Tag Archives: master

READ WHAT THE MASTER READS

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826525Since I received and published the interview transcripts from the late Nurse Matilda MacElroy, which I published in the non-fiction book  Alien Interview,  I have become a great fan of  E. E. “Doc” Smith,  (May 2, 1890 – August 31, 1965) an American science fiction author, best known for the Lensman and Skylark series.  He is sometimes called the father of “space opera“.

After reading these two series of books, and a few others by the same writer, I can understand why Doc Smith was an influence of the iconic writers and film makers such as George Lucas, who reveals in his biography, that the Lensman novels were a major influence on his youth.   And, J. Michael Straczynski, creator of the science fiction television series Babylon 5, also has acknowledged the influence of the Lensman books. Sir Arthur C. Clarke‘s space battle in Earthlight was based on the attack on the Mardonalian fortress in chapter seven of Skylark ThreeSuperman-creator Jerry Siegel was impressed, at an early age, with the optimistic vision of the future presented in Skylark of Space.  Ron Howard‘s Imagine Entertainment and Universal Studios are in negotiation with the Smith estate for an 18-month film rights option on the series.

In order to gain a greater understanding of his books, and the amazing science and philosophical points of view revealed by “The Master”, Doc Smith, I thought it would be a good idea to read some of the books that influenced “The Master”.  Read the works of “The Master”, but also read what “The Master” has read.

In his 1947 essay “The Epic of Space”, E.E. “Doc” Smith listed (by last name only) authors he enjoyed reading:

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John W. CampbellL. Sprague de CampRobert A. HeinleinMurray LeinsterH. P. LovecraftA. Merritt (specifically The Ship of IshtarThe Moon PoolThe Snake Mother, and Dwellers in the Mirage, as well as the character John Kenton), C.L. Moore (specifically Jirel of Joiry), Roman Frederick StarzlJohn TaineA.E. van VogtStanley G. Weinbaum (specifically Tweerl), and Jack Williamson. In a passage on his preparation for writing the Lensman novels, he notes that Clinton Constantinescu’s “War of the Universe” was not a masterpiece, but says that Starzl and Williamson were masters; this suggests that Starzl’s Interplanetary Flying Patrol may have been an influence on Smith’s Triplanetary Patrol, later the Galactic Patrol.  The feeding of the Overlords of Delgon upon the life-force of their victims at the end of chapter five of Galactic Patrol seems a clear allusion to chapter twenty-nine of The Moon Pool; Merritt’s account of the Taithu and the power of love in chapters twenty-nine and thirty-four also bear some resemblance to the end of Children of the Lens. Smith also mentions Edgar Rice Burroughs, complaining about loose ends at the end of one of his novels.

Smith’s daughter, Verna, lists the following authors as visitors to the Smith household in her youth: Lloyd Arthur Eshbach, Robert HeinleinDave KyleBob Tucker, Williamson, Frederik Pohl, Merritt, and the Galactic Roamers. Smith cites Bigelow’s Theoretical Chemistry–Fundamentals as a justification for the possibility of the inertialess drive. There is also an extended reference to Rudyard Kipling‘s “Ballad of Boh Da Thone” in Gray Lensman (chapter 22, “Regeneration,” in a conversation between Kinnison and MacDougall).

Sam Moskowitz‘s biographical essay on Smith in Seekers of Tomorrow states that he regularly read Argosy magazine, and everything by H.G. Wells,Jules VerneH. Rider HaggardEdgar Allan Poe, and Edgar Rice Burroughs. Moskowitz also notes that Smith’s “reading enthusiasms included poetry, philosophy, ancient and medieval history, and all of English literature.”

Sourcehttp://en.wikipedia.org/wiki/E._E._Smith#Family_and_education

ANA VIDOVIC

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Ana Vidović (born 8 November 1980 in Karlovac, SR Croatia, Yugoslavia) is one of the youngest virtuoso guitarists in the world. She started playing guitar at the age of five, inspired by her brother Viktor. By the age of 11 she was performing internationally, and at 13 became the youngest student to attend the prestigious National Musical Academy in Zagreb where she studied with Professor Istvan Romer. Vidović’s reputation in Europe led to an invitation to study at the Peabody Conservatory in Baltimore, U.S., with Manuel Barrueco, from where she graduated in May 2003. In an interview, she has stated that she plays lots of scales and uses a metronome.[1]

Vidović has won an impressive number of prizes and international competitions all over the world. These include first prizes in the Albert Augustine International Competition in Bath, England, the Fernando Sor competition in Rome, Italy, and the Francisco Tárrega competition in Benicasim, Spain. Other top prizes include the Eurovision Competition for Young Artists, the Mauro Giuliani competition in Italy, the Printemps de la Guitare in Belgium, and the Young Concert Artists International Auditions in New York.

Ana Vidović has given over one thousand public performances since first taking the stage in 1988. Her international performance career includes recitals in London, Paris, Vienna, Salzburg, Rome, Budapest, China, Warsaw, Tel Aviv, Oslo, Copenhagen, Toronto, Baltimore, San Francisco, Knoxville, Houston, Austin, Dallas, St. Louis, Jakarta,and Zuidlaren.

(from Wikipedia, the free encyclopedia)