Category Archives: ART

Paintings, photography, aesthetic objects, beautiful communication, and anything I consider to be art, artful, artistic, artsy or whatever.
Art is subjective. It is a quality of communication can be contributed to by the viewer through empathy or agreement with its creator.

THE ULTIMATE SHERLOCK HOLMES MYSTERY

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“My dear fellows! How delightful to see you both again. It has been several months since our most recent adventure together, so I surmise, Sherlock, that some new investigation in pressing upon you? Otherwise, I am sure that you would not bother yourself to venture to visit me personally at the club. Any matter of less urgency would certainly be addressed to me by letter, or telegram. Am I not correct?”, said Mycroft, grasping both of our hands in turn with cordiality.

“As always, your observation and supposition are accurate”, I said, confirming what was already obvious to my brother. “However, I assure you than the game that is afoot contains none of the gravity that others I have undertaken”. At this, Mycroft’s expression changed from one of concern to mild interest.

“Please take a seat and explain the particulars to me, if this room is suitable for discussion of details”, he said, waving his hand toward several richly upholstered leather chairs.

Mycroft is heavily built and massive, there was a suggestion of uncouth physical inertia in the figure, but above this unwieldy frame there is  perched a head so masterful in its brow, so alert in its steel-gray, deep-set eyes, so firm in its lips, and so subtle in its play of expression, that after the first glance one forgot the gross body and remembered only the dominant mind.

“I cannot think of a more suitable environment in which to discuss the nature of this case than that of a club founded on the philosophical principles of Cynicism”, I told him in a bland matter-of-fact tone.

“Let us fill our pipes”, I said reaching into my pocket for a tobacco poach and briar pipe, “as an explanation of the matter at hand will easily consume our meal time, as well as a portion of the evening.  Can a meal be served to us here, if it is not too great an imposition upon your generosity?”, I said as I sat down, ready to share as much information with my esteemed brother as would be necessary to facilitate his analysis of the matter.

“By all means, my dear Sherlock.  By all means!”, he said in eager anticipation of a mystery that might divert his attention from an otherwise unfulfilling evening of silent reading at the Club before retiring to his quarters for an equally uneventful night of dreamless sleep.

After recounting the details of my visit with Charles Dodgson and my subsequent invitation to him to dine with us at Baker Street, I summarized the nature of the matter.  Mycroft listened attentively while tamping and relighting his pipe several times in order to sustain a satisfactory stream of air through the stem.  When I had concluded my account, he raised his eyes to me.

“Well then, let us hear your suspicions, and I will look after the proofs”, said Mycroft.

“In short, my dear Mycroft, it appears that Mr. Dodgson, in league with Mr. Arthur Doyle, are accusing me and therefore all of my associates, of impersonating fictional characters! The assertion is that the stories published by Doyle as magazine serials, or in books, are merely works of his imagination. Moreover, this cad claims that the chronicles of my investigations, which are written by Dr. Watson, are innovations of his own. Can you conceive such a blatantly fraudulent accusation?”, I asked him.

Mycroft stared at me for a moment, and then with a glare turned in his chair and addressed Dr. Watson in an icy tone.

“Dr. Watson”, he said, “it is most obvious that the motivation for this absurd intrigue must begin with you. How is it that Mr. Doyle has come into the possession of your written accounts of the detective cases of Sherlock Holmes, and subsequently published them in his own name?”

— Excerpt from SHERLOCK HOLMES: MY LIFE  by Lawrence R. Spencer

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PROTEST SHIT

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PROTEST AGAINST SHITNo matter what your convictions, stand up and speak out against shit that’s fucked up!

PROTEST:
noun  1. an expression or declaration of objection, disapproval, or dissent, often in opposition to something a person is powerless to prevent or avoid
verb  1. to give manifest expression to objection or disapproval; remonstrate.
          2.  to make solemn or earnest declaration.

BOWLING HEADS

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13th Street – Bowlingheads

We designed special bowling balls together with famous spraygun artist Oliver Paass that look like cut-off heads. For more than three weeks he made detailed 360° layouts that were sprayed on standard bowling balls. In several German bowling alleys we swapped the standard balls for these special ones.  CHECK OUT THE VIDEO:  13th Street – Bowlingheads.

 

SNARKY PUPPY

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It’s Saturday Night everywhere at least once a week…. it’s my turn tonight.  Jazz and Mozart are my preferred non-toxic escape from reality when I need a Jolt of Joy you can only get from artistic perfection……  In this masterpiece of jazz perfection, the Grammy Award winnering group Snarky Puppy performs.  Cory Henry – keyboards (solo) – demonstrates why electronic keyboards were invented in a solo performance that is beyond genius!  We are not worthy of such sounds on this planet……

Snarky Puppy is a Brooklyn, New York-based instrumental fusion band led by Grammy Award-winning bassist, composer and producer Michael League.

This video is from the DVD “We Like It Here” (available at http://snarkypuppy.ropeadope.com) Recorded and filmed live (free of overdubs) from October 7-10 at Kytopia Studios in Utrecht, the Netherlands, for GroundUP Music. For more information and upcoming tour dates, please visit http://groundup.ropeadope.com or http://www.snarkypuppy.com.    Written, arranged, and produced by Michael League.

Personnel:
Michael League – bass
Shaun Martin – keyboards
Bill Laurance – keyboards
Cory Henry – keyboards (solo)
Justin Stanton – Fender Rhodes
Mark Lettieri – guitar
Bob Lanzetti – guitar
Chris McQueen – guitar
Nate Werth – percussion
Larnell Lewis – drums
Mike Maher – trumpet (solo)
Chris Bullock – sax (solo)
Bob Reynolds – sax
Jay Jennings – trumpet

Engineered by Eric Hartman, Roy Van Rosendaal, Mike Harrison, & Colin Benders.
Filmed by Andy LaViolette, Brad Holt, Emily Schwarting, Joseph Lafond, and Christi LaViolette.
Mixed by Eric Hartman in Dallas, Texas.
Mastered by Scott Hull at Masterdisk New York, NY.