Category Archives: BULLSHIT

WARFARE TACTIC: FLOOD THE ENEMY WITH REFUGEES

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unrwa-syrian-refugees-1The current “refugee crisis” in Europe is a planned attack against European countries.  Refugees are an ancient “weapon of war”.  Like using a “human shield” to “defend” oneself from attack, it is a strategy and weapon of cowards and criminals: international bankers and the military / industrial  minions of the New World Order.  This strategy is described in detail in the book  Weapons of Mass Migration: Forced Displacement, Coercion, and Foreign Policy, by think-tank scholar Kelly M. Greenhill.

“At first glance, the U.S. decision to escalate the war in Vietnam in the mid-1960s, China’s position on North Korea’s nuclear program in the late 1990s and early 2000s, and the EU resolution to lift what remained of the arms embargo against Libya in the mid-2000s would appear to share little in common. Yet each of these seemingly unconnected and far-reaching foreign policy decisions resulted at least in part from the exercise of a unique kind of coercion, one predicated on the intentional creation, manipulation, and exploitation of real or threatened mass population movements.

REFUGEE WEAPONSIn Weapons of Mass Migration, Kelly M. Greenhill offers the first systematic examination of this widely deployed but largely unrecognized instrument of state influence. She shows both how often this unorthodox brand of coercion has been attempted (more than fifty times in the last half century) and how successful it has been (well over half the time). She also tackles the questions of who employs this policy tool, to what ends, and how and why it ever works. Coercers aim to affect target states’ behavior by exploiting the existence of competing political interests and groups, Greenhill argues, and by manipulating the costs or risks imposed on target state populations.

This “coercion by punishment” strategy can be effected in two ways: the first relies on straightforward threats to overwhelm a target’s capacity to accommodate a refugee or migrant influx; the second, on a kind of norms-enhanced political blackmail that exploits the existence of legal and normative commitments to those fleeing violence, persecution, or privation. The theory is further illustrated and tested in a variety of case studies from Europe, East Asia, and North America. To help potential targets better respond to―and protect themselves against―this kind of unconventional predation, Weapons of Mass Migration also offers practicable policy recommendations for scholars, government officials, and anyone concerned about the true victims of this kind of coercion―the displaced themselves.”

LISTEN TO THE PODCAST BY THE AUTHOR, Kelly M. Greenhill 

http://www.rsc.ox.ac.uk/news/weapons-of-mass-migration-forced-displacement-coercion-and-foreign-policy-kelly-m-greenhill

refugees

POLITICAL CAMPAIGN SEASON

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Unfortunately, it’s the season for political campaigns again. If you waste any time listening to the “Bankster” owned “news” or watch politicians read scripts written for them by their “Bankster” handlers, you’re going to become the kind of mindless moron they want you to be.  Instead, I recommend going for nice long walks, or reading some of my books.

STAR WARS TELENOVELA: “LOINS OF PASSION”

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How can you think about saving the Galaxy when you’re afflicted by the dreaded intergalactic disease, “Loins of Passion”?

telenovela  is a limited-run serial dramatic programming popular in Latin American, Portuguese, and Spanish television programming. The word combines tele, short for televisión or televisão (Spanish and Portuguese words for television), and novela, a Spanish word for “novel”. Telenovelas are a distinct genre different from soap operas, for telenovelas have an ending and come to an end after a long run (generally less than one year). The telenovela combines drama with the 19th century feuilleton and the Latin American radionovela. The medium has been used repeatedly to transmit sociocultural messages by incorporating them into storylines. Recent telenovelas have evolved in the structure of their plots and in the themes they address. Couples who kiss each other in the first minutes of the first episode sometimes stay together for many episodes before the scriptwriter splits them up. Moreover, previously taboo themes like urban violence, racism, and homosexuality have begun to appear in the newest telenovelas. Due to the similarities between the telenovela and the American soap opera, the telenovela format is also colloquially known as a “Spanish soap opera” in the United States.  (Wikipedia.org)