Category Archives: UNIVERSES

Universes are comprised of thoughts, ideas, dreams, illusions, delusions, which may also include stars, space, time, energy and objects. Or not. These are the universes of the author Lawrence R. Spencer, and others for whom he has an affinity.

VISIT TO PICASSO

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I own a video cassette copy of a film (The Mystery of Picasso) showing Pablo Picasso painting on a plate of glass, filmed from the opposite side.  As an oil painter myself, I found it utterly mesmerizing!  I was delighted when I found an earlier film on YouTube (in 2 parts below) showing similar footage of Picasso at work in his studio sixty-three year ago, in 1949.  (This film is nearly as old as I am!)

Visit to Picasso is a Belgian documentary film from 1949 directed by Belgian filmmaker Paul Haesaerts. In an effort to capture the nature of Picasso’s creative process, Paul Haesaerts asked the Spanish painter to apply his magical brushstrokes to large glass plates as Haesaerts filmed from the other side. This actually predates the more famous art film The Mystery of Picasso (1956) by Henri-Georges Clouzot in which Picasso also paints to large transparent canvases as the director films from the other side. The filming took place in Picasso’s studio in Vallauris. In 1951 Visit to Picasso was nominated for best documentary by the British Academy of Film and Television Arts (BAFTA).  Even if you are not an artist or art connoisseur, you may appreciate this film.

Vivre la vie avec un esprit de l’art de!

WE’RE ALL MAD HERE

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CHESHIRE CAT

“I suppose you are right Mr. Holmes. It is difficult, if not impossible, to stay apace of your ability to remain logical in the face of a situation which is so absurdly enigmatic. You are proposing that the philosophical paradigm of reality should be considered of equal importance with fiction. How can you ever solve a criminal case, your occupation, if every piece of hard evidence could be a contrivance of imagination on the part of the investigator or of the criminal?”, said Mr. Dodgson.

“Quite the contrary”, I said. “But rather than keeping to my methods alone, let me ask you what meaning you attribute to the following passage in your book”, I said, turning to the page which described in the encounter between Alice and the Cheshire Cat.

“Let me read your own words to you.”

“…she was a little startled by seeing the Cheshire Cat sitting on a bough of a tree a few yards off.

The Cat only grinned when it saw Alice. It looked good-natured, she

thought: still it had VERY long claws and a great many teeth, so she

felt that it ought to be treated with respect.

‘Cheshire Puss,’ she began, rather timidly, as she did not at all know

whether it would like the name: however, it only grinned a little wider.

‘Come, it’s pleased so far,’ thought Alice, and she went on. ‘Would you

tell me, please, which way I ought to go from here?’

‘That depends a good deal on where you want to get to,’ said the Cat.

‘I don’t much care where–‘ said Alice.

‘Then it doesn’t matter which way you go,’ said the Cat.

‘–so long as I get SOMEWHERE,’ Alice added as an explanation.

‘Oh, you’re sure to do that,’ said the Cat, ‘if you only walk long

enough.’

Alice felt that this could not be denied, so she tried another question.

‘What sort of people live about here?’

Sherlock Holmes Audio on AUDIBLE.COM and iTUNES‘In THAT direction,’ the Cat said, waving its right paw round, ‘lives

a Hatter: and in THAT direction,’ waving the other paw, ‘lives a March

Hare. Visit either you like: they’re both mad.’

‘But I don’t want to go among mad people,’ Alice remarked.

‘Oh, you can’t help that,’ said the Cat: ‘we’re all mad here. I’m mad.

You’re mad.’

‘How do you know I’m mad?’ said Alice.

‘You must be,’ said the Cat, ‘or you wouldn’t have come here.’

Alice didn’t think that proved it at all; however, she went on ‘And how

do you know that you’re mad?'”

“So, Mr. Dodgson, let me pose the same question to you that young Alice asked of the chimerical cat in your own story: how do you know whether you are mad or not mad? How would you satisfy yourself that I am not mad? How do we know that everyone is mad or not mad?”, I said, rising from my chair to place the manuscript upon the sideboard. 

I refilled my pipe once again, in anticipation of the protracted debate that was sure to follow on the heels of these profoundly, absurd, yet existential queries and arguments.

Mr. Dodgson did not seem the least bit nonplussed by my insinuation  regarding his sanity, or the sanity of all. Rather, he thanked us very cordially for our hospitality, rose from his chair and reached the door to exit the apartment. As he reached the door he turned back to me. 

“Mr. Holmes, I will leave the resolution of this mystery entirely in your very capable hands. If anyone were able to solve the questions you pose to me, I assure you that I am not that man. Neither are any of the mentors whom I have studied, including Sir Isaac himself. I trust that you will be kind enough to inform me of your eventual success, if such is possible. Good day to you, gentlemen”.”

Excerpted from the book SHERLOCK HOLMES: MY LIFE, by Lawrence R. Spencer

Support independent publishing: Buy this book on Lulu.

FOLLOWING

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“Do not seek to follow in the footsteps of the wise. Seek what they sought”.

— *Basho, (1644-1694)

This is good advice. However, I would amend it to say “Follow in the footsteps of the wise and seek what they sought”.  The harmonics of wisdom recognize the gradient scale of wisdom.  Wisdom is relative to all other wisdom.
In the teaching of wisdom, one much become  a good follower.  Yet to follow effectively one must lead others.  Basho exemplified the most able of wise men.  At the time of his death, Basho had more than 2000 students.
Yet, here is the eternal right of the individual to disdain from the playing of games simply to enjoy the serene and simple state of Being.   Or, the enjoy the pleasure of Creation for its own sake, without regard to an audience.  However, it is far easier to preach to the choir than to enlighten the “heathen”.

Here are a few of the wonderful  *Haiku poems attributed to Bash (they may not have retained their purity in the English translation, but you get the flavour of them):

An old pond!
A frog jumps in-
The sound of water.

____________

The years first day
thoughts and loneliness;
the autumn dusk is here.

____________

Poverty’s child –
he starts to grind the rice,
and gazes at the moon.

____________

A weathered skeleton
in windy fields of memory,
piercing like a knife

____________

*DEFINITION OF HAIKU: Haiku is one of the most important form of traditional Japanese poetry. Haiku is, today, a 17-syllable verse form consisting of three metrical units of 5, 7, and 5 syllables. Since early days, there has been confusion between the three related terms Haiku, Hokku and Haikai. The termhokku literally means “starting verse”, and was the first starting link of a much longer chain of verses known ashaika. Because the hokku set the tone for the rest of the poetic chain, it enjoyed a privileged position in haikaipoetry, and it was not uncommon for a poet to compose ahokku by itself without following up with the rest of the chain.

The name Basho (banana tree) is a sobriquet he adopted around 1681 after moving into a hut with a banana tree alongside. He was called Kinsaku in childhood and Matsuo Munefusa in his later days.