Tag Archives: time

WHERE DID THE TIME GO?

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Even though I’m a “Child of The 60’s” I never heard the magnificent voice until today.  Where does the time go, indeed?  The decades since then have passed in the blink of an eye.  The centuries that have passed since 1960 BCE may have well have been yesterday.  The past is present in the ‘eternal now’ of our soul and only a memory of away from our senses.

Sandy Denny (6 January 1947 – 21 April 1978), born Alexandra Elene Maclean Denny, was an English singer and songwriter, perhaps best known as the lead singer for the folk rock band Fairport Convention. She has been described by Allmusic‘s Richie Unterberger as “the pre-eminent British folk rock singer”.

After briefly working with British folk band the Strawbs, Denny joined Fairport Convention in 1968, remaining with that band until the end of 1969. She formed the short-lived band Fotheringay in 1970, releasing one album with them (another unreleased album would surface some three decades later), before focusing on a solo career. Between 1971 and 1977, Denny released four solo albums: The North Star Grassman and the Ravens, Sandy, Like an Old Fashioned Waltz, and Rendezvous. She is also noted as the only guest vocalist on a Led Zeppelin studio album, when she shared a duet with Robert Plant for “The Battle of Evermore” on Led Zeppelin IV (1971).

Music publications Sunday Express, Uncut and Mojo have each called Denny Britain’s finest female singer-songwriter. Her composition “Who Knows Where the Time Goes?” has been recorded by many artists as diverse as Judy Collins, Nina Simone and Cat Power.   Unfortunately, Sandy was afflicted by drug addiction and died in 1978 after falling down a flight of stairs.

Although Denny had a devoted cult following in her lifetime, she did not achieve the mass market success that she sought. In the years since her death, her reputation has grown. A four-album box set entitled Who Knows Where the Time Goes? (1985) was produced by her widower Trevor Lucas and Joe Boyd and included many rare and previously unreleased tracks.  (from Wikipedia.org)

SHADOW HAIKU

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SHADOW HAIKU

A traditional Japanese haiku is a three-line poem with seventeen syllables, written in a 5/7/5 syllable count. Often focusing on images from nature, haiku emphasizes simplicity, intensity, and directness of expression.  Haiku began in thirteenth-century Japan.  In contrast to English verse typically characterized by meter, Japanese verse counts sound units known as “on” or morae. Traditional haiku consist of 17 on, in three phrases of five, seven and five on respectively.  Among contemporary poems teikei (定型 fixed form) haiku continue to use the 5-7-5 pattern while jiyuritsu (自由律 free form) haiku do not.

A Classic EXAMPLE:

An old pond!

A frog jumps in–

the sound of water.

 For more detailed information about Haiku, visit the website, 

HOW TO WRITE A HAIKU POEM:  http://www.wikihow.com/Write-a-Haiku-Poem

ETERNAL NOW

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ETERNAL NOW

Alan Wilson Watts (6 January 1915 – 16 November 1973) was a British-born philosopher, writer, and speaker, best known as an interpreter and populariser of Eastern philosophy for a Western audience. Born in Chislehurst, he moved to the United States in 1938 and began Zen training in New York. Pursuing a career, he attended Seabury-Western Theological Seminary, where he received a master’s degree in theology. Watts became an Episcopal priest but left the ministry in 1950 and moved to California, where he joined the faculty of the American Academy of Asian Studies.

Living on the West Coast, Watts gained a large following in the San Francisco Bay Area while working as a volunteer programmer at KPFA, a Pacifica Radio station in Berkeley. Watts wrote more than 25 books and articles on subjects important to Eastern and Western religion, introducing the then-burgeoning youth culture to The Way of Zen (1957), one of the first bestselling books on Buddhism. In Psychotherapy East and West (1961), Watts proposed that Buddhism could be thought of as a form of psychotherapy and not a religion. He also explored human consciousness, in the essay “The New Alchemy” (1958), and in the book The Joyous Cosmology (1962).