Category Archives: ART

Paintings, photography, aesthetic objects, beautiful communication, and anything I consider to be art, artful, artistic, artsy or whatever.
Art is subjective. It is a quality of communication can be contributed to by the viewer through empathy or agreement with its creator.

STAR WARS IN 1902

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What if “Star Wars” had been released 75 years earlier — in 1902 instead of 1977?

Anachronisme by LesSingesHurlants

THE SILENT FILM ERA:  1894 -1929

The first projected sequential proto-movie was made byEadweard Muybridge some time between 1877 and 1880. The first narrative film was created by Louis Le Prince in 1888. It was a two-second film of people walking in Oakwood streets garden, entitled Roundhay Garden Scene. The art of motion pictures grew into full maturity in the “silent era“(1894-1929) before silent films were replaced by “talking pictures” in the late 1920s. Many film scholars and buffs argue that the aesthetic quality of cinema decreased for several years until directors, actors, and production staff adapted to the new “talkies”.

The visual quality of silent movies—especially those produced in the 1920s—was often high. However, there is a widely held misconception that these films were primitive and barely watchable by modern standards. This misconception comes as a result of silent films being played back at wrong speed and their deteriorated condition. Many silent films exist only in second- or third-generation copies, often copied from already damaged and neglected film stock.

As motion pictures eventually increased in length, a replacement was needed for the in-house interpreter who would explain parts of the film. Because silent films had no synchronized sound for dialogue, onscreen intertitles were used to narrate story points, present key dialogue and sometimes even comment on the action for the cinema audience. The title writer became a key professional in silent film and was often separate from the scenario writer who created the story. Intertitles (or titles as they were generally called at the time) often became graphic elements themselves, featuring illustrations or abstract decoration that commented on the action.

READ MORE ABOUT THE HISTORY AND TECHNOLOGY OF “SILENT” FILMS ON WIKIPEDIA:  http://en.wikipedia.org/wiki/Silent_film

Déjà vu

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Déjà vu, from French, literally “already seen”, is the phenomenon of having the strong sensation that an event or experience currently being experienced had been experienced in the past.

Here are two examples of very young children who “already know” how to play the piano, masterfully! How can an adopted 3 year old, blind girl “already know” how to play the piano, instantly accompany a vocalist without ever having heard the tune before? She also plays the piano and sings.

This 5 year old “just knows” how to play the piano — without any training — like a classical master. How can this possible happen? They remember. It cannot be more obvious. Everyone has lived before, a thousand, thousand times. You and I may not be able to remember how the play the piano because we never played it before. However, there are thousands of examples in history of people being able to “just know” how to do things.

Computer scientists “just know” how to manufacture and program computer circuitry — even though ELECTRICITY wasn’t even “invented” until 150 years ago! How does a planet make the quantum leap from burning wood and candles, riding in horse carts and sailing ships to atomic bombs and global satellite systems in 150 years?! There is no “evolutionary process” involved.

It’s too simple: we have done all of these things before on other planets, in other times, in other galaxies. It’s Déjà vu.

NOT RESPONSIBLE

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NOT RESPONSIBLE ( painting by Michael Parkes — “The Golden Serpent” )

“On Earth, the propaganda taught and agreed upon is that the gods are responsible, and that human beings are not responsible.   You are taught that only a god can create universes. So, the responsibility for every action is assigned to another IS-BE or god. Never oneself.” ~ Alien interview