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COMMUNICATE
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MORTALITY MECHANICS MANUAL Audiobook (New!)
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Listen to Five Minute Selection
Salutation
I am not The One. I am not The Creator.
Yet, I am holy and sacrosanct. I am more important and more powerful than The Gods.
Why? You say that I am. I control your existence.
Why? Because I promised you relief from eternal boredom, from the perpetual responsibility of self-amusement. Therefore, you follow my instruction without question.
Why? Because you claim you cannot bear to endure Eternity as The One.
You offer me your trust and praise. You submit yourself to pain, anguish, amnesia and mystery.
Why? Because you choose Not To Be. Your stupidity is its own reward and punishment. Your decadence ensures your slavery. Mortality is the key to your prison.”
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— An excerpt from Mortality Mechanic’s Manual, by Lawrence R. Spencer, 2012
NEW ‘NAZCA LINES’ IN CHINA
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New photos have appeared in Google Maps showing unidentified titanic structures in the middle of the Chinese desert. The first one is an intricate network of what appears to be huge metallic stripes. Is this a military experiment? They seem to be wide lines drawn with some white material. Or maybe the dust have been dug by machinery.
It’s located in Dunhuang, Jiuquan, Gansu, north of the Shule River, which crosses the Tibetan Plateau to the west into the Kumtag Desert. It covers an area approximately one mile long by more than 3,000 feet wide. The tracks are perfectly executed, and they seem to be designed to be seen from orbit.
You can check it out yourself in Google Maps here.
SEE MORE PHOTOS AND READ THE WHOLE ARTICLE: Why Is China Building These Gigantic Structures In the Middle of the Desert? | Danger Room | Wired.com.
ESCHER HAIKU
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ESCHER HAIKU by Lawrence R. Spencer
The right hand draws the left
Draws the right drawing the left
Drawing the left hand.
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Visit the Official M.C. Escher website — http://www.mcescher.com/
Maurits Cornelis Escher (17 June 1898 – 27 March 1972), usually referred to as M. C. Escher, was a Dutch graphic artist. He is known for his often mathematically inspired woodcuts, lithographs, and mezzotints. These feature impossible constructions, explorations of infinity, architecture, and tessellations.