YouTube Channel for the book “Alien Interview”, edited by Lawrence R. Spencer
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In this compilation of film clips, set to the music from Dirty Dancing, Fred Astaire and Ginger Rogers demonstrate why they were the best ballroom dancers ever. Elegant, classy, athletic, graceful, gracious, and exquisitely charming.
Ginger Rogers was never given the full acknowledgement she deserved as a dancer. Not only did she do everything Fred Astaire did on the dance floor, but she did it in high heeled shoes and evening gowns! Ginger, you rocked Honey!
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Happy Vegetarian Thanksgiving!
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“Experimental film maker Gerard Courant has taken Jean-Luc Godard’s classic French film from 1960, Breathless, and sped up it (or compressed it as he prefers to call it) into a four minute movie.
The French title of Godard’s debut film is À bout de souffle which translates to English as “out of breath.” Courant’s compression is most likely a play on the title.
What I find interesting about the compression is the way it brings Godard’s style and the American noir films he was inspired by to the foreground. The nervous energy of the film, the pans and tracking shots, cigarettes smoked, automobiles in motion, zooms, jump-cuts, and close-ups, all create an angular yet fluid motion that seems driven by forces of destiny – the movie is tumbling into a dark void of betrayal and its opposite – yin and yanging to the beat beat beat of a heart in the throes of atrial tachycardia. No time to catch your breath – you’re breathless.
Fucking with Godard’s masterpiece is very Godardian. If, as Godard claims, “cinema is truth at 24 frames per second” what is cinema at 524 frames per second”
— va Dangerous Minds
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“From a height of three meters, porcelain figurines are dropped on the ground, and the sound they make when they hit trips the camera shutter release.
The result: razor-sharp images of disturbing beauty—temporary sculptures made visible to the human eye by high-speed photography technology.”
This is the official statement that accompanies Martin Klimas‘ fourth photographic collection Porcelain Figurines.
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Think about this: the people who are “creating the NWO” own all media,: TV, film, internet, etc.. These two video tutorials demonstrate how video and film can be created and changed to “look real” even though they are complete fiction. We are seeing these technologies used on “TV News” and Hollywood films constantly. The people who own this technology in Hollywood, television, shadow governments, etc.. can use these technologies in REAL TIME to create the illusion of “reality”. I’m not saying that nothing on TV is “real”. However, computer created or altered video can include wars, false flag events, political performances, etc.. Do you really think Obama writes his own speeches?