Tag Archives: body

LAND OF THE DEAD

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Land of The DeadIn the fanciful world of the Pirates of The Caribbean films, the living and the dead sail the same seas together — one above, one below.  The dead share the same thirst, hunger and lust as the living, but cannot slake them unless they inhabit a body.  Yet, how much different are the adventures of the living and dead?  Those beings with bodies are called the “living”.  Yet, are not those without bodies also alive in eternity as spiritual beings?  Physical sensation is pale, fragile and temporary and nearly always far less satisfying than imagined in the mind! Inevitably every “living” person will sail The Sea of Life to the same destination: The Land of The Dead.  Who accept the “living” claim that “gettin’ back” is the problem?

It’s easy to die.  Everyone does it inevitably.  But, how easy is it to “live” in a body?  The real problem for a spiritual being is Living in The Land of The Dead eternally.  And, perhaps, it may be wise to avoid “gettin’ back” all together to save repeating the same folly that caused the pain, sorry and disappointments we suffered because we were encumbered by a body!

~ Lawrence R. Spencer. 2016

DIVINE DISOBEDIENCE

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Use Your Divine Creativity to Free Your Self from Obedience!

DIVINE DISOBEDIENCE

DIVINE DISOBEDIENCE CREATES FREEDOM!

obe·di·ent

adjective \-ənt\

: submissive to the restraint or command of authority : willing to obey

di·vine

adjective

: possessing the characteristics, or creative abilities of a god or immortal spiritual being.

free

adjective

: exempt from external authority, interference, restriction, etc., as a person or one’s will, thought, choice, action, etc.; independent; unrestricted.

cre·ate

verb (used with object)

 : to cause to come into being, as something unique that would not naturally evolve or that is not made by ordinary processes.

SHADOW HAIKU

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SHADOW HAIKU

A traditional Japanese haiku is a three-line poem with seventeen syllables, written in a 5/7/5 syllable count. Often focusing on images from nature, haiku emphasizes simplicity, intensity, and directness of expression.  Haiku began in thirteenth-century Japan.  In contrast to English verse typically characterized by meter, Japanese verse counts sound units known as “on” or morae. Traditional haiku consist of 17 on, in three phrases of five, seven and five on respectively.  Among contemporary poems teikei (定型 fixed form) haiku continue to use the 5-7-5 pattern while jiyuritsu (自由律 free form) haiku do not.

A Classic EXAMPLE:

An old pond!

A frog jumps in–

the sound of water.

 For more detailed information about Haiku, visit the website, 

HOW TO WRITE A HAIKU POEM:  http://www.wikihow.com/Write-a-Haiku-Poem