HUNGER GAMES: A TASTE OF THE NEW WORLD ORDER

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The Hunger Games is set in world that is exactly what is described to be the New World Order: A rich and powerful elite, an exploited and dumbed-down mass of people, the dissolving of democracies into a police state entities, high-tech surveillance, mass media used for propaganda and a whole lot of blood rituals. There is indeed nothing optimistic in the dystopian future described in The Hunger Games. Even human dignity is revoked as the masses are forced to watch their own children killing each others as if they were caged animals. That being said, there is little to no difference between movie goers who watch the movie The Hunger Games and the masses in the movie that witness the cruelty of the Games. Both are willing participants in an event that portrays the sacrifice of their own under the amused eye of the elite. Furthermore, one can argue that the movie accomplishes the same functions as the Games in the movie: Distracting the masses with blood and sex while reminding it of the elite’s power.

Is The Hunger Games attempting to warn an apathetic youth of the danger of allowing the current system to devolve into a totalitarian nightmare? Or is it simply programming it to perceive the coming of a New World Order as an inevitability? That question is up for debate. But reading what is being said in the mass media about The Hunger Games, it seems there is an even more important question up for debate: Are you Team Peeta or Team Gale?

READ THE WHOLE ARTICLE HERE:  http://vigilantcitizen.com/moviesandtv/the-hunger-games-a-glimpse-at-the-new-world-order/

DOORWAYS INTO ALTERNATIVE REALITIES

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“…all the black holes found so far in our universe—from the microscopic to the supermassive—may be doorways into alternate realities.  According to a mind-bending new theory, a black hole is actually a tunnel between universes—a type of wormhole. The matter the black hole attracts doesn’t collapse into a single point, as has been predicted, but rather gushes out a “white hole” at the other end of the black one, the theory goes.”   —  http://news.nationalgeographic.com/news/2010/04/100409-black-holes-alternate-universe-multiverse-einstein-wormholes/#

black-holes-hold-universe_18665_990x742

OUIJA FORCE

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The ouija (/ˈwə/ WEE-jə, /-i/ jee), also known as a spirit board or talking board, is a flat board marked with the letters of the alphabet, the numbers 0–9, the words “yes”, “no”, “hello” (occasionally), and “goodbye”, along with various symbols and graphics. It uses a small heart-shaped piece of wood or plastic called a planchette. Participants place their fingers on the planchette, and it is moved about the board to spell out words. “Ouija” was formerly a trademark belonging to Parker Brothers, and has subsequently become a trademark of Hasbro, Inc. in the United States,[1][2] but is often used generically to refer to any talking board. According to Hasbro, players take turns asking questions and then “wait to see what the planchette spells out” for them. It is recommended for players over the age of eight.[3]

Following its commercial introduction by businessman Elijah Bond on July 1, 1890,[1] the ouija board was regarded as a parlor game unrelated to the occult until American spiritualist Pearl Curran popularized its use as a divining tool during World War I.[4] Spiritualists claimed that the dead were able to contact the living and reportedly used a talking board very similar to a modern ouija board at their camps in Ohio in 1886 to ostensibly enable faster communication with spirits.

One of the first mentions of the automatic writing method used in the ouija board is found in China around 1100 AD, in historical documents of the Song Dynasty. The method was known as fuji “planchette writing”. The use of planchette writing as an ostensible means of necromancy and communion with the spirit-world continued, and, albeit under special rituals and supervisions, was a central practice of the Quanzhen School, until it was forbidden by the Qing Dynasty.[13] Several entire scriptures of the Daozang are supposedly works of automatic planchette writing. According to one author, similar methods of mediumistic spirit writing have been practiced in ancient India, Greece, Rome, and medieval Europe.[14]

Talking boards

As a part of the spiritualist movement, mediums began to employ various means for communication with the dead. Following the American Civil War in the United States, mediums did significant business in presumably allowing survivors to contact lost relatives. The ouija itself was created and named in Baltimore, Maryland, in 1890, but the use of talking boards was so common by 1886 that news reported the phenomenon taking over the spiritualists’ camps in Ohio.[5]

Wikipedia.org

EMPATHY

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FACES OF Lee Jeffries

Definition of EMPATHY

1
: the imaginative projection of a subjective state into an object so that the object appears to be infused with it
2
: the action of understanding, being aware of, being sensitive to, and vicariously experiencing the feelings, thoughts, and experience of another of either the past or present without having the feelings, thoughts, and experience fully communicated in an objectively explicit manner.
3
: Ability to imagine oneself in another’s place and understand the other’s feelings, desires, ideas, and actions. The empathic actor or singer is one who genuinely feels the part he or she is performing. The spectator of a work of art or the reader of a piece of literature may similarly become involved in what he or she observes or contemplates.

YOU ARE AWARENESS

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Ramana Maharshi (30 December 1879 – 14 April 1950) was an Indian Hindu sage and jivanmukta (liberated being). He was born Venkataraman Iyer, but is most commonly known by the name Bhagavan Sri Ramana Maharshi.

He was born in Tiruchuli, Tamil Nadu, India. In 1895, an attraction to the sacred hill Arunachala and the 63 Nayanmars was aroused in him, and in 1896, at the age of 16, he had a “death-experience” where he became aware of a “current” or “force” (avesam) which he recognised as his true “I” or “self”,and which he later identified with “the personal God, or Iswara”, that is, Shiva. ~ Wikipedia.org