Category Archives: READING MATTER

Books I read & recommend

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CREATING LIFE FROM MATTER

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Metropolis is a 1927 German expressionist epic science fiction drama film directed by Fritz Lang. The film was written by Lang and his wife Thea von Harbou, and starred Brigitte Helm, Gustav Fröhlich, Alfred Abel and Rudolf Klein-Rogge. A silent film, it was produced by Erich Pommer in the Babelsberg Studios by Universum Film A.G.. It is regarded as a pioneering work of science fiction genre in movies, being among the first feature length movies of the genre.

Made in Germany during the Weimar Period, Metropolis is set in a futuristic urban dystopia, and follows the attempts of Freder, the wealthy son of the city’s ruler, and Maria, a poor worker, to overcome the vast gulf separating the classes of their city. Metropolis was filmed in 1925, at a cost of approximately five million Reichsmarks, making it the most expensive film ever released up to that point.

In this film, the mad inventor Rotwang kidnaps the heroine, Maria.  You see he’s created a robot to be a replacement for a woman he loved.  But it needs a soul!  So when the need to get Maria out of the way in the general run of the plot presents itself, he imprints the image of Maria onto his Robot.lang-metropolis The lady is in a confined little bed-thing with a big steel helmet on her head with wires coming out.  Rotwang throws switches and levers.  Chemicals boil, electricity flies, the robot on her throne is surrounded by energy and suddenly changes into the image of Maria.  Though when she opens her emotionless eyes, they seem to glow with an inner light.  IT’S ALIVE!

 This revolutionary film addresses the subject of animating inanimate organisms.  Biological engineering and animation of bodies by spiritual beings is thoroughly discussed in the book ALIEN INTERVIEW:

“How else can you explain the source of spiritual animation which defines every living creature? To say it is the work of “god”, is far too broad. Every IS-BE has many names and faces in many times and places. Every IS-BE is a god. When they inhabit a physical object they are the source of Life.”

Metropolis (short synopsis of the film)

MetropolisposterSometime in the future. Johann Fredersen is mastermind of Metropolis, a gigantic high-tech city, under whose surface masses of workers lead an archaic slave existence. His son, Freder, is witness to the inhumane working conditions and rebels against his despotic father, discovering a spiritual community in the catacombs of the city: Maria, a young woman, preaches the virtues of love and reconciliation. But Fredersen discovers Maria as well and conjures up a sinister plan. He commissions the scientist Rotwang to develop a robot form of Maria, which he will use to gain influence over the workers. The plan works, but Freder and Maria are able to hinder the catastrophe in the last minute. The mass hysteria turns and directs its rage toward the robot Maria, who is burned at the stake. Freder and Maria form a new brotherly community among the classes – Fredersen offers his hand in reconciliation, true to the motto of the film: “the mediator between the hand and the brain must be the heart”.

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THEY LIVE

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OBEYThey Live is a 1988 American science fiction-horror film directed by John Carpenter.  The film follows a nameless drifter referred to as “Nada”, who discovers the ruling class within the moneyed elite are in fact aliens managing human social affairs through the use of a signal on top of the TV broadcast, concealing their appearance and subliminal messages in mass media.   This is a clip from the famous “sunglasses” scene: “I have come here to chew bubble gum and kick ass.  And, I’m all out of bubble bum….”

The idea for They Live came from two sources: a short story called “Eight O’Clock in the Morning” by Ray Nelson, originally published in The Magazine of Fantasy and Science Fiction in the 1960s, involving an alien invasion in the tradition of Invasion of the Body Snatchers, and a story called “Nada” from the Alien Encounters comic book.  John Carpenter describes Nelson’s story as “…a D.O.A. type of story, in which a man is put in a trance by a stage hypnotist. When he awakens, he realizes that the entire human race has been hypnotized, and that alien creatures are controlling humanity. He has only until eight o’clock in the morning to solve the problem.

The more political elements of the film are derived from Carpenter’s growing distaste with the ever-increasing commercialization of 1980s popular culture and politics. He remarked, “I began watching TV again. I quickly realized that everything we see is designed to sell us something… It’s all about wanting us to buy something. The only thing they want to do is take our money.” To this end, Carpenter thought of sunglasses as being the tool to seeing the truth, which “is seen in black and white. It’s as if the aliens have colorized us. That means, of course, that Ted Turner is really a monster from outer space.” (Turner had received some bad press in the 1980s for colorizing classic black-and-white movies.) The director commented on the alien threat in an interview, “They want to own all our businesses. A Universal executive asked me, ‘Where’s the threat in that? We all sell out every day.’ I ended up using that line in the film.” The aliens were deliberately made to look like ghouls according to Carpenter, who said: “The creatures are corrupting us, so they, themselves, are corruptions of human beings.”

Because the screenplay was the product of so many sources: a short story, a comic book, and input from cast and crew, Carpenter decided to use the pseudonym “Frank Armitage,” an allusion to one of the filmmaker’s favorite writers, H. P. Lovecraft (Frank Armitage is a character in Lovecraft’s The Dunwich Horror). Carpenter has always felt a close kinship with Lovecraft’s worldview and according to the director, “Lovecraft wrote about the hidden world, the “world underneath.” His stories were about gods who are repressed, who were once on Earth and are now coming back. The world underneath has a great deal to do with They Live.” — (Wikipedia.org)

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THE OZ FACTORS: EBOLA SURVIVAL TIPS

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SURVIVAL TIPS: 

EBOLA CAUSES BLEEDING.  DO NOT TAKE ASPIRIN.  DRINK OZONATED  WATER.  This is water infused with Ozone. TO LEARN HOW AND WHY READ THIS ARTICLE NOW. 

http://in5d.com/100-benefits-of-ozone-therapy.html

Buy your own Ozone generator for water AND air for less than $200.00 on the following links:

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http://www.amazon.com/A2Z-Ozone-MP-1000-Multi-Purpose/dp/B00K7120EG/ref=sr_1_4?s=home-garden&ie=UTF8&qid=1414386083&sr=1-4

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“EBOLA – CIA Project Codename MKNAOMI & Hi-Tech Assassinations

THE OZ FACTORS by Lawrence R. SpencerIn 1948, Henry Kissinger, a 23-year-old American intelligence officer, recruited Nazi expatriates to serve in top positions in American military, aerospace, and biological science and medicine. Twenty years later, he left Harvard’s esteemed faculty and resigned a lucrative position as Nelson Rockefeller’s foreign policy attache’ to become President Nixon’s closest advisor and director of the National Security Council. Seeking alternatives to tactical nuclear weapons to bolster America’s “diplomacy” abroad, the paranoid and egomaniacal Kissinger quickly ordered the Army’s Chief of Staff to requisition $10 million from Congress for the development and testing of EBOLA & AIDS-like viruses. Within ten years, the AIDS and Ebola epidemics erupted coincidentally in the regions of Africa ravaged by CIA military covert operations also ordered by Kissinger.

In 1984, Dr. Robert Gallo, of the National Cancer Institute, claimed credit for discovering the AIDS virus. He announced it most likely originated from a monkey virus which spontaneously mutated and naturally jumped species. Dr. Gallo was a biological weapons contractor for the CIA’s top secret “Project: MKNAOMI,” and was paid to produce and test EBOLA, AIDS-like viruses as early as 1970.

EBOLA – CIA Project Codename MKNAOMI & Hi-Tech Assassinations”

 

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The following is an excerpt about AIDS and EBOLA from my book THE OZ FACTORS, published in 1997:

“Over the past two decades, we have come to realize that AIDS can have a latency period, during which no symptoms appear, during which it remains undetectable by tests. This latency period can be from ten to 18 years. It can hide in bone marrow or brain tissue, while still being transmitted to others. The virus can be transmitted by casual, non-sexual contact via saliva, blood and perhaps, even through mosquito bites which transfer infected blood from one person who is already infected to another person according to some sources.

Because the virus adapts itself genetically to the DNA structure of each person, there are as many strains of HIV as there are individual people. Thus, so-called HIV testing, which is done in clinics and hospitals, cannot detect the presence of the virus in most people.

On July 29, 1969, only days after the United States Department of Defense requisitioned ten million dollars from Congress to fund the development of AIDS-like viruses, the House Republican committee, chaired by George Bush of Texas, (before he became head of the CIA, and later, the President) cited the urgent need for population control activities to fend off “a growing Third World crisis”. This “concern” for population control is at the root of the United State’s Third World foreign policy.

Several important intrigues regarding this United States Third World foreign policy are exposed in Dr Leonard Horowitz’s book, ‘Emerging Viruses–AIDS & Ebola’, including:

1/ President Nixon’s special presentation before the Population Conference in which he appealed for urgent action;

2/ Economic, military, and “humanitarian” policies and projects implemented under Nixon and Carter;

3/ Subsequent World Bank, NASA, and the National Academy of Sciences (NAS) activities in Africa;

4/ Henry Kissinger’s leading role in establishing and directing African foreign policy and “diplomatic” affairs;

5/ WHO and USAID (United States Agency for International Development) together sponsoring immunization programs in central Africa; and,

6/ American intelligence connections to USAID and African health care initiatives.

Horowitz details the sequence of events which led to the murder of millions of black Africans under the covert direction of the “New World Order”.

The investigations by Dr Horowitz and others have uncovered the mysterious rise of Henry Kissinger to prominence in America’s intelligence community. Kissinger’s relationships with the Rockefellers, Richard Nixon, Alexander Haig, and other Nixon White House officials have now been exposed along with his leading role in the development of nuclear and biological weapons.

Henry Kissinger, the darling of the Rockefellers, was the architect of the philosophy and purpose of the “New World Order”, as articulated by President Bush, and advanced in Kissinger’s 1955 Harvard PhD thesis, ‘The Meaning of History’. Kissinger argued that there will never be peace on earth. Instead, he called for a stable economic order of nations which could be maintained by creating small, ongoing wars with financial advantages for weapons developers.

Kissinger was appointed by Nelson Rockefeller to head the nuclear weapons study group of the non-governmental Council on Foreign Relations in 1955.

Kissinger (an avowed supporter of the Nazi Party as a 16-year-old in Germany) was appointed as National Security Advisor–the most influential position in the Nixon White House. The alternate choice for the post was none other than Roy Ash, the President of Litton Industries. Litton Industries military contracts, during the first Nixon administration, exceeded five billion dollars! Ten million of those dollars went to Litton Bionetics, the Biological Weapons contractor with whom Robert Gallo worked to develop AIDS-like viruses at that time.

After his great power grab, Kissinger’s first act as Director of National Security was to order Alexander Haig and J Edgar Hoover to wiretap Nixon and others, thus producing the infamous “White House tapes”.

Kissinger had absolute control over the Defense Program Review Committee (which considered the funding requests for biological weapons), and absolute control over the 40 Committee, an intelligence advisory committee which authorized covert actions by the CIA in Central Africa in the vicinity where AIDS and Ebola first broke out.

Increasing evidence has been accumulating which demonstrates that the CIA not only co-opted the Executive Branch of the United States Government while being directed by Dr Henry Kissinger during the Nixon era, but apparently carried out efforts to replace J Edgar Hoover.

All this was going on at the same time Kissinger was directing the CIA to continue escalating foreign and domestic espionage operations, which was directed against black Africans and American homosexuals.”