Category Archives: SOUNDS

Music, video or voice recordings that relate to Life, Universes and Other Stuff

LIMITED TIME DVD / BOOK OFFER

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Watch the trailer for this Limited Edition DVD:

This Limited Edition DVD is introduced by Lawrence R. Spencer, Editor of Alien interview, in a 20 minute lecture before a live audience and global internet audience in 2014.  Several of the favorite chapters of the book are illustrated and enhanced by a marvelous audio / video presentation, co-produced with an Emmy Award winning TV producer. The video is narrated by audiobook voice performers Lyanne Greystoke and Kendra Hoffman as the “voices” of Airl and Nurse Matilda.  Three favorite chapters are narrated and illustrated in this DVD, including “A Letter from Nurse MacElroy“, “A Lesson in History“, “A Lesson in Biology” and “A Lesson in Immortality“.   This DVD is intended to expand and enhance your personal understanding of the Top Secret information revealed in the transcripts and letters published in Alien Interview. Proceeds from the sale of this DVD will be used to pay for distribution of a growing number of foreign language translations of this book to as many Is-Bes on Earth as possible.

“Most of the IS-BEs on Earth are good, honest, able beings: artists, managers, geniuses, free thinkers and revolutionaries who have harmed no one, really. They are no threat to anyone except the criminals who have imprisoned them.They must find out about the “Old Empire” amnesia and hypnosis operation. They must remember their own past lives. The only way this will ever happen is to communicate, coordinate and fight back. We have to tell other people and they have to discuss it openly with each other. Communication is the only effective weapon against secrecy and oppression.” 

~ Nurse Matilda MacElroy, Alien Interview

WHY I LOVE SHERLOCK HOLMES

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tumblr_mhfaalo5Bt1r1473do1_500If you speak the English language, (which very few American do), you will appreciate that the period during which Arthur Conan Doyle wrote the Sherlock Holmes detective stories was, without question, the most prolific era in English literature.  I have written a fictional “autobiography” which in intended to embody and resurrect the culture, literature and mystique of Great Britain at the pinnacle of it’s Imperialistic and Literary Majesty.  Although the British Empire has relinquished it’s global domination of subservient nations, since World War I, to the burgeoning New World Order the English language now dominates as the preferred language the “gods” of the current era, The International Cabal of Global Corporations.  Ironically, Sherlock Holmes elder brother, Mycroft, was arguably the most powerful man in England, serving the Queen as the unofficial director of the Secret Information Services in the Offices of the Chancellor of The Exchequer.

I love Sherlock Holmes because he is a man of preeminent Sherlock Holmes Audio on AUDIBLE.COM and iTUNESpersonal integrity and idiosyncrasy.  Above all things he loved music and smoking Latakia and Cavendish tobacco in pipes, which were universally smoked by men during the Victorian Age.   I managed a pipe and tobacco store for two years, early in my life, and very much enjoy the avocation of pipe smoking!  I the visual effect of observing smoke drifting in languid drafts toward the ceiling, combined with the elegant flavor of fine pipe tobacco evokes a sublime, meditative state of being.

Mr. Holmes also enjoyed solitude, alchemy, intellectual stimulation, cocaine, mystery, action and adventure!   He disdained personal notoriety, wealth and sex.  Sherlock was an intensely private person, preferring the disheveled, masculine clutter of his rooms at Baker Street, rather than submit himself to the domesticated order of matrimony.  Sherlock was a living demonstration of the adage, “If you want to move quickly, move alone”.

This book incorporates and amalgamates the authors, as characters, and their classic works of fiction of the 19th century, into the professional and private life of Sherlock Holmes — as a living, rather than fictional, person —  including:  Peter Pan, Dr. Jekyll and Mr. Hyde, Frankenstein, Dracula, Alice in Wonderland, as well as all of the Adventures of Sherlock Holmes, and the infamous life of Sir Arthur Conan Doyle himself!

During my many years invested in the creation of the Sherlock Holmes “autobiography” I read everything written by Arthur Conan Doyle and about him as an individual.  I read all of the literature of the age.  Moreover, I applied the principles of investigatory observation for which Sherlock Holmes is universally famous to discover that, in fact, Sherlock Holmes was a real person!  The details of an extensive and elaborately convoluted conspiracy to dehumanize the greatest detective in history are revealed herein….

Click here to listen to the first 15 minutes of the Audio Book version of my book, Sherlock Holmes – My Life

Content of this 15 minute audio presentation:

1) FORWARD: by Mycroft Holmes, and  2) AN OPEN LETTER FROM SHERLOCK HOLMES

MONGOLIAN IDOL

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“Tuvan throat singing is one particular variant of overtone singing practiced by the Tuva people of southern Siberia.
“The art of Tuvan throat singing is a style in which one or more pitches sound simultaneously over a fundamental pitch, producing a unique sound. The history of Tuvan throat singing reaches very far back. Many of the male herders can throat sing, but women are beginning to practice the technique as well. The popularity of throat singing among Tuvans seems to have arisen as a result of geographic location and culture. The open landscape of Tuva allows for the sounds to carry a great distance. Ethnomusicologists studying throat singing in these areas mark khoomei as an integral part in the ancient pastoral animism that is still practiced today. Often, singers will travel far into the countryside looking for the right river, or will go up to the steppes of the mountainside to create the proper environment for throat-singing.[1]

The animistic world view of this region identifies the spirituality of objects in nature, not just in their shape or location, but in their sound as well.[2] Thus, human mimicry of nature’s sounds is seen as the root of throat singing. (An example is the Mongolian story of the waterfall above the Buyan Gol (Deer River), where mysterious harmonic sounds are said to have attracted deer to bask in the waters, and where it is said harmonic sounds were first revealed to people.)[citation needed] Indeed, the cultures in this part of Asia have developed many instruments and techniques to mimic the sounds of animals, wind, and water.[citation needed] While the cultures of this region share throat singing, their styles vary in breadth of development.

It is simply the harmonized sounds that they are able to produce from deep within their throats.[3] Ordinarily, melodies are created by isolating the 6th, 7th, 8th, 9th, 10th and 12th partial in accordance with the harmonic series (if fundamental frequency were C3, the overtones would be: G5, B♭5, C6, D6, E6, G6). The base pitch is typically around a G below Middle C.

The people of Tuva have a wide range of throat singing vocalizations, and were the pioneers of six pitch harmonics.[4] There are several different classification schemes for Tuvan throat singing. In one, the three basic styles are khoomei, kargyraa and sygyt, while the sub-styles include borbangnadyr, chylandyk, dumchuktaar, ezengileer and kanzyp. In another, there are five basic styles: khoomei, sygyt, kargyraa, borbangnadyr and ezengileer. The substyles include chylandyk, despeng borbang, opei khoomei, buga khoomei, kanzyp, khovu kargyraazy, kozhagar kargyraazy, dag kargyraazy, Oidupaa kargyraazy, uyangylaar, damyraktaar, kishteer, serlennedyr and byrlannadyr.[5] These schemes all use Tuvan terminology.”  — Wikipedia.org

INFLATABLE THOUGHT

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Morbidus: an inflatable thought about the weight of creativity on individuals…..

Morbidus

 

Morbidus for IdN / Animation from Dvein on Vimeo.

Dvein together with Marc Teitler have created a colourful drama to celebrate the 100th issue of IdN magazine (http://idnworld.com/100/).

CREDITS
Direction & Animation: Dvein (www.dvein.com)
Music & Sound Design: Marc Teitler (http://www.marcteitlermusic.com)