Category Archives: MOVING PICTURES

YouTube Channel for the book “Alien Interview”, edited by Lawrence R. Spencer

GAME OF PSYCHOPATHS

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I am 2 years older than George RR Martin, the American author who spawned the Game of Thrones HBO television series. I was required to register for the US military “draft” (compulsory military conscription) when I turned 16 years old in 1962 by which time the Vietnam war had already been engaged for 7 years. (REFERENCE– https://en.wikipedia.org/wiki/Vietnam_War )

Like George, I registered for the “draft” as a “Conscientious Objector” because I believe that killing sentient beings is inherently barbaric and counter-survival for all beings.

The “Game of Thrones” TV series thoroughly visualizes the nature of PSYCHOPATHS who thrive on murder, lies, sexual perversion, pain, greed, treachery, and lust for personal power as the common denominator of those beings who aspire to be the “rulers” of men.

I was not immediately “drafted” into the Army because I was enrolled in college, which gave me a “deferment” from the draft. Meanwhile, many of my high school classmates who did not go to college went to Vietnam and were killed or wounded.

I soon became a member of the “anti-war movement”.  I went to the California state capital building and tore up my “draft card”.  I was certain that I would be arrested and imprisoned for not less than 4 years for this action.

However, two weeks later I received a letter from my local “draft board” which ordered me to report to the Oakland-Alameda Army Induction Center. I reported as ordered. I entered the induction center and began handing out anti-war leaflets to the naked men (18 year olds) who were standing in line to be processed into becoming “meat” for the war machine. An FBI agent pulled me aside and “interviewed” me for half an hour in a private office. I did not say a single word or answer any questions. He decided I was “insane” and told me to go home.  Two years later I was married with a child and declared “exempt” from the military.  Weird. The “logic” of the situation boggles the mind…..

All wars, in every era and universe, are created for the private interests of secret provocateurs who are cowards and parasites (bankers, politicians and other vicious psychopaths) of which Vietnam was just another instance of using public citizens to enable private greed and power.  The war in Vietnam was provoked and financed by the Rothschild bankers and the “military-industrial-complex” (and their political minions) who wanted to control OIL and DRUGS production in the “Golden Triangle” of Southeast Asia.

Later, Afghanistan (and the Middle East) was invaded for by these same psychopaths to secure oil, natural gas, vast mineral mining reserves, opium, and strategic military positioning.

Since then the US military has been usurped to become the “global police force” for these same psychopaths.  The Rothschild Zionist state of Israel covertly leads the way in Western politics to control the military might necessary to ensure that “the meek (cowards) shall inherit the Earth”.

The “Game of Thrones” is a metaphor. It is a cliche for every “civilization” of humans who ever existed and destroyed themselves, throughout time in the physical universe.

When we read the book ALIEN INTERVIEW we become aware that immortal human-like beings have existed for trillions of years throughout the physical universe. The same “parasite games” have been played again and again and again and again in the Eternal Now.

The vast majority of beings are honest and decent — they want to live peacefully and calmly.  A tiny percent of beings are vicious, destructive predators and parasites — they are the “rulers” who  aspire to occupy “The Throne”.

A PARASITE (leach, vampire, priest, politician) cannot live without consuming the energy or sucking the blood of a “host” because PARASITES ARE NOT ABLE TO CREATE THEIR OWN ENERGY!

Ironically, when the host dies the parasite dies also. Obviously, Parasites are not only weak, they are stupid…..  Therefore, the solution is to kill the parasites, just like any common virus.  Kill the parasite and the host survives. What could be more obvious?

REALITY IS A DISINFORMATION PAGEANT

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“We’ll know our disinformation program is complete when everything the American public believes is false.” William Casey, CIA Director (from first staff meeting in 1981)

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“The “Old Empire” thought control operation is run by a small group of old “baboons” with very small minds.  They are playing insidious games with no purpose and no goal other than to control and destroy IS-BEs who could otherwise manage themselves perfectly well, if left alone.  These types of artificially created incidents are being forced upon the human race by the operators of the mind-control prison system. The prison guards will always promote and support oppressive or totalitarian activities of IS-BEs on Earth.  Why not keep the inmates fighting between themselves?  Why not empower madmen to run the governments of Earth?  The men who run the criminal governments of Earth mirror the commands given them by covert thought-controllers of the “Old Empire”.”

— Excerpt from the Top Secret military transcripts from Roswell AFB, 1947, published in the book ALIEN INTERVIEW.

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If you have never seen the film WAG THE DOG, here is a trailer and a couple of extra videos that illustrate exactly how the main-stream media is used to control the minds of the public.  It’s not reality: “it’s a pageant”.

The following video shows “real life” examples of the CIA disinformation “pageant” in recent events.  The point is simple: you can’t believe ANYTHING you see on television.  It is all a “disinformation pageant” designed to control you, keep you in fear, keep you paying taxes, praying to non-existent gods, supporting false economies, and electing criminal politicians to pass laws that will enslave you.

MAN OF CONSTANT SORROW

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MAN OF CONSTANT SORROW is one of my favorite songs.  It communicates the very real pain that all of the citizens of our Earthly prison experience, to a greater or lesser degree.  The song was originally recorded by Burnett as “Farewell Song” printed in a Richard Burnett songbook, c. 1913.

Written by Richard (Dick) Burnett (October 8, 1883 – January 23, 1977) was an American folk songwriter from Kentucky.  Burnett was born near Monticello, Kentucky. He was known to play the banjo and guitar and was blind in one eye. Burnett allegedly wrote the traditional American folk song, Man of Constant Sorrow, which was later to be covered by Bob Dylan.  He recorded with fiddler Leon Rutherford for Columbia Records.  An early version was recorded by Emry Arthur in 1928. 

The following are subsequent “covers” of the song:

Ralph Stanley (Solo version (cover))   http://youtu.be/fLKltv26-00

Stanley Brothers (cover)     http://youtu.be/ldnZnjGBGXw

Dick Burnett

Original Lyrics to “Farewell Song”  (Man of Constant Sorrow)

I am a man of constant sorrow,

I’ve seen trouble all of my days;
I’ll bid farewell to old Kentucky,
The place where I was born and raised.

Oh, six long year [sic] I’ve been blind, friends.
My pleasures here on earth are done,
In this world I have to ramble,
For I have no parents to help me now.

So fare you well my own true lover,
I fear I never see you again,
For I’m bound to ride the Northern railroad,
Perhaps I’ll die upon the train.

Oh, you may bury me in some deep valley,
For many year [sic] there I may lay.
Oh, when you’re dreaming while you’re slumbering
While I am sleeping in the clay.

Oh, fare you well to my native country,
The place where I have loved so well,
For I have all kinds of trouble,
In this vain world no tongue can tell.

Dear friends, although I may be a stranger,
My face you may never see no more;
But there’s a promise that is given,
Where we can meet on that beautiful shore.

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Dick Burnett Biography on Wikipedia.org

Burnett was born near Monticello, Kentucky. He was known to play the banjo and guitar and was blind in one eye.  Burnett was born near the end of the nineteenth century on October 8, 1883, in the area around the head of Elk Springs, about seven miles north of Monticello. He remembered little of his farming parents. His father died when he was only four and his mother died when he was twelve. Burnett did say that his mother told him how his father would carry him in his arms when he was only four years old and he would help his dad sing. It is notable that Burnett’s grandparents were of German and English descent and that particular ancestral influence would be instrumental in forming Burnett’s musical career. At seven-years-old, Burnett was playing the dulcimer; at nine he was playing the banjo, and at thirteen he had learned to play the fiddle.

Richard Burnett’s life took a drastic turn in early adulthood when he was attacked by a robber, shot in the face, and lost his eyesight. He was working in the oil field of central Kentucky, married with a young child, and now faced an uncertain future. Almost prophetically, his boss made the following statement to Burnett: “Well, you can still make it; you can make it with your music.”

In time, Burnett joined forces with a young fourteen-year-old orphaned boy from Somerset. That young boy, Leonard Rutherford, would become Burnett’s student and became one of the “smoothest” fiddle players known to come from Kentucky.

Richard Burnett, “blind minstrel of Monticello” and Leonard Rutherford, “one of the smoothest fiddlers ever to take a bow,” soon were singing at every opportunity. They appeared on courthouse lawns and on the street playing and singing their music. In order to earn some money, Richard would strap a tin cup to his knee to collect the contributions from a satisfied crowd.

They traveled by bus, Model A, and on foot to any place they could and sing. From about 1914 until 1950, the pair became so popular that they found themselves in the company of most all the popular mountain musicians of the time. They were “at home” in the presence of greats like the Carter Family, Charlie Oaks, Arthur Smith, and many others. They appeared at the Renfro Valley Barn Dance, on radio stations in Cincinnati, and finally, they would be some of the first old-time musicians to enter the recording studios.

Burnett and Rutherford made their first commercial recording in 1926 for Columbia Records in Atlanta, Georgia. “They gave us sixty dollars a record and paid all our expenses from here to Atlanta and back, hotel bills and everything,” Burnett reminisced. This unique banjo-fiddle-playing team, at times joined by banjoist W.L. Gregory and his fiddle-playing brother Jim, also of Monticello, continued to record for Columbia (and Gennett as well), through 1930.

Many of the songs Burnett and Rutherford used in their performances were songs they had learned from others in the past. When Burnett was asked where he learned some the old songs he recorded, he indicated some of them came from “Negroes around playing old time music” in Wayne County. He mentioned “Bled Coffey here in town, he was a fiddler during the Civil War, and the Bertram boys here, Cooge Bertram was a good fiddler…..Yes sir, there were a lot of black men playing old-time music. Bled Coffey was the best fiddler in the country.”

Burnett was a prolific songwriter as well as an instrumentalist. Possibly his most well known song is the popular “Man Of Constant Sorrow” that found notoriety in the movie, “O Brother, Where Art Thou.” On one occasion when asked if he wrote the song, Burnett replied: “No, I think I got that ballet from somebody—I dunno. It may be my song…..”

It has been correctly observed about Richard Burnett: “He was a valuable link to country music’s folk past and was a repository of material which he had both preserved and rewritten: “Pearl Bryan,” “Short Life of Trouble,” “Weeping Willow Tree,” “Little Stream of Whisky,” and many other ballads known to all folk revivalists.” The team certainly deserves the title of “one of the most colorful and rewarding groups of the 1920s.”

Richard Burnett died in Somerset, Kentucky on January 23, 1977, probably without ever realizing the great influence he had in the field of old-time Appalachian music.

MISERY’S THE RIVER OF THE WORLD

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Video by Richard Borge

Lyrics and Music by Tom Waits:

Misery’s the River of the World.
Misery’s the River of the World.

The higher the monkey can climb the more he shows his tail.
Call no man happy ’til he dies.
There’s no milk at the bottom of the pail.

God builds a church.
The Devil builds a chapel like the thistles that are growing ’round the trunk of a tree.

All the good in the world you can put inside a thimble and still have room for you and me.

If there’s one thing you can say about Mankind: there’s nothing kind about Man.

You can drive out Nature with a pitch fork but it always comes roaring back again.

Misery’s the River of the World.
Misery’s the River of the World.
Misery’s the River of the World.

For want of a bird the sky was lost.
For want of a nail  a shoe was lost.
For want of a life the knife was lost.
For want of a toy a child was lost.

Misery’s the River of the World.
Misery’s the River of the World.
Everybody Row! Everybody Row!
Misery’s the River of the World.
Misery’s the River of the World.
Everybody Row! Everybody Row!