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Category Archives: BULLSHIT
EPIPHANY
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ARTISTIC MYTHOLOGY
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Artistic Mythology incorrectly attributes the statement, “Beware of artists….” to Queen Victoria. Artists often consider themselves to be “revolutionaries” whom the wealthy and powerful “royalty” of Earth should fear. So, they adopted this statement as a “battle cry” against tyranny of the state and persecution of the “artist”.
Factually, Queen Elizabeth, did not make this statement, although she most likely shared the sentiment with her Uncle, King Leopold II of Belgium, who expressed it in a similar statement (below). In reality, artists are seldom revolutionaries, and are the most likely to be paid whores and propagandists in service of the “royal agenda”. For example, how many Hollywood films have you seen that are threatening to the rich and powerful, much less “revolutionary”? (Answer = 0 )
(Leopold II — King of Belgium, like Queen Victoria, were members of the self-appointed “royal family” who are Caucasian, Fascist, Imperialists. Unfortunately, they are worshiped by the peasants, and glorified by artists, who empower them to invade, murder and enslave other people, life forms, property and natural resources of Earth for personal financial gain, power and control.)
Leopold II (9 April 1835 – 17 December 1909) was the King of the Belgians, and is chiefly remembered for the founding and exploitation of the Congo Free State.
Queen Victoria (24 May 1819 – 22 January 1901) was the monarch of the United Kingdom of Great Britain and Ireland and Empress of India from 20 June 1837 until her death.
A letter to Queen Victoria of England from her Uncle, The King of the Belgians, 10th October 1845:
“My Dearest Victoria, —
. . . All you say about our dear Albert, whom I love like my own child, is perfectly true. The attacks, however unjust, have but one advantage, that of showing the points the enemy thinks weakest and best calculated to hurt. This , being the case, Anson, without boring A. with daily accounts which in the end become very irksome, should pay attention to these very points, and contribute to avoid what may be turned to account by the enemy. To hop to escape censure and calumny is next to impossible, but whatever is considered by the enemy as a fit subject for attack is better modified or avoided. The dealings with artists, for instance, require great prudence; they are acquainted with all classes of society, and for that very reason dangerous; they are hardly ever satisfied, and when you have too much to do with them, you are sure to have des ennuis (trouble) . . .Your devoted Uncle,Leopold R.” (excerpt from “The Letters of Queen Victoria, a Selection from Her Majesty’s Correspondence Between the Years 1837 and 1861″)
SHARK SANITY
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“sanity” = noun: normal or sound powers of mind
normal = adjective: being approximately average or within certain limits in e.g. intelligence and development
norm = noun: a standard or model or pattern regarded as typical
Example: The normal or typical amount of food required by great white sharks is equivalent to eating one seal puppy every three days.
CONCLUSION: A “sane” shark may eat one seal puppy every three days.
THE ULTIMATE TERRORISM: WILLING SERVITUDE
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Aldous Huxley – Speech at UC Berkeley, The Ultimate Revolution — 1962.
Aldous Leonard Huxley (26 July 1894 – 22 November 1963)
His brother, Jullian Huxley, was the head of the Rockefeller Eugenics Program, the founder of UNESCO, that later became Agenda 21.
Aldous Huxley author of Brave New World speaking at U.C. Berkeley in 1962. Aldous Huxley uses this speaking opportunity to outline his vision for the ‘ultimate revolution’, a scientific dictatorship where people will be conditioned to enjoy their servitude, and will pose little opposition to the ‘ruling oligarchy’, as he puts it. He also takes a moment to compare his book, “Brave New World,” to George Orwell’s “1984” and considers the technique in the latter too outdated for actual implementation.
“There will be, in the next generation or so, a pharmacological method of making people love their servitude, and producing dictatorship without tears, so to speak, producing a kind of painless concentration camp for entire societies, so that people will in fact have their liberties taken away from them, but will rather enjoy it, because they will be distracted from any desire to rebel by propaganda or brainwashing, or brainwashing enhanced by pharmacological methods. And this seems to be the final revolution.” — Aldous Huxley, Tavistock Group, California Medical School, 1961
Brave New World is a novel written in 1931 by Aldous Huxley and published in 1932. Set in London of AD 2540 (632 A.F. – “After Ford” – in the book), the novel anticipates developments in reproductive technology, sleep-learning, psychological manipulation, and operant conditioning that combine to profoundly change society. Huxley answered this book with a reassessment in an essay, Brave New World Revisited (1958) and with his final work, a novel titled Island (1962).
In 1999, the Modern Library ranked Brave New World fifth on its list of the 100 best English-language novels of the 20th century.



