Category Archives: ALIEN INTERVIEW BOOK

The content of this book. “Alien Interview” is the letter, Top Secret interview transcripts and personal notes received from the late Matilda O’Donnell MacElroy, an Army Air Force nurse who stationed at the Roswell Army Air Field 509th Bomb Group. Her letter asserts that this material is based on a series of interviews she conducted with an extraterrestrial being as part of her official duty as a nurse in the U.S. Army Air Force. During July and August she interviewed a saucer pilot who crashed near Roswell, New Mexico on July 8th, 1947. The being identitied itself as an officer, pilot and engineer from a race of beings who use the asteroid belt in our solar system as a space port in an intergalactic communication network of an empire they call “The Domain”.

CREATING LIFE FROM MATTER

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Metropolis is a 1927 German expressionist epic science fiction drama film directed by Fritz Lang. The film was written by Lang and his wife Thea von Harbou, and starred Brigitte Helm, Gustav Fröhlich, Alfred Abel and Rudolf Klein-Rogge. A silent film, it was produced by Erich Pommer in the Babelsberg Studios by Universum Film A.G.. It is regarded as a pioneering work of science fiction genre in movies, being among the first feature length movies of the genre.

Made in Germany during the Weimar Period, Metropolis is set in a futuristic urban dystopia, and follows the attempts of Freder, the wealthy son of the city’s ruler, and Maria, a poor worker, to overcome the vast gulf separating the classes of their city. Metropolis was filmed in 1925, at a cost of approximately five million Reichsmarks, making it the most expensive film ever released up to that point.

In this film, the mad inventor Rotwang kidnaps the heroine, Maria.  You see he’s created a robot to be a replacement for a woman he loved.  But it needs a soul!  So when the need to get Maria out of the way in the general run of the plot presents itself, he imprints the image of Maria onto his Robot.lang-metropolis The lady is in a confined little bed-thing with a big steel helmet on her head with wires coming out.  Rotwang throws switches and levers.  Chemicals boil, electricity flies, the robot on her throne is surrounded by energy and suddenly changes into the image of Maria.  Though when she opens her emotionless eyes, they seem to glow with an inner light.  IT’S ALIVE!

 This revolutionary film addresses the subject of animating inanimate organisms.  Biological engineering and animation of bodies by spiritual beings is thoroughly discussed in the book ALIEN INTERVIEW:

“How else can you explain the source of spiritual animation which defines every living creature? To say it is the work of “god”, is far too broad. Every IS-BE has many names and faces in many times and places. Every IS-BE is a god. When they inhabit a physical object they are the source of Life.”

Metropolis (short synopsis of the film)

MetropolisposterSometime in the future. Johann Fredersen is mastermind of Metropolis, a gigantic high-tech city, under whose surface masses of workers lead an archaic slave existence. His son, Freder, is witness to the inhumane working conditions and rebels against his despotic father, discovering a spiritual community in the catacombs of the city: Maria, a young woman, preaches the virtues of love and reconciliation. But Fredersen discovers Maria as well and conjures up a sinister plan. He commissions the scientist Rotwang to develop a robot form of Maria, which he will use to gain influence over the workers. The plan works, but Freder and Maria are able to hinder the catastrophe in the last minute. The mass hysteria turns and directs its rage toward the robot Maria, who is burned at the stake. Freder and Maria form a new brotherly community among the classes – Fredersen offers his hand in reconciliation, true to the motto of the film: “the mediator between the hand and the brain must be the heart”.

THEY LIVE

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OBEYThey Live is a 1988 American science fiction-horror film directed by John Carpenter.  The film follows a nameless drifter referred to as “Nada”, who discovers the ruling class within the moneyed elite are in fact aliens managing human social affairs through the use of a signal on top of the TV broadcast, concealing their appearance and subliminal messages in mass media.   This is a clip from the famous “sunglasses” scene: “I have come here to chew bubble gum and kick ass.  And, I’m all out of bubble bum….”

The idea for They Live came from two sources: a short story called “Eight O’Clock in the Morning” by Ray Nelson, originally published in The Magazine of Fantasy and Science Fiction in the 1960s, involving an alien invasion in the tradition of Invasion of the Body Snatchers, and a story called “Nada” from the Alien Encounters comic book.  John Carpenter describes Nelson’s story as “…a D.O.A. type of story, in which a man is put in a trance by a stage hypnotist. When he awakens, he realizes that the entire human race has been hypnotized, and that alien creatures are controlling humanity. He has only until eight o’clock in the morning to solve the problem.

The more political elements of the film are derived from Carpenter’s growing distaste with the ever-increasing commercialization of 1980s popular culture and politics. He remarked, “I began watching TV again. I quickly realized that everything we see is designed to sell us something… It’s all about wanting us to buy something. The only thing they want to do is take our money.” To this end, Carpenter thought of sunglasses as being the tool to seeing the truth, which “is seen in black and white. It’s as if the aliens have colorized us. That means, of course, that Ted Turner is really a monster from outer space.” (Turner had received some bad press in the 1980s for colorizing classic black-and-white movies.) The director commented on the alien threat in an interview, “They want to own all our businesses. A Universal executive asked me, ‘Where’s the threat in that? We all sell out every day.’ I ended up using that line in the film.” The aliens were deliberately made to look like ghouls according to Carpenter, who said: “The creatures are corrupting us, so they, themselves, are corruptions of human beings.”

Because the screenplay was the product of so many sources: a short story, a comic book, and input from cast and crew, Carpenter decided to use the pseudonym “Frank Armitage,” an allusion to one of the filmmaker’s favorite writers, H. P. Lovecraft (Frank Armitage is a character in Lovecraft’s The Dunwich Horror). Carpenter has always felt a close kinship with Lovecraft’s worldview and according to the director, “Lovecraft wrote about the hidden world, the “world underneath.” His stories were about gods who are repressed, who were once on Earth and are now coming back. The world underneath has a great deal to do with They Live.” — (Wikipedia.org)

PSYCHOBABBLE

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The word “psychology” means, literally:  Psyche (The Spirit or Soul) + -ology  (the study of).  However, the so-called “science” of psychiatry is nothing whatsoever to do with Spirits or Souls.  Instead it is a mind control operation funded primarily by governments, as developed, originally, by Nazi medical doctors working to exterminate the “undesirables” of human populations.

Here is a wonderful article about the current “thinking” and “innovation” of the “Priests of Modern Mental Science”.  The Lords of Government Mind Control are working VERY hard to invent more new ways to confuse, befuddle and submerge our Immortal Spiritual Selves in a morass of mind-control double-speak, total bullshit, psychiatric chemicals and outright fantasy they pass off on the human population as “scientific fact”.  These are the very beings that George Orwell warned us about in the book 1984.  And, the very same “prison guards” described in the military transcripts published in the book Alien Interview.

These maniacs are behind every single school yard shooting massacre, every war, and every covert operation being run by every secret service activity on planet Earth.   This report illustrates the mind-boggling nonsense of the “science of psychobabble”.  Beware and avoid.

“What Are They Doing?  My Visit to a Psychology Conference

(Reposted from Neatorama) Article by Alice Shirrell Kaswell, AIR Staff, Interpretive Illustrations by Marian Parry

“In April [1998], it was my privilege to attend the joint convention of the Western Psychological Association and the Rocky Mountain Psychological Association (WRMPA). The four-day event took place at the Albuquerque Convention Center, in Albuquerque, New Mexico. Wandering from room to room, I found many surprising and delightful things.

Terror
For me, the highlight of the convention was a lecture—a prestigious “invited presentation”—by Jeff Greenberg of the University of Arizona. The topic was “Managing the Terror of Being Human: Theory and Research”. The man knows his subject cold, as you can see from this description he wrote in the convention guidebook:

Biography
My terror began in the Bronx in 1954. It was amplified by my undergraduate experience at Penn and my graduate training at SMU and the University of Kansas. It has continued to grow over my 15 years at the University of Arizona.

Ignore the Face
I also enjoyed a lecture by Joseph J. Campos of the University of California at Berkeley. Campos raised the question, “Does the Face Really ‘Express’ Emotions?” His answer was a ringing No, “except under very special conditions.”

Fluid Meaning
I accidentally touched off a minor incident the day after Georgia Tech professor Randy Engle gave a presentation on the topic “Working Memory Capacity, Controlled Attention and General Fluid Intelligence”. I asked nine experienced psychology professors to define the phrase “general fluid intelligence”. None of them could, although one did opine that “the lecturer probably knows what it means.”

Poster Sessions: Smells, Oils, a Princess, and Hair
Although there were many stimulating lectures, the most exciting action was in the poster sessions. In case you’ve never been to a poster session, I should explain the general idea. Dozens of student teams, and the occasional professor, each hung up a poster describingv their recent projects. In each session, you can stroll the aisles and see anywhere from 20 to 50 or more posters.

The first poster session, held on Thursday at 9:00 a.m., celebrated the general themes “Human Learning, Memory, and Cognition.” I was especially roused by three special posters: “Effects of Pleasant Ambient Odor on Memory Recall;” “Flash-bulb Memories for the Death of Princess Diana;” and “Essential Oils’ Effects on Memory.”

An 11:00 a.m. poster session concerned “Applied Psychology.” One poster discoursed on “The Effects of Odor and Stress on Mood.” Another, more abstruse, was entitled “Perceived Age of Teenage Females: Effect of Complexion, Makeup, Hairstyle, and Apparel.” I found it provocative.

A 1:00 p.m. poster session delved into “Social Issues”, and featured a gem of a poster called “The Influence of Male Facial Hair on Perceptions of Age.” It, too, must be described as provocative.

vBoredom
The convention was a multi-ring circus, with more simultaneous wonders than any one person could take in. Also at 1:00, but down the hall from the poster session, Mary B. Harris and Keith Zvoch of the University of New Mexico presented their paper on “Boredom and Boredom Proneness in College Students.” Some members of the audience found it stimulating.

More Smells, Parking, and Arousal
Friday morning was lovely in Albuquerque, with pink and blue skies, comfy temperatures, and psychologists in every nook and cranny. The 10:00 poster session was all about “Brain Function and Sensory Process.” There was an impressively worded poster entitled “Anterior EEG Asymmetry and Odor Hedonics: Gender Effects”. Not far away, an anxious crowd perused a poster called “Human Foraging Strategies: Outcomes for Campus Parking.” A knot of students pored intently over a poster called “Arousal, Sleep, and Time Perspective in University Students.” Sadly, only a few of them even glanced at the poster with the most intriguing title: “Can a Rat Who Has Never Known Water Know Thirst?”

Smiles Different Similarities, Photos
A noontime poster session on “Social-Personality Psychology” contained two special treats: “How Smiling and Pupil Dilation Affect Perceived Personality” and “Stereotype Reduction Through Similarity Differences.”

The noon hour also featured another prestigious “invited presentation” in the main ballroom. Roger S. Ulrich of Texas A&M University described his research on patients in surgical recovery rooms. As the patients emerge from their anesthetic haze, Ulrich shows them big color photographs of the great outdoors. If I understood him correctly, Ulrich said that this “improves health outcomes,” and that therefore his is actively marketing his services to hospitals and clinics.

At 1:20 in the same ballroom, the editor of the Annals of Improbable Research delivered another of the convention’s “invited presentations.” The topic was “Improbable Research and the Ig Nobel Prizes.” Curiously this was the only session in four days in which I saw people laughing. It began at 1:20 rather than 1:00 on the dot because the previous lecturer, Roger S. Ulrich, wouldn’t stop talking about how hospitals should buy his nature photos.

Punching, Dolls, and Car Characters
The Friday 1:00 poster session treated us to research on the following topics: “Boxer and Spectators: Perceptions and Characteristics of Pugilism”; “Body Satisfaction in Relation to Media Exposure, Self-Monitoring, and Barbie Doll Ownership”; “Effects of Descriptive Norms and Self-Awareness on Littering”; and my favorite of the day, “Car Color: An Indicator of Driver Personality.”

Sex, Sex, Paranoia, Hostility, and Sex
The Saturday early morning poster session delved further into the theme of “Social-Personality Psychology”. I saw a variety of interesting posters: “Situational Capture of Cardiovascular Arousal During an Erotic Episode”; “Machiavellian Differences on the Erotometer”; “Paranoia: Differences in Social Desirability”; and “Hostile Automatic Thoughts: A Validity Study.” Oh—and I shouldn’t forget to mention a crowd favorite: “Hair Stylists; Therapeutic Characteristics and Their Clients’ Levels of Self-Disclosure.” All in all, this session was a most interesting way to begin a Saturday.

And the 10:00 session was, if anything, even better. Its overall topic, “Stress and Coping”, was highlighted by two posters. The first, entitled “Sleep Quality and Anxiety Affect Distress Scores Measured During Finals”, was of special interest to students. The other, “Health Effects of the Interruption of an Emotional Writing Paradigm”, was of special interest to anyone who wanted to know what an Emotional Writing Paradigm is.

The noontime poster session dealt with “Education Psychology.” Three posters stood out from the bunch: “Introductory Psychology Activities Using Van Gogh as a Case Study”; “Predictors of Academic Procrastination in College Students”; and the dryly written yet riveting “Ethical Issues Involving Graduate Teaching Assistants.” A senior professor of my acquaintance saw me contemplating the “Ethical Issues” poster, and stage whispered “They should have called it ‘Can We Sleep Together?'”

Simulating Boredom
Saturday afternoon, Carl. N. Perlotto, M. Lyn Hoefer, and N. Clayton Silver of the University of Nevada at Las Vegas presented their paper “The Ludic Love Style: Difference in Sexual Boredom”. My courage failed me, so I did not attend their session.

I did manage to drop in, later, on the final poster session of the day, and so was able to learn about “Age-Related Differences in the Attentional Blink.”

Odor Ordinance, Ungrateful Dread, and Exeunt
Sunday, the final day of the convention, was a whirl of brunches and business card swapping. I caught Cheryl L. Asmus and Paul Bell’s 9:00 a.m. talk on “Post-Implementation of an Odor Ordinance,” and then zipped through the convention’s final poster session. It was there that I encountered the inspirational “Depressed Individuals Show No Gratitude.”

At that point I had to rush off to the hotel, grab my bags, and cab it to the airport, tired, laden with notes and trinkets, but grateful for the chance to have seen so many remarkable “psychological wonders”.

_____________________

This article is republished with permission from the September-October 1998 issue of the Annals of Improbable Research. You can purchase back issues of the magazine or subscribe to receive future issues, in printed or in ebook form. Or get a subscription for someone as a gift! Visit their website for more research that makes people LAUGH and then THINK.

CERES ASTEROID PHOTOS: HAS NASA DISCOVERED A DOMAIN BASE?

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“The asteroid belt near Earth is a very small, but important location for The Domain in this part of space. Actually, some of the objects in our solar system are very valuable for use as low-gravity “space stations”. They are interested primarily in the low gravity satellites in this solar system which consists mainly of the side of the moon facing away from Earth and the asteroid belt, which was a planet that was destroyed billions of years ago, and to a lesser degree, Mars and Venus. Domed structures synthesized from gypsum or underground bases covered by electromagnetic force screens are easily constructed to house the Domain forces.”  — Quoted from 1947 Roswell UFO crash pilot interview transcripts published in the book Alien Interview

ALIEN INTERVIEW, edited by Lawrence R. SpencerCeres is the largest object in the asteroid belt, which lies between the orbits of Mars and Jupiter. It is composed of rock and ice, is 950 kilometers (590 miles) in diameter, and comprises approximately one third of the mass of the asteroid belt.This animation shows a sequence of images taken by NASA’s Dawn spacecraft on May 4, 2015, from a distance of 8,400 miles (13,600 kilometers), in its RC3 mapping orbit. The image resolution is 0.8 mile (1.3 kilometers) per pixel. In this closest-yet view, the brightest spots within a crater in the northern hemisphere are revealed to be composed of many smaller spots. However, their exact nature remains unknown.  (Wikipedia.org)

Dawn’s mission is managed by JPL for NASA’s Science Mission Directorate in Washington. Dawn is a project of the directorate’s Discovery Program, managed by NASA’s Marshall Space Flight Center in Huntsville, Alabama. UCLA is responsible for overall Dawn mission science. Orbital ATK, Inc., in Dulles, Virginia, designed and built the spacecraft. The German Aerospace Center, the Max Planck Institute for Solar System Research, the Italian Space Agency and the Italian National Astrophysical Institute are international partners on the mission team. For a complete list of acknowledgements, visit http://dawn.jpl.nasa.gov/mission.

Ceres-Tom-Ruen-montage-May-11Ceres photographed on May 3 and 4 by NASA’s Dawn spacecraft show multiple white spots inside the 57-mile-wide crater located in the asteroid’s  northern hemisphere. Credit: NASA/JPL-Caltech/UCLA/MPS/DLR/IDA / montage by Tom Ruen