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Lawrence R. Spencer interview on Blogtalk Radio with Aingel Rose O’Grady and AHONU
THE INTERVIEW BEGINS AT 06:45
Republished by Blog Post Promoter
Lawrence R. Spencer interview on Blogtalk Radio with Aingel Rose O’Grady and AHONU
THE INTERVIEW BEGINS AT 06:45
Republished by Blog Post Promoter
Before you “believe” anything you see or read, ANSWER THESE FIVE QUESTIONS:
1) WHO IS THE SOURCE OF THE MATERIAL?
(The names of the persons or organizations who wrote, produced and distributed it)
2) WHO PAID FOR IT?
3) WHO WILL PROFIT FROM IT?
4) WHAT IS THE UNWRITTEN or UNSPOKEN “SPIN” OF THE MESSAGE IT CONTAINS?
5) WHAT IS THE INTENDED EFFECT ON ME , THE COMMUNITY, THE COUNTRY and THE WORLD?
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DATE OF SHOW: Saturday, 28th June, 2014.
Angeal Rose & AHONU speak with Lawrence Spencer about the implications of his book Alien Interview and more. Mr. Spencer is the author of 9 books. His books explore facts and fantasies of universes, both physical and spiritual, including western history, art, mythology, personal spiritual immortality, logic and science fiction. Our particular interest today is that he is the editor of the book ALIEN INTERVIEW, which includes transcripts, letters and personal notes provided by the late Army Air Force Nurse Matilda McElroy concerning the Roswell UFO crash in 1947. We discuss the Roswell crash and purported dialogues Ms. McElroy had with a surviving alien. Mr. Spencer can be contacted on his book blog at http://www.alieninterview.org/blog
Mr. Spencer started off by describing what happened when the US dropped the atomic bomb on Nagasaki and Hiroshima. He talked about how Matilda McElroy got involved in the beginning and more.
We discussed how Matilda McElroy had first hand access to the surviving alien found at the crash site in Roswell, NM.
Mr. Spencer outlined how Matilda McElroy found out about the alien bases on the Moon, the alien bases in the Himalayan mountains and about her own contract as a ET belonging to the Domain herself. This led to her choice of voluntary self-administered euthanasia near the Hill of Tara in Ireland in the 90′s.
She went into a form of witness protection program after the investigation and how all the material was suppressed and the public was fed a mix of distorted lies and untruths.
We discussed the evidence that led to the Roswell crash in the first place, and then spoke about the Earth as a prison planet. We talked about inhabiting a human body in the whole process of reincarnation. We spoke about the discoveries in Zechariah Sitchen’s work. We talked about the Sumerians and the Egyptians and then about the whole business of sexual reproduction and its impact on humanity to this day. Then we spoke a little about the awakening process of humanity and in the last few minutes, how our origins as self-aware consciousness began and how we are co-creators living the eternal now in the universe.
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THIS IS A “FALSE FLAG” UFO ATTACK INCIDENT CREATED BY ORSON WELLS IN A LIVE BROADCAST ON CBS RADIO IN 1938
The War of the Worlds was an episode of the American radio drama anthology series Mercury Theatre on the Air. It was performed as a Halloween episode of the series on October 30, 1938 and aired over the Columbia Broadcasting System radio network. Directed and narrated by Orson Welles, the episode was an adaptation of H. G. Wells‘ novel The War of the Worlds.
The first two thirds of the 60-minute broadcast were presented as a series of simulated “news bulletins”, which suggested to many listeners that an actual alien invasion by Martians was currently in progress. Compounding the issue was the fact that the Mercury Theatre on the Air was a ‘sustaining show’ (it ran without commercial breaks), thus adding to the program’s quality of realism. Although there were sensationalist accounts in the press about a supposed panic in response to the broadcast, the precise extent of listener response has been debated.
In the days following the adaptation, however, there was widespread outrage. The program’s news-bulletin format was decried as cruelly deceptive by some newspapers and public figures, leading to an outcry against the perpetrators of the broadcast, but the episode secured Orson Welles’ fame.