Category Archives: LIVES

TERMINALLY GULLIBLE PUBLIC

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“Our lives are now fraught with easily-disproved fantasies, frauds and fictions being pushed to us through the media by institutions with deliberate agendas trying to engineer specific outcomes. Those of us with a pragmatic mindset and an ability to recall (even quite recent) history, often find ourselves with mouths literally agape at the obvious deceptions being foisted upon what appears to be a terminally-gullible public.”

— Chris Martenson describes the world of medicine, media, finance, politics and education.

FAST FLOWERS

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Flowers are a very effective sexual organ of the plant world.  Each flower opens itself with complete aesthetic bravado, complete with potent perfumes, brilliant colors and delicate textures.   They entice every passing bird and insect to lend assistance in their reproductive quest, to transport the vital elements of reproduction between the male and female organs of the plant.  If human beings behaved this way, every roadway and street corner would be crowded with naked females, begging male passers-by to impregnate them!  Thank goodness human beings have a little bit more discretion as to how and why they select sexual partners….no much, but a little.

  Created this Flowers Timelapse compilation of Amaryllis, Lilies, Zygocactus, Rose, Gladiolus, and Gardenias.   It is composed of  more than 7100 photos in more than 730 hours (using Canon 5D Mark II).

GO TOO FAR

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GO TOO FAR

Albert Camus (1913 – 1960) was a French Nobel Prize winning author, journalist, and philosopher, described as the ″James Dean of philosophy″.  Throughout his life, Camus spoke out against and actively opposed Totalitarianism in its many forms. Early on, Camus was active within the French Resistance to the German occupation of France during World War II, even directing the famous Resistance journal, Combat. On the French collaboration with Nazi occupiers he wrote: “Now the only moral value is courage, which is useful here for judging the puppets and chatterboxes who pretend to speak in the name of the people.”

Camus presents the reader with dualisms such as happiness and sadness, dark and light, life and death, etc. He emphasizes the fact that happiness is fleeting and that the human condition is one of mortality; for Camus, this is cause for a greater appreciation for life and happiness. In Le Mythe, dualism becomes a paradox: we value our own lives in spite of our mortality and in spite of the universe’s silence. While we can live with a dualism (I can accept periods of unhappiness, because I know I will also experience happiness to come), we cannot live with the paradox (I think my life is of great importance, but I also think it is meaningless). In Le Mythe, Camus investigates our experience of the Absurd and asks how we live with it. Our life must have meaning for us to value it. If we accept that life has no meaning and therefore no value, should we kill ourselves?