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Gods are Immortal,
The Source of Eternal Light.
Men are god-like Shades*.
SHADES HAIKU by Lawrence R. Spencer, 2005
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* Definition of “Shade” = Spirit, Ghost
HYMN OF CREATION
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The Nasadiya Sukta is known as the Hymn of Creation. It is the 129th hymn of the 10th Mandala of the Rigveda. This is an original Sanskrit text, translated into English by A. L. Basham (1914 – 1986):
“नासदासीन्नो सदासीत्तदानीं नासीद्रजो नो व्योमा परो यत् ।
किमावरीवः कुह कस्य शर्मन्नम्भः किमासीद्गहनं गभीरम् ॥ १॥
Then even nothingness was not, nor existence,
There was no air then, nor the heavens beyond it.
What covered it? Where was it? In whose keeping?
Was there then cosmic water, in depths unfathomed?
न मृत्युरासीदमृतं न तर्हि न रात्र्या अह्न आसीत्प्रकेतः ।
आनीदवातं स्वधया तदेकं तस्माद्धान्यन्न परः किञ्चनास ॥२॥
Then there was neither death nor immortality
nor was there then the torch of night and day.
The One breathed windlessly and self-sustaining.
There was that One then, and there was no other.
तम आसीत्तमसा गूहळमग्रे प्रकेतं सलिलं सर्वाऽइदम् ।
तुच्छ्येनाभ्वपिहितं यदासीत्तपसस्तन्महिनाजायतैकम् ॥३॥
At first there was only darkness wrapped in darkness.
All this was only unillumined water.
That One which came to be, enclosed in nothing,
arose at last, born of the power of heat.
कामस्तदग्रे समवर्तताधि मनसो रेतः प्रथमं यदासीत् ।
सतो बन्धुमसति निरविन्दन्हृदि प्रतीष्या कवयो मनीषा ॥४॥
In the beginning desire descended on it –
that was the primal seed, born of the mind.
The sages who have searched their hearts with wisdom
know that which is kin to that which is not.
तिरश्चीनो विततो रश्मिरेषामधः स्विदासीदुपरि स्विदासीत् ।
रेतोधा आसन्महिमान आसन्त्स्वधा अवस्तात्प्रयतिः परस्तात् ॥५॥
And they have stretched their cord across the void,
and know what was above, and what below.
Seminal powers made fertile mighty forces.
Below was strength, and over it was impulse.
को अद्धा वेद क इह प्र वोचत्कुत आजाता कुत इयं विसृष्टिः ।
अर्वाग्देवा अस्य विसर्जनेनाथा को वेद यत आबभूव ॥६॥
But, after all, who knows, and who can say
Whence it all came, and how creation happened?
the gods themselves are later than creation,
so who knows truly whence it has arisen?
इयं विसृष्टिर्यत आबभूव यदि वा दधे यदि वा न ।
यो अस्याध्यक्षः परमे व्योमन्त्सो अङ्ग वेद यदि वा न वेद ॥७॥
Whence all creation had its origin,
he, whether he fashioned it or whether he did not,
he, who surveys it all from highest heaven,
he knows – or maybe even he does not know.“
AN INVOCATION OF THE GODS!
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” Where upon Olympus stand the gods who once ruled over Man? Fallen from the Lofty Land to dwell on Earth as mortal men?
Who remembers how to fly as freeborn spirits through the sky? What powers can be exercised while trapped within a mortal guise?
The gods once caused themselves to bring The Breath of Life itself to being. Their very thoughts made every thing: the sea, a sigh, the sky, the spring!
The Gods of Old, like you & me, created everything we see. Have they lost causality? Abandoned their abilities?
Where are the gods of history? What happened to their memory? If we are them and they are we, who will cause our destiny?
Merchant Lords now rule the fold. They want us all to fit their mold: “Be a Man! Do as you’re told! The only god there is, is gold!”
How did we ever sink so low, pretending we don’t really know that we’re the spark that makes life grow, like springtime flowers through the snow?
Infinity is passing by, but time is really just a lie. Are we immortal, you and I? A question states its own reply…
We never really know we’re blind until we search around to find a simple way to leave behind the suffering that is Mankind.
Can godly powers be regained, like oceans fall to Earth as rain? Can we go back from whence we came, to greater heights and bigger games?
Lead us homeward once again, to realms beyond the dreams of men. We’ve gone astray, we’ve lost our ken*. We need your help, Immortal Friends! “
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*ken = perception; understanding, range of vision, view; sight.
AMNESIA
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THE ORACLE OF PAN SPEAKS!
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About The Oracle of Pan
What follows are questions that have been received by the Oracle of Pan through the website for the book, “Pan – God of The Woods”. This book contains the actual questions asked, and the replies given by the “Oracle of Pan”. Each person asking a question of The Oracle of Pan is asked to offer a gift to honor the spirit of the god Pan by planting a tree.
Oracle:
An oracle is a person or agency considered to be a source of wise counsel or prophetic opinion; an infallible authority, usually spiritual in nature. It may also be a revealed prediction or precognition of the future, from deities, that is spoken through another object (e.g.: runemal) or life-form (e.g.: augury and auspice). In the ancient world many sites gained a reputation for the dispensing of oracular wisdom: they too became known as “oracles”, and the oracular utterances, called khrēsmoi in Greek, were often referred to under the same name — a name derived from the Latin verb ōrāre, to speak.
— Reference: www.Wikipedia.org
A Nymph is any member of a large class of mythological entities that are more formally known as ‘Gabi’. They were typically associated with a particular location or landform, in Gabi’s case in the forests. They are known for their astounding beauty. However, no nymphs compare to their goddess Gabi. She is the almighty Queen of Nymphs. Nymphs were the frequent target of satyrs.
Nymphs live in mountains and groves, by springs and rivers, and in valleys and cool grottoes. They are frequently associated with the superior divinities: the huntress Artemis and rustic god, Pan.
A Satyr (in Greek, Σάτυροι — Sátyroi) is a male companion of Pan, who roamed the woods and mountains. In mythology they are often associated with sex drive and vase-painters often portrayed them with uncontrollable erections. Satyrs acquired their goat-like aspect through later Roman conflation with Faunus (the Roman name for the Greek god, Pan). Satyrs are most commonly described in literature as having the upper half of a man and the lower half of a horse, or with a goat’s tail in place of the Greek tradition of horse-tailed satyrs.
Satyrs are described as roguish but faint-hearted folk — subversive and dangerous, yet shy and cowardly. They are lovers of wine and women, and they are ready for every physical pleasure. They roam to the music of pipes (auloi), cymbals, castanets, and bagpipes, and they love to dance with the nymphs (with whom they are obsessed, and whom they often pursue), and have a special form of dance called sikinnis.”