Tag Archives: science fiction

THE ORIGINAL STAR WARS

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I recently re-read my favorite science fiction books, discovering that, like most prophetic literature, they must be studied carefully and repeatedly to perceive many subtle layers of understanding and insight embodied in the text of six books.  In my opinion, the most revolutionary, groundbreaking and classic series of science fiction books ever published is The Lensman series.  This series was written by Edward Elmer “Doc” Smith, PhD.  All of the books in this profoundly important series are available in from Amazon.com (HERE) and the audiobook versions from Audible.com (HERE).  If you are a fan of science fiction, high technology, or of spiritual phenomenon, these books are mandatory reference material.

EE-Doc-SmithEdward Elmer Smith Ph.D. (also E. E. Smith, E. E. “Doc” Smith, Doc Smith, “Skylark” Smith, or—to his family—Ted) (May 2, 1890 – August 31, 1965) was an American food engineer (specializing in doughnut and pastry mixes) and early science fiction author, best known for the Lensman and Skylark series. He is sometimes called the father of space opera.

Another of my favorite writers is the iconic science fiction writer Robert A. Heinlein. He and Doc Smith were good friends. (Heinlein dedicated his 1958 novel Methuselah’s Children “To Edward E. Smith, Ph.D.”.  Heinlein reported that E. E. Smith perhaps took his “unrealistic” heroes from life, citing as an example the extreme competence of the hero of Spacehounds of IPC. He reported that E. E. Smith was a large, blond, athletic, very intelligent, very gallant man, married to a remarkably beautiful, intelligent red-haired woman named MacDougal (thus perhaps the prototypes of ‘Kimball Kinnison’ and ‘Clarissa MacDougal’). In Heinlein’s essay, he reports that he began to suspect Smith might be a sort of “superman” when he asked Smith for help in purchasing a car. Smith tested the car by driving it on a back road at illegally high speeds with their heads pressed tightly against the roof columns to listen for chassis squeaks by bone conduction—a process apparently improvised on the spot.

In his non-series novels written after his professional retirement, Galaxy Primes, Subspace Explorers, and Subspace Encounter, E. E. Smith explores themes of telepathy and other mental abilities collectively called “psionics”, and of the conflict between libertarian and socialistic/communistic influences in the colonization of other planets.Lensman Series

Although the language, slang and cultural references are antiquated, I must continually remind myself that these books were written primarily during the 1930s! Long before atomic bombs became a reality, Doc Smith describes atomic and electronic weapons in detail.  His technical conceptions and detailed descriptions of engines and spacecraft capable of interstellar, intergalactic, and hyper-spacial have no equal.

Doc Smith (an doughnut and cake mix engineer by trade in “real” life) conjures a fictionalized history of the human race (civilization) engendered and nurtured by a race of super-beings of infinite, incorporeal origins.  The nemesis of Civilization are the equally intelligent and capable race of Edorians.  A convergence of two galaxies co-mingled these antagonists onto an evolutionary battleground — perpetual warfare lasting billions of years.  The parallels and contrasting behavior characteristics of the “good guys” vs “bad guys” reveal the essence of who we are, and could become on this planet.

George Lukas, creator of the Star Wars films relates in his autobiography that his films were inspired by the Lensman books.   However, even these unprecedented films reveal only a dim shadow cast by the brilliant light of science fiction literature created by Doc Smith. The characters, conflicts, technology he describes are so hauntingly “real” that one wonders whether Doc Smith wrote his stories as fantasies, or from his own “memory” as in infinitely ancient spiritual being, drawing from his the primordial past of  “A long time ago, in a galaxy far, far away…“!

Originally, the Lensman Series was published in pulp fiction magazines. The complete series in sequence and their original publication dates are:

  1. Triplanetary (1948. Originally published in four parts, January–April 1934, in Amazing Stories)
  2. First Lensman (1950, Fantasy Press)
  3. Galactic Patrol (1950. Originally published in six parts, September 1937 – February 1938, in Astounding Stories)
  4. Gray Lensman (1951. Originally published in four parts, October 1939 – January 1940, Astounding Stories)
  5. Second Stage Lensmen (1953. Originally published in four parts, November 1941 – February 1942, Astounding Stories)
  6. Children of the Lens (1954. Originally published in four parts, November 1947 – February 1948, Astounding Stories)
  7. And, a sequel, The Vortex Blaster (1960. Published with the title Masters of the Vortex in 1968)

Lensmen

Originally, the series consisted of the final four novels published between 1937 and 1948.  Smith rewrote his 1934 story Triplanetary, originally published in Amazing Stories, to fit in with the Lensman series. First Lensman was written in 1950 to act as a link between Triplanetary and Galactic Patrol and finally, in the years up to 1954, Smith revised the rest of the series to remove inconsistencies between the original Lensman chronology and Triplanetary.

Smith’s novels are generally considered to be the classic space operas, and he is sometimes called the “first nova” of twentieth century science fiction.  Smith expressed a preference for inventing fictional technologies that were not strictly impossible (so far as the science of the day was aware) but highly unlikely: “the more highly improbable a concept is—short of being contrary to mathematics whose fundamental operations involve no neglect of infinitesimals—the better I like it” was his phrase.

For more detailed information about The Lensman Series and other books by EE Smith, and about this truly amazing man, read http://en.wikipedia.org/wiki/E._E._Smith

SCIENCE FICTION CULT-URE

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“Science fiction” is NOT “science”, but it is DEFINITELY fiction.  The problem has become that people BELIEVE what they see on film, and internet in the form of “electronic media”.  Visual effects technology has become so advanced that “virtual reality” has become “reality”.

“Belief” is the foundation of mind-control. It has always been basis of power for religions.  There have literally been THOUSANDS of “gods” and religions in written history of Earth.  Modern “Science Fiction Cult-ure” has become a new “religion”.  It is often referred to as the “new age” culture or consciousness.  Please remember that every “religion” is created by people, just like you and me.

A enormous library of books, films, videos, TV shows, etc. about extraterrestrials, time travel, black holes, and a vast array of “theoretical history” have become “mainstream media” mania since the 1960s with the introduction of Star Trek on national TV.  Since then, a vast “UFO CULT-ure” has been created by film, television and and Youtube.  The phenomena is literally “mind-boggling”.

I suggest that we not lose touch with “real reality” and allow ourselves to become overwhelmed with “virtual reality”.  Take a walk outside, go to a forest, or to the beach… make direct physical and visual contract with solid objects in nature.  Let’s get REAL about reality. Don’t get sucked in to the “religion” of Science Fiction.

 

THE UNIVERSE IS A BIG PLACE, PERHAPS THE BIGGEST

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THIS IS ONE OF MY FAVORITE SCIENCE FICTION BOOKS OF ALL TIME

“The universe is a big place, perhaps the biggest.” (Philip Jose Farmer), “Venus on the Half Shell

Venus on the Half-Shell is a science fiction novel by Philip José Farmer, writing pseudonymously as “Kilgore Trout,” a fictional recurring character in many of the novels of Kurt Vonnegut. This book first appeared as a lengthy fictitious “excerpt”—written by Vonnegut, but attributed to Trout—in Vonnegut’s God Bless You, Mr. Rosewater (1965). With Vonnegut’s permission, Farmer expanded the fragment into an entire standalone novel (including, as an in-joke, a scene that incorporates all of Vonnegut’s original text). Farmer’s story was first published in two parts beginning in the December 1974 issue of The Magazine of Fantasy and Science Fiction. The plot, in which Earth is destroyed by cosmic bureaucrats doing routine maintenance and the sole human survivor goes on a quest to find the “Definitive Answer to the Ultimate Question,” bears some resemblance to the later Hitchhiker’s Guide to the Galaxy series, first launched as a radio serial in 1979.

According to Farmer’s introduction in Venus on the Half-Shell and Others, Vonnegut was initially reluctant to allow the project, but finally relented. After publication, a poorly-worded magazine article gave Vonnegut the impression that Farmer had planned to write the story regardless of his permission, which angered Vonnegut. Also, it was popularly assumed that Vonnegut wrote the book. This problem was solved by the book being reprinted under Farmer’s by-line.

A common element to this novel is the origin of many of the characters’ and locations’ names. Farmer “put in a lot of references to literature and fictional authors… Most of the alien names in Venus were formed by transposing the letters of English or non-English words.”[1]

The title and paperback cover art are a reference to an Italian Renaissance tempera painting by Sandro Botticelli, The Birth of Venus, which depicts the birth of the goddess Venus as her rising from the sea on a scallop shell.

READ WHAT THE MASTER READS

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826525Since I received and published the interview transcripts from the late Nurse Matilda MacElroy, which I published in the non-fiction book  Alien Interview,  I have become a great fan of  E. E. “Doc” Smith,  (May 2, 1890 – August 31, 1965) an American science fiction author, best known for the Lensman and Skylark series.  He is sometimes called the father of “space opera“.

After reading these two series of books, and a few others by the same writer, I can understand why Doc Smith was an influence of the iconic writers and film makers such as George Lucas, who reveals in his biography, that the Lensman novels were a major influence on his youth.   And, J. Michael Straczynski, creator of the science fiction television series Babylon 5, also has acknowledged the influence of the Lensman books. Sir Arthur C. Clarke‘s space battle in Earthlight was based on the attack on the Mardonalian fortress in chapter seven of Skylark ThreeSuperman-creator Jerry Siegel was impressed, at an early age, with the optimistic vision of the future presented in Skylark of Space.  Ron Howard‘s Imagine Entertainment and Universal Studios are in negotiation with the Smith estate for an 18-month film rights option on the series.

In order to gain a greater understanding of his books, and the amazing science and philosophical points of view revealed by “The Master”, Doc Smith, I thought it would be a good idea to read some of the books that influenced “The Master”.  Read the works of “The Master”, but also read what “The Master” has read.

In his 1947 essay “The Epic of Space”, E.E. “Doc” Smith listed (by last name only) authors he enjoyed reading:

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John W. CampbellL. Sprague de CampRobert A. HeinleinMurray LeinsterH. P. LovecraftA. Merritt (specifically The Ship of IshtarThe Moon PoolThe Snake Mother, and Dwellers in the Mirage, as well as the character John Kenton), C.L. Moore (specifically Jirel of Joiry), Roman Frederick StarzlJohn TaineA.E. van VogtStanley G. Weinbaum (specifically Tweerl), and Jack Williamson. In a passage on his preparation for writing the Lensman novels, he notes that Clinton Constantinescu’s “War of the Universe” was not a masterpiece, but says that Starzl and Williamson were masters; this suggests that Starzl’s Interplanetary Flying Patrol may have been an influence on Smith’s Triplanetary Patrol, later the Galactic Patrol.  The feeding of the Overlords of Delgon upon the life-force of their victims at the end of chapter five of Galactic Patrol seems a clear allusion to chapter twenty-nine of The Moon Pool; Merritt’s account of the Taithu and the power of love in chapters twenty-nine and thirty-four also bear some resemblance to the end of Children of the Lens. Smith also mentions Edgar Rice Burroughs, complaining about loose ends at the end of one of his novels.

Smith’s daughter, Verna, lists the following authors as visitors to the Smith household in her youth: Lloyd Arthur Eshbach, Robert HeinleinDave KyleBob Tucker, Williamson, Frederik Pohl, Merritt, and the Galactic Roamers. Smith cites Bigelow’s Theoretical Chemistry–Fundamentals as a justification for the possibility of the inertialess drive. There is also an extended reference to Rudyard Kipling‘s “Ballad of Boh Da Thone” in Gray Lensman (chapter 22, “Regeneration,” in a conversation between Kinnison and MacDougall).

Sam Moskowitz‘s biographical essay on Smith in Seekers of Tomorrow states that he regularly read Argosy magazine, and everything by H.G. Wells,Jules VerneH. Rider HaggardEdgar Allan Poe, and Edgar Rice Burroughs. Moskowitz also notes that Smith’s “reading enthusiasms included poetry, philosophy, ancient and medieval history, and all of English literature.”

Sourcehttp://en.wikipedia.org/wiki/E._E._Smith#Family_and_education

UNNATURAL SELECTIONS

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80-beetles

“…there are millions of speciesof insects. About 350,000 of these are species of beetles. There may be as many as 100 million species of life forms on Earth at any given time. In addition, there are many times more extinct species of life on Earth than there are living life forms. Some of these will be rediscovered in the fossil or geological records of Earth.

The current “theory of evolution” of life forms on Earth does not consider the phenomena of biological diversity. Evolution by natural selection is science fiction. One species does not accidentally, or randomly evolve to become another species, as the Earth textbooks indicate, without manipulation of genetic material…”

~ Alien Interview ~

ALIEN INTERVIEW, edited by Lawrence R. Spencer