Tag Archives: Robert Heinlein


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World As Myth

The Number of The Beast, by Robert Heinlein is a series of diary entries by each of the four main characters who describe their travels through time and parallel universes to The Land of Oz, and to Barsoom, the fictional planet (Mars) created by Edgar Rice Burroughs.  In the novel, the Biblical number of the beast turns out to be, not 666, but (6^6)^6, or 10,314,424,798,490,535,546,171,949,056, which is the initial number of parallel universes accessible through the continua device. It is later theorized by the character Jacob that the number may be merely the instantly accessible universes from a given location, and there is a larger structure that implies an infinite number of universes.  As in many of his later works, Heinlein refers to the idea of solipsism, but in this book develops it into an idea he called “World as Myth” —the idea that universes are created by the act of imagining them, so that all fictional worlds are in fact real.

Sherlock Holmes: My Life, by Lawrence R. Spencer is based on the same concept.  In my book, Sherlock Holmes is a REAL person, who lived and breathed.  The stories of his real-life detective investigations were published, without his knowledge or permission, in a conspiracy to defraud and deface the greatest detective who ever lived!  With the very able assistance of his brother, Mycroft Holmes — the most powerful man in the British government — a conspiracy between Dr. Watson, the authors of Peter Pan, and Alice’s Adventures in Wonderland, and powerful financial interests, is discovered and foiled!

I wrote the book long before I read The Number of The Beast.  However, I am pleased to discover the “great minds” a like-minded!  Why can’t there be a nearly infinite number of parallel universes?  If one can imagine a universe, you have created it.  It exists, at least for you, subjectively.  Is it possible that Sherlock Holmes and Robert Heinlein could be enjoying an adventure together right in this moment, in a parallel universe of their own design?  Now, THAT would be a really interesting universe!

Another book, The Big Bleep: The Mystery of A Different Universe, by Lawrence R. Spencer explores a similar theme.  It is a universe concocted from the universes of hardboiled “film noir” crime novel by Raymond Chandler, a convention of plants who decide to collectively “hold their breath” to prevent new oxygen from being created in order kill off all the evil humans on Earth, and a conglomeration of pulp comic Superheroes, fighting to help the “heroes” of the story Peter, The Potted Plant (a stand-up comic) and a “Public Dick” named Sam Shovel, owner of the Unexistential Detective Agency of America, to solve the mystery of the murder of Carmel Underwood and rescue humankind from extinction!  Simply stated, The Big Bleep is sort of like a Pulp Fiction version of Columbo riding a Harley-Davidson motorcycle through the movies The Maltese Falcon, Alice In Wonderland and The Wizard of Oz, with a Elvis and bunch of comic book super heroes bouncing back and forth between an X-Rated Universal Studios Botanical Garden Theme Park and a convoluted Las Vegas strip mall in a 5th Dimensional time warp!

The idea that universes are created by the act of imagining them is not new. Every history book in every library on Earth is a fictional universe filled with imagined events created by the conquerors of vanquished nations and extinct species in an imaginary time-line of undocumented fantasy!


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I recently read two books by Robert Heinlein: “The Cat Who Walked Through Walls”, which is the sequel to an earlier book, “The Moon is A Harsh Mistress“.   His books are full of witty wisdom, revolutionary revelation and practical philosophy.  Many of the ideas of the so-called “New Age” movement were written by Heinlein, who was, ironically, a military and scientific man, as well as a scholar and fiction writer.  Here are two of my favorite statements from these books….

“The Almighty-God idea came under attack because it explained nothing; it simply pushed all explanations one stage farther away. In the nineteenth century atheistic positivism started displacing the Almighty-God notion in that minority of the population that bathed regularly. Atheism had a limited run, as it, too, explains nothing, being merely ‘Godism’ turned upside down.”


godism upsidedown

“The hardest part about gaining any new idea is sweeping out the false idea occupying that niche. As long as that niche is occupied, evidence and proof and logical demonstration get nowhere. But once the niche is emptied of the wrong idea that has been filling it — once you can honestly say, “I don’t know”, then it becomes possible to get at the truth.”  

– Robert Heinlein, from the book THE CAT WHO WALKED THROUGH WALLS


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Stranger in a Strange Land is a 1961 satirical science fiction novel by American author Robert A. Heinlein. It tells the story of Valentine Michael Smith, a human who comes to Earth in early adulthood after being born on the planet Mars and raised by Martians. The novel explores his interaction with—and eventual transformation of—terrestrial culture. The title is an allusion to the phrase in Exodus 2:22. According to Heinlein, the novel’s working title was The Heretic. Several later editions of the book have promoted it as “The most famous Science Fiction Novel ever written”.  Heinlein got the idea for the novel when he and his wife had some brainstorming one evening in 1948, and she suggested a new version of Rudyard Kipling’s The Jungle Book, where a human child is raised by Martians instead of wolves. He decided to go further with the idea, and worked on the story on and off for more than a decade before it was complete.  In 1962, this version received the Hugo Award for Best Novel.  The book was a success from the start. Eventually Stranger in a Strange Land became a cult classic.


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I recently re-read my favorite science fiction books, discovering that, like most prophetic literature, they must be studied carefully and repeatedly to perceive many subtle layers of understanding and insight embodied in the text of six books.  In my opinion, the most revolutionary, groundbreaking and classic series of science fiction books ever published is The Lensman series.  This series was written by Edward Elmer “Doc” Smith, PhD.  All of the books in this profoundly important series are available in from Amazon.com (HERE) and the audiobook versions from Audible.com (HERE).  If you are a fan of science fiction, high technology, or of spiritual phenomenon, these books are mandatory reference material.

EE-Doc-SmithEdward Elmer Smith Ph.D. (also E. E. Smith, E. E. “Doc” Smith, Doc Smith, “Skylark” Smith, or—to his family—Ted) (May 2, 1890 – August 31, 1965) was an American food engineer (specializing in doughnut and pastry mixes) and early science fiction author, best known for the Lensman and Skylark series. He is sometimes called the father of space opera.

Another of my favorite writers is the iconic science fiction writer Robert A. Heinlein. He and Doc Smith were good friends. (Heinlein dedicated his 1958 novel Methuselah’s Children “To Edward E. Smith, Ph.D.”.  Heinlein reported that E. E. Smith perhaps took his “unrealistic” heroes from life, citing as an example the extreme competence of the hero of Spacehounds of IPC. He reported that E. E. Smith was a large, blond, athletic, very intelligent, very gallant man, married to a remarkably beautiful, intelligent red-haired woman named MacDougal (thus perhaps the prototypes of ‘Kimball Kinnison’ and ‘Clarissa MacDougal’). In Heinlein’s essay, he reports that he began to suspect Smith might be a sort of “superman” when he asked Smith for help in purchasing a car. Smith tested the car by driving it on a back road at illegally high speeds with their heads pressed tightly against the roof columns to listen for chassis squeaks by bone conduction—a process apparently improvised on the spot.

In his non-series novels written after his professional retirement, Galaxy Primes, Subspace Explorers, and Subspace Encounter, E. E. Smith explores themes of telepathy and other mental abilities collectively called “psionics”, and of the conflict between libertarian and socialistic/communistic influences in the colonization of other planets.Lensman Series

Although the language, slang and cultural references are antiquated, I must continually remind myself that these books were written primarily during the 1930s! Long before atomic bombs became a reality, Doc Smith describes atomic and electronic weapons in detail.  His technical conceptions and detailed descriptions of engines and spacecraft capable of interstellar, intergalactic, and hyper-spacial have no equal.

Doc Smith (an doughnut and cake mix engineer by trade in “real” life) conjures a fictionalized history of the human race (civilization) engendered and nurtured by a race of super-beings of infinite, incorporeal origins.  The nemesis of Civilization are the equally intelligent and capable race of Edorians.  A convergence of two galaxies co-mingled these antagonists onto an evolutionary battleground — perpetual warfare lasting billions of years.  The parallels and contrasting behavior characteristics of the “good guys” vs “bad guys” reveal the essence of who we are, and could become on this planet.

George Lukas, creator of the Star Wars films relates in his autobiography that his films were inspired by the Lensman books.   However, even these unprecedented films reveal only a dim shadow cast by the brilliant light of science fiction literature created by Doc Smith. The characters, conflicts, technology he describes are so hauntingly “real” that one wonders whether Doc Smith wrote his stories as fantasies, or from his own “memory” as in infinitely ancient spiritual being, drawing from his the primordial past of  “A long time ago, in a galaxy far, far away…“!

Originally, the Lensman Series was published in pulp fiction magazines. The complete series in sequence and their original publication dates are:

  1. Triplanetary (1948. Originally published in four parts, January–April 1934, in Amazing Stories)
  2. First Lensman (1950, Fantasy Press)
  3. Galactic Patrol (1950. Originally published in six parts, September 1937 – February 1938, in Astounding Stories)
  4. Gray Lensman (1951. Originally published in four parts, October 1939 – January 1940, Astounding Stories)
  5. Second Stage Lensmen (1953. Originally published in four parts, November 1941 – February 1942, Astounding Stories)
  6. Children of the Lens (1954. Originally published in four parts, November 1947 – February 1948, Astounding Stories)
  7. And, a sequel, The Vortex Blaster (1960. Published with the title Masters of the Vortex in 1968)


Originally, the series consisted of the final four novels published between 1937 and 1948.  Smith rewrote his 1934 story Triplanetary, originally published in Amazing Stories, to fit in with the Lensman series. First Lensman was written in 1950 to act as a link between Triplanetary and Galactic Patrol and finally, in the years up to 1954, Smith revised the rest of the series to remove inconsistencies between the original Lensman chronology and Triplanetary.

Smith’s novels are generally considered to be the classic space operas, and he is sometimes called the “first nova” of twentieth century science fiction.  Smith expressed a preference for inventing fictional technologies that were not strictly impossible (so far as the science of the day was aware) but highly unlikely: “the more highly improbable a concept is—short of being contrary to mathematics whose fundamental operations involve no neglect of infinitesimals—the better I like it” was his phrase.

For more detailed information about The Lensman Series and other books by EE Smith, and about this truly amazing man, read http://en.wikipedia.org/wiki/E._E._Smith