Category Archives: READING MATTER

Books I read & recommend

IDENTIFIED FLYING OBJECTS

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My friend, Ernesto Lacalle is an architecural engineer, amatuer UFO enthusiast and translator of the Spanish language edition of the book Alien Interview.  He has “reverse engineered” (from low-resolution video images) a hypothetical model of a type of UFO craft that has been reported at various times and in various countries around the Earth.   This type of alien craft has been given various names in different times and places. Some of these names are:  “Giza Intelligences”, “Weiros”, “CTRs” or Contrary. Their ship was misunderstood as a creature called “Quetzalcoatl” in Central America. In India it was called “Garuda”.  In the USA it was the “Airship Flap of 1897”. For American natives it was a “Demon”. For Australian Natives it was the “Rainbow Serpent”.  Europeans in Middle Age called it the “Devil”.  Below is an ancient South American rendering in gold of this type of UFO.  The image and video that follow are a hypothetical rendering of a working model, resolved from several low-resolution video, and from famous photograph taken in Pescara, Italy by the well known aeronautical and scientific journalist Bruno Ghibaudi:

 vimana

 

Around mid-day on April 27, 1961, Bruno Ghibaudi, a scientific journalist, was driving the highway paralleling the beach at Montesilvano (Pescara), felt a flat tire and pulled his car over and stopped. As he began changing the bad tire, and as he was working at that task, he noticed an unusual metallic-looking disc- shaped flying objectcoming in at a low level over the ocean. It passed overhead, slowed, made a sharp turn towards the north and flew away. (Case 16, Project Blue Book)

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Above is the only known photo of the strange, almost organic multi-winged craft Bruno photographed, as depicted in the artwork below from La Domenica del Corriere, April 15 1962.

Ezequiel_mothership

TOURISTS AT A CRUCIFICXION

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POSTCARD FROM 37 BCE

Crucifixion was often performed to terrorize and dissuade its witnesses from perpetrating particularly heinous crimes. Victims were left on display after death as warnings to others who might attempt dissent. Crucifixion was usually intended to provide a death that was particularly slow, painful (hence the term excruciating, literally “out of crucifying”), gruesome, humiliating, and public, using whatever means were most expedient for that goal. Crucifixion methods varied considerably with location and time period.

The Greek and Latin words corresponding to “crucifixion” applied to many different forms of painful execution, from impaling on a stake to affixing to a tree, to an upright pole (a crux simplex) or to a combination of an upright (in Latin, stipes) and a crossbeam (in Latin,patibulum).

In some cases, the condemned was forced to carry the crossbeam on his shoulders to the place of execution. A whole cross would weigh well over 300 pounds (135 kg), but the crossbeam would not be quite as burdensome, weighing around 100 pounds. The Roman historian Tacitus records that the city of Rome had a specific place for carrying out executions, situated outside the Esquiline Gate, and had a specific area reserved for the execution of slaves by crucifixion. Upright posts would presumably be fixed permanently in that place, and the crossbeam, with the condemned person perhaps already nailed to it, would then be attached to the post.

While a crucifixion was an execution, it was also a humiliation, by making the condemned as vulnerable as possible. Although artists have depicted the figure on a cross with a loin cloth or a covering of the genitals, writings by Seneca the Younger suggest that victims were crucified completely naked.  When the victim had to urinate or defecate, they had to do so in the open, in view of passers-by, resulting in discomfort and the attraction of insects. Despite its frequent use by the Romans, the horrors of crucifixion did not escape mention by some of their eminent orators. Cicero for example, described crucifixion as “a most cruel and disgusting punishment”, and suggested that “the very mention of the cross should be far removed not only from a Roman citizen’s body, but from his mind, his eyes, his ears.”

Frequently, the legs of the person executed were broken or shattered with an iron club, an act called crurifragium, which was also frequently applied without crucifixion to slaves. This act hastened the death of the person but was also meant to deter those who observed the crucifixion from committing offenses.  — REFERENCE SOURCE:  Wikipedia.org

INVOCATION OF THE GODS

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Invocation of the gods

“Where upon Olympus stand the gods who once ruled over Man?  Fallen from the Lofty Land to dwell on Earth as mortal men?

Who remembers how to fly as freeborn spirits through the sky? What powers can be exercised while trapped within a mortal guise?

The gods once caused themselves to bring The Breath of Life itself to being.  Their very thoughts made every thing: the sea, a sigh, the sky, the spring!

The Gods of Old, like you & me, created everything we see. Have they lost causality?  Abandoned their abilities?

Where are the gods of history?  What happened to their memory? If we are them and they are we, who will cause our destiny?

Merchant Lords now rule the fold. They want us all to fit their mold: “Be a Man!  Do as you’re told!  The only god there is, is gold!”

How did we ever sink so low, pretending we don’t really know that we’re the spark that makes life grow, like springtime flowers through the snow?

Infinity is passing by, but time is really just a lie. Are we immortal, you and I?  A question states its own reply…

We never really know we’re blind until we search around to find a simple way to leave behind the suffering that is Mankind.

Can godly powers be regained, like oceans fall to Earth as rain? Can we go back from whence we came, to greater heights and bigger games?

Lead us homeward once again, to realms beyond the dreams of men. We’ve gone astray, we’ve lost our ken*.  We need your help, Immortal Friends!”

— Lawrence R. Spencer

*ken = perception; understanding, range of vision, view; sight.