Tag Archives: science fiction

THEY LIVE

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OBEYThey Live is a 1988 American science fiction-horror film directed by John Carpenter.  The film follows a nameless drifter referred to as “Nada”, who discovers the ruling class within the moneyed elite are in fact aliens managing human social affairs through the use of a signal on top of the TV broadcast, concealing their appearance and subliminal messages in mass media.   This is a clip from the famous “sunglasses” scene: “I have come here to chew bubble gum and kick ass.  And, I’m all out of bubble bum….”

The idea for They Live came from two sources: a short story called “Eight O’Clock in the Morning” by Ray Nelson, originally published in The Magazine of Fantasy and Science Fiction in the 1960s, involving an alien invasion in the tradition of Invasion of the Body Snatchers, and a story called “Nada” from the Alien Encounters comic book.  John Carpenter describes Nelson’s story as “…a D.O.A. type of story, in which a man is put in a trance by a stage hypnotist. When he awakens, he realizes that the entire human race has been hypnotized, and that alien creatures are controlling humanity. He has only until eight o’clock in the morning to solve the problem.

The more political elements of the film are derived from Carpenter’s growing distaste with the ever-increasing commercialization of 1980s popular culture and politics. He remarked, “I began watching TV again. I quickly realized that everything we see is designed to sell us something… It’s all about wanting us to buy something. The only thing they want to do is take our money.” To this end, Carpenter thought of sunglasses as being the tool to seeing the truth, which “is seen in black and white. It’s as if the aliens have colorized us. That means, of course, that Ted Turner is really a monster from outer space.” (Turner had received some bad press in the 1980s for colorizing classic black-and-white movies.) The director commented on the alien threat in an interview, “They want to own all our businesses. A Universal executive asked me, ‘Where’s the threat in that? We all sell out every day.’ I ended up using that line in the film.” The aliens were deliberately made to look like ghouls according to Carpenter, who said: “The creatures are corrupting us, so they, themselves, are corruptions of human beings.”

Because the screenplay was the product of so many sources: a short story, a comic book, and input from cast and crew, Carpenter decided to use the pseudonym “Frank Armitage,” an allusion to one of the filmmaker’s favorite writers, H. P. Lovecraft (Frank Armitage is a character in Lovecraft’s The Dunwich Horror). Carpenter has always felt a close kinship with Lovecraft’s worldview and according to the director, “Lovecraft wrote about the hidden world, the “world underneath.” His stories were about gods who are repressed, who were once on Earth and are now coming back. The world underneath has a great deal to do with They Live.” — (Wikipedia.org)

THE ETERNALLY BENEVOLENT DOMAIN

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Read the Science Fiction story based on the best selling book ALIEN INTERVIEW.

“There are several obvious reasons that The Domain, and other space civilizations do not land on Earth or make their presence known. It takes a very brave IS-BE to come down through the atmosphere and land on Earth, because it is a prison planet, with a very uncontrolled, psychotic population. And, no IS-BE is entirely proof against the risk of entrapment, as with the members of The Domain Expeditionary Force who were captured in the Himalayas 8,200 years ago.”

Army Air Force Nurse, Matilda MacElroy interviewed the pilot of the UFO that crashed at Roswell, NM in 1947, who revealed that 3,000 members of “The Domain” were attacked and captured by forces of the Old Empire in 5,965 BCE. They were given amnesia and sent to Earth to live as humans. The Domain Force deployed a mission to contact and recover these lost personnel from Earth. Amnesia / thought control mechanisms are installed around Earth to ensure that it remains a secret prison planet under the control of the Brothers of The Serpent. The Domain desires that all IS-BEs of Earth will eventually be recovered to their natural spiritual state of independence, power and immortality, as embodied in the Eternally Benevolent Domain, by the principle of “All-Mother, and in the entity of “The Omniscient and Omnipotent Matriarch”.

DEF RESCUE MISSIONLISTEN TO A SAMPLE OF THE  AUDIOBOOK  The Domain Expeditionary Force Rescue Mission

 

RED RISING REVIEW

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red rising“The Red Rising Trilogy is an epic Macho Cinderella Story. The story and characters are eloquently sculpted from well-weathered egalitarian clichés of Star-Wars-Hunger-Game-Of-Thrones post-apocalyptic-peasant-revolts set in a high-tech ultra-hierarchal-Greco-Roman-space-opera-society.  Brilliant prose, plot twists and legions of antagonists are collectively dedicated to dystopian gore, guts and glory of gold-obsessed class-based blood feuds wherein the purposelessness of human life is to learn to love pain and power.

Predictably, The “Golden Couple” get married and live happily ever after, as most human fantasy stories aspire… getting married, having babies, living in a castle, served and lauded by the peasants is a “happy ending”.

The unwritten story, as usual, is that humans all die, inevitably, with nostalgic finality to seek their reward in “The Veil”.

This trilogy is perfect Hollywood film fodder for servants of money-motivated vested interests of the planetary power elite. The subservient classes: Red, Pinks, Browns etc., will spend their minimum wages in theaters by the shovel full to wallow in the “beautiful dramatic pain” of egalitarian dreams crushed in the subterranean mines of Mars.

Sadly, the genius of Pierce Brown as a masterful wordsmith and epic storyteller is wasted on repeating the same worn out “Hero Epic” story line recycled ad nausea since the days of Homer. Humans live in painful servitude until they die to be rewarded in the “afterlife”.  All in a blink of the eye for the soulless of “gods” who worship power and gold.

Where have all the Immortals gone?  Buried in the gory-damn dust of impossible dreams.

~ Lawrence R. Spencer ~

THE ORIGINAL STAR WARS

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I recently re-read my favorite science fiction books, discovering that, like most prophetic literature, they must be studied carefully and repeatedly to perceive many subtle layers of understanding and insight embodied in the text of six books.  In my opinion, the most revolutionary, groundbreaking and classic series of science fiction books ever published is The Lensman series.  This series was written by Edward Elmer “Doc” Smith, PhD.  All of the books in this profoundly important series are available in from Amazon.com (HERE) and the audiobook versions from Audible.com (HERE).  If you are a fan of science fiction, high technology, or of spiritual phenomenon, these books are mandatory reference material.

EE-Doc-SmithEdward Elmer Smith Ph.D. (also E. E. Smith, E. E. “Doc” Smith, Doc Smith, “Skylark” Smith, or—to his family—Ted) (May 2, 1890 – August 31, 1965) was an American food engineer (specializing in doughnut and pastry mixes) and early science fiction author, best known for the Lensman and Skylark series. He is sometimes called the father of space opera.

Another of my favorite writers is the iconic science fiction writer Robert A. Heinlein. He and Doc Smith were good friends. (Heinlein dedicated his 1958 novel Methuselah’s Children “To Edward E. Smith, Ph.D.”.  Heinlein reported that E. E. Smith perhaps took his “unrealistic” heroes from life, citing as an example the extreme competence of the hero of Spacehounds of IPC. He reported that E. E. Smith was a large, blond, athletic, very intelligent, very gallant man, married to a remarkably beautiful, intelligent red-haired woman named MacDougal (thus perhaps the prototypes of ‘Kimball Kinnison’ and ‘Clarissa MacDougal’). In Heinlein’s essay, he reports that he began to suspect Smith might be a sort of “superman” when he asked Smith for help in purchasing a car. Smith tested the car by driving it on a back road at illegally high speeds with their heads pressed tightly against the roof columns to listen for chassis squeaks by bone conduction—a process apparently improvised on the spot.

In his non-series novels written after his professional retirement, Galaxy Primes, Subspace Explorers, and Subspace Encounter, E. E. Smith explores themes of telepathy and other mental abilities collectively called “psionics”, and of the conflict between libertarian and socialistic/communistic influences in the colonization of other planets.Lensman Series

Although the language, slang and cultural references are antiquated, I must continually remind myself that these books were written primarily during the 1930s! Long before atomic bombs became a reality, Doc Smith describes atomic and electronic weapons in detail.  His technical conceptions and detailed descriptions of engines and spacecraft capable of interstellar, intergalactic, and hyper-spacial have no equal.

Doc Smith (an doughnut and cake mix engineer by trade in “real” life) conjures a fictionalized history of the human race (civilization) engendered and nurtured by a race of super-beings of infinite, incorporeal origins.  The nemesis of Civilization are the equally intelligent and capable race of Edorians.  A convergence of two galaxies co-mingled these antagonists onto an evolutionary battleground — perpetual warfare lasting billions of years.  The parallels and contrasting behavior characteristics of the “good guys” vs “bad guys” reveal the essence of who we are, and could become on this planet.

George Lukas, creator of the Star Wars films relates in his autobiography that his films were inspired by the Lensman books.   However, even these unprecedented films reveal only a dim shadow cast by the brilliant light of science fiction literature created by Doc Smith. The characters, conflicts, technology he describes are so hauntingly “real” that one wonders whether Doc Smith wrote his stories as fantasies, or from his own “memory” as in infinitely ancient spiritual being, drawing from his the primordial past of  “A long time ago, in a galaxy far, far away…“!

Originally, the Lensman Series was published in pulp fiction magazines. The complete series in sequence and their original publication dates are:

  1. Triplanetary (1948. Originally published in four parts, January–April 1934, in Amazing Stories)
  2. First Lensman (1950, Fantasy Press)
  3. Galactic Patrol (1950. Originally published in six parts, September 1937 – February 1938, in Astounding Stories)
  4. Gray Lensman (1951. Originally published in four parts, October 1939 – January 1940, Astounding Stories)
  5. Second Stage Lensmen (1953. Originally published in four parts, November 1941 – February 1942, Astounding Stories)
  6. Children of the Lens (1954. Originally published in four parts, November 1947 – February 1948, Astounding Stories)
  7. And, a sequel, The Vortex Blaster (1960. Published with the title Masters of the Vortex in 1968)

Lensmen

Originally, the series consisted of the final four novels published between 1937 and 1948.  Smith rewrote his 1934 story Triplanetary, originally published in Amazing Stories, to fit in with the Lensman series. First Lensman was written in 1950 to act as a link between Triplanetary and Galactic Patrol and finally, in the years up to 1954, Smith revised the rest of the series to remove inconsistencies between the original Lensman chronology and Triplanetary.

Smith’s novels are generally considered to be the classic space operas, and he is sometimes called the “first nova” of twentieth century science fiction.  Smith expressed a preference for inventing fictional technologies that were not strictly impossible (so far as the science of the day was aware) but highly unlikely: “the more highly improbable a concept is—short of being contrary to mathematics whose fundamental operations involve no neglect of infinitesimals—the better I like it” was his phrase.

For more detailed information about The Lensman Series and other books by EE Smith, and about this truly amazing man, read http://en.wikipedia.org/wiki/E._E._Smith

SCIENCE FICTION CULT-URE

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“Science fiction” is NOT “science”, but it is DEFINITELY fiction.  The problem has become that people BELIEVE what they see on film, and internet in the form of “electronic media”.  Visual effects technology has become so advanced that “virtual reality” has become “reality”.

“Belief” is the foundation of mind-control. It has always been basis of power for religions.  There have literally been THOUSANDS of “gods” and religions in written history of Earth.  Modern “Science Fiction Cult-ure” has become a new “religion”.  It is often referred to as the “new age” culture or consciousness.  Please remember that every “religion” is created by people, just like you and me.

A enormous library of books, films, videos, TV shows, etc. about extraterrestrials, time travel, black holes, and a vast array of “theoretical history” have become “mainstream media” mania since the 1960s with the introduction of Star Trek on national TV.  Since then, a vast “UFO CULT-ure” has been created by film, television and and Youtube.  The phenomena is literally “mind-boggling”.

I suggest that we not lose touch with “real reality” and allow ourselves to become overwhelmed with “virtual reality”.  Take a walk outside, go to a forest, or to the beach… make direct physical and visual contract with solid objects in nature.  Let’s get REAL about reality. Don’t get sucked in to the “religion” of Science Fiction.