Category Archives: ORDER OF OMEGA TIME TRAVEL CULT

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PRESCIENT ESCHATOLOGY

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Yesterday-CubeSome years ago I undertook the study of a heretofore unknown “science” which I named  “Prescient Eschatology”.  Being the inventor and first practitioner of this new “science”, I endowed myself with the honorary title of “Doctor of Prescient Eschatology“.  My first action of “predicting the future” was that I would become a student and professor of this new philosophical / theological / ontological / logical discipline.  Although highly esoteric in nature, the subject has maintained a vast appeal to nearly all of humanity throughout it’s brief history on Earth.  Everyone wants to know the past and predict or create the future!

Pre·scient  /ˈpreSH(ē)ənt/ Adjective  — Having or showing knowledge of events before they take place.

Eschatology  (from the Greek eschatos/eschatē/eschaton meaning “last” and -logy meaning “the study of”, first used in English around 1550)  is a part of theology, physics, philosophy, and futurology concerned with what are believed to be the final events of history, the ultimate destiny of humanity.  In the context of mysticism, the phrase refers metaphorically to the end of ordinary reality and reunion with the Divine.

The most obvious point of departure for the student into the subject of Prescient Eschatology is the fundamental understanding that time in the physical universe is an “eternal now”.  For the practical purposes of my study I use the following definitions:

A)  Time is a measurement of the motion and change of position of objects in space within the eternal now of the physical universe.

B)   The future is a logical extension of:

1) volition (the act or power of making choices or decisions) and   2) momentum (the product of the mass and velocity of an object) within the eternal now of existence in the physical universe.

Therefore, if we want to predict, change or create a future we must understand and/or alter volition and momentum by any means that can be effected on them.  The means and methods of creating a future are nearly infinite in an eternal now of possibilities.

As for the “past”, time travel, changing the past, memory of the past, etc., these are a discussion of “subjective reality” or personal opinion.   The “past” is entirely dependent upon the experience and opinion (whether agreed upon or not) from the unique point of view of each individual observer of the motion of objects in space, i.e. time.  The study of “time travel” is the singular topic of interest for which I have become a member of the highly exclusive and secretive society: THE ORDER OF OMEGA TIME TRAVEL CULT.   Should anyone be interested in becoming a member of this highly esoteric organization, please inquire using the contract procedures available through this Blog.

Enjoy The Journey of The Eternal Now!

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CLOTHES OF THE SOUL

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The BHAGAVAD GITA is an ancient Sanskrit text comprising 700 verses of the Mahabharata. The verses, using the range and style of Sanskrit meter (chandas) with similes and metaphors, are very poetic; hence the title, which translates to “the Song of the Divine One”, of Bhagavan in the form of Krishna. It is revered as sacred by the majority of Hindu traditions, and especially so by followers of Krishna. In general speech it is commonly referred to as The Gita. The content of the Bhagavad Gita is a conversation between Krishna and Arjuna taking place on the battlefield of Kurukshetra just prior to the start of a climactic war. Responding to Arjuna’s confusion and moral dilemma, Krishna explains to Arjuna his duties as a famous warrior and Prince and elaborates on number of different Yogic and Vedantic philosophies, with examples and analogies. This has led to the Gita often being described as a concise guide to Hindu philosophy.

PHOTOGRAPH:  taken during the 1930s in the workshop of Madame Tussauds  wax museum in London.  The museum was founded by wax sculptor Marie Tussaud (1761–1850) who was born in Strasbourg, France.  Her mother worked as a housekeeper for Dr. Philippe Curtius in Bern, Switzerland, who was a physician skilled in wax modelling. Curtius taught Tussaud the art of wax modelling.  Tussaud created her first wax figure, of Voltaire, in 1777.

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PLAYERS ON A STAGE

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I PLAY A ROLE IN THE THEATER OF LIFE.
A HUNDRED THOUSAND ENCORES UPON THIS STAGE.

I’VE PORTRAYED THE PART OF A MAN:
HARD, THRUSTING, BRUTAL, AND DOMINEERING.
I’VE BEEN CAST IN THE ROLE OF WOMEN:
AESTHETIC, SOFT, SUBMISSIVE, SECRET, AND PERSEVERING.

I CHERISH DRAMA. COMIC ABSURDITY.
TRAGIC PATHOS AND MYSTERY.
I WEAR A BODY LIKE A MASK.

I KNOW WHICH ROLE I’M PLAYING WHEN I PLAY.
THE SCENERY CHANGES. THE STAGE REMAINS.
THE MASKS MAY CHANGE:
THE PLAYERS STAY THE SAME.

— LAWRENCE R. SPENCER. 2012. —