am I?” After all the only fact you are sure of is that you “are”. The “I am” is certain, the “I am this” is not. Struggle to find out what you are in reality. “

“Be content with what you are sure of. And the only thing you can be sure of is “I am”. Stay with it and reject everything else. This is Yoga.”

“Love says: “I am everything”. Wisdom says: “I am nothing”. Between the two my life flows.”

“To deal with things, knowledge of things is needed. To deal with people, you need insight, sympathy. To deal with yourself, you need nothing. Be what you are — conscious being — and don’t stray away from yourself.”

SNARKY PUPPY

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It’s Saturday Night everywhere at least once a week…. it’s my turn tonight.  Jazz and Mozart are my preferred non-toxic escape from reality when I need a Jolt of Joy you can only get from artistic perfection……  In this masterpiece of jazz perfection, the Grammy Award winnering group Snarky Puppy performs.  Cory Henry – keyboards (solo) – demonstrates why electronic keyboards were invented in a solo performance that is beyond genius!  We are not worthy of such sounds on this planet……

Snarky Puppy is a Brooklyn, New York-based instrumental fusion band led by Grammy Award-winning bassist, composer and producer Michael League.

This video is from the DVD “We Like It Here” (available at http://snarkypuppy.ropeadope.com) Recorded and filmed live (free of overdubs) from October 7-10 at Kytopia Studios in Utrecht, the Netherlands, for GroundUP Music. For more information and upcoming tour dates, please visit http://groundup.ropeadope.com or http://www.snarkypuppy.com.    Written, arranged, and produced by Michael League.

Personnel:
Michael League – bass
Shaun Martin – keyboards
Bill Laurance – keyboards
Cory Henry – keyboards (solo)
Justin Stanton – Fender Rhodes
Mark Lettieri – guitar
Bob Lanzetti – guitar
Chris McQueen – guitar
Nate Werth – percussion
Larnell Lewis – drums
Mike Maher – trumpet (solo)
Chris Bullock – sax (solo)
Bob Reynolds – sax
Jay Jennings – trumpet

Engineered by Eric Hartman, Roy Van Rosendaal, Mike Harrison, & Colin Benders.
Filmed by Andy LaViolette, Brad Holt, Emily Schwarting, Joseph Lafond, and Christi LaViolette.
Mixed by Eric Hartman in Dallas, Texas.
Mastered by Scott Hull at Masterdisk New York, NY.

STATES OF SUPERSTITION

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The idea that human beings in biological bodies can travel throughout intergalactic space, raise families on board a space craft, and freely interact with alien life forms is an example of superstition, based in science fiction, conjecture and wishful thinking….
HIGHER STATES OF STUPIDSTITION

LET’S TRY TO FORGET ABOUT THE HISTORY OF HUMAN SUPERSTITION AND STUPIDITY

AND PRETEND THAT WE HAVE EVOLVED INTO HIGHER STATES OF SUPERSTITION.

NOTHING WAS SOMETHING BEFORE THERE WAS “IS”

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Since time immemorial, curious people have asked where the universe came from. Nowadays we have a secular answer: the Big Bang. And yet that answer, incredible as it may be, is only partially satisfying. After all, we can still ask where the Big Bang came from; and we can still wonder, sensibly enough, how something (the universe) could come from nothing (whatever came before it). In his new book, On Being, Peter Atkins, a British chemist and science writer, offers an intriguing answer to those questions. To understand how something can come out of nothing, he writes, you have to appreciate the fact that “there probably isn’t anything here anyway” — that “at a deep level there is nothing” in the universe, really. “The substrate of existence,” he argues, “is nothing at all.”

Consider electrical charge. In our universe, there are positively and negatively charged particles. How did all that charge come into being out of nothingness? It didn’t, Atkins writes, since “the total charge is zero.” The Big Bang merely separated out a uniform state of chargelessness into many individual instances of charge, positive and negative. The same goes for matter and energy generally: the total amount of matter and energy in the universe seems to be balanced out by huge amounts of “dark matter” and “dark energy,” which express themselves in terms of gravitational attraction. The Big Bang didn’t create all that energy, as such. Instead, it seems to have turned an initial Nothingness into a “much more interesting and potent” Nothingness — a “Nothing that has been separated into opposites to give, thereby, the appearance of something.”

How much, if anything, does that explain? “The separation of Nothing into opposites still needs explanation,” Atkins concedes. Still, he writes, “it seems to me that such a process, though fearsomelessly difficult to explain, is less overwhelmingly fearsome than the process of positive, specific, munificent creation.” The main point is that the Big Bang doesn’t mark, necessarily, the creation of something out of nothing. If that happened at all — and it may be, Atkins points out, that there was has never been absolutely Nothing, in a total sense — then it probably happened further back in the pre-cosmological past. Instead, it marks the emergence of texture, differentiation, and particularity out of even, unchanging featurelessness. It’s not something out of nothing, but interestingness out of boredom.