Category Archives: MOVING PICTURES

YouTube Channel for the book “Alien Interview”, edited by Lawrence R. Spencer

WARNINGS FROM THE FOUNDING FATHERS

Republished by Blog Post Promoter


America’s founders were rightfully skeptical of granting too much power to bankers. Thomas Jefferson said, “If the American people ever allow private banks to control the issuance of their currency, first by inflation and then by deflation, the banks and corporations that will grow up around them will deprive the people of all their property until their children will wake up homeless on the continent their fathers conquered.”

President George Washington said, “Paper money has had the effect in your State [Rhode Island] that it ever will have, to ruin commerce–oppress the honest, and open the door to every species of fraud and injustice.”

President Thomas Jefferson also believed that “banking establishments are more dangerous than standing armies; and that the principle of spending money to be paid by posterity, under the name of funding, is but swindling futurity on a large scale.”

Daniel Webster warned, “Of all the contrivances for cheating the laboring classes of mankind, none has been more effectual than that which deludes them with paper money. We are in danger of being overwhelmed with irredeemable paper, mere paper, representing not gold nor silver; no, Sir, representing nothing but broken promises, bad faith, bankrupt corporations, cheated creditors, and a ruined people.”

 

“…THEY’VE BUILT THEIR OWN PRISON…”

Republished by Blog Post Promoter

MY DINNER WITH ANDRE is a 1981 film starring Andre Gregory and Wallace Shawn, written by Gregory and Shawn, and directed by Louis Malle, depicting a conversation between Gregory and Shawn (not necessarily playing themselves) in a chic restaurant in New York City. Based mostly on conversation, the film’s dialogue covers such things as experimental theatre, the nature of theatre, and the nature of life, contrasting Shawn’s modest, down-to-earth humanism with Gregory’s extravagant spiritual experiences.

TEXT ANNOTATIONS FROM THE SEGMENT OF THE FILM ABOVE:

“I mean, things don’t affect people the way they used to.
I mean, it may very well be that 1 0 years from now…
people will pay $1 0,000 in cash to be castrated…
just in order to be affected by something.
Well, why-why do you think that is? I mean, why is that?
I mean, is it just because people are lazy today, or they’re bored?
I mean, are we just like bored, spoiled children…
who’ve just been lying in the bathtub all day…
just playing with their plastic duck…
and now they’re just thinking, ”Well, what can I do?”
Okay. Yes. We’re bored.
We’re all bored now.
But has it every occurred to you, Wally, that the process…
that creates this boredom that we see in the world now…
may very well be a self-perpetuating, unconscious form of brainwashing…
created by a world totalitarian government based on money…
and that all of this is much more dangerous than one thinks…
and it’s not just a question of individual survival, Wally…
but that somebody who’s bored is asleep…
and somebody who’s asleep will not say no?
See, I keep meeting these people – I mean, uh,just a few days ago…
I met this man whom I greatly admire.
He’s a Swedish physicist. Gustav Bjornstrand.
And he told me that he no longer watches television…
he doesn’t read newspapers, and he doesn’t read magazines.
He’s completely cut them out of his life…
because he really does feel that we’re living in some kind of Orwellian nightmare now…
and that everything that you hear now contributes to turning you into a robot.
And when I was at Findhorn, I met this extraordinary English tree expert…
who had devoted his life to saving trees.
Just got back from Washington, lobbying to save the redwoods.
He’s 84 years old, and he always travels with a backpack…
’cause he never knows where he’s gonna be tomorrow.
And when I met him at Findhorn, he said to me, ”Where are you from?”
I said, ”New York.” He said, ”Ah, New York. Yes, that’s a very interesting place.
Do you know a lot of New Yorkers who keep talking about the fact that they want to leave, but never do?”
And I said, ”Oh, yes.” And he said, ”Why do you think they don’t leave?”
I gave him different banal theories. He said, ”Oh, I don’t think it’s that way at all.”
He said, ”I think that New York is the new model for the new concentration camp…
”where the camp has been built by the inmates themselves…
”and the inmates are the guards, and they have this pride in this thing they’ve built.
”They’ve built their own prison.
”And so they exist in a state of schizophrenia…
”where they are both guards and prisoners.
”And as a result, they no longer have – having been lobotomized –
”the capacity to leave the prison they’ve made…
or to even see it as a prison.”
And then he went into his pocket, and he took out a seed for a tree…
and he said, ”This is a pine tree.”
He put it in my hand and he said, ”Escape before it’s too late.”
See, actually, for two or three years now…
Chiquita and I have had this very unpleasant feeling that we really should get out.
We really feel like Jews in Germany in the late ’30s.
Get out of here.
Of course, the problem is where to go.
‘Cause it seems quite obvious that the whole world is going in the same direction.
See, I think it’s quite possible that the 1 960s…
represented the last burst of the human being before he was extinguished…
and that this is the beginning of the rest of the future, now…
and that from now on there’ll simply be all these robots walking around…
feeling nothing, thinking nothing.
And there’ll be nobody left almost to remind them…
that there once was a species called a human being…
with feelings and thoughts…
and that history and memory are right now being erased…
and soon nobody will really remember…
that life existed on the planet.
Now, of course, Bjornstrand feels that there’s really almost no hope…
and that we’re probably going back to a very savage…
lawless, terrifying period.
Findhorn people see it a little differently.
They’re feeling that there’ll be these pockets of light…
springing up in different parts of the world…
and that these will be, in a way, invisible planets on this planet…
and that as we, or the world, grow colder…
we can take invisible space journeys to these different planets…
refuel for what it is we need to do on the planet itself…
and come back.
And it’s their feeling that there have to be centers now…
where people can come and reconstruct a new future for the world.
And when I was talking to, uh, Gustav Bjornstrand…
he was saying that actually these centers are growing up everywhere now…
and that what they’re trying to do, which is what Findhorn was trying to do…
and, in a way, what I was trying to do –
I mean, these things can’t be given names…
but in a way, these are all attempts at creating a new kind of school…
or a new kind of monastery.
And Bjornstrand talks about the concept of”reserves” –
islands of safety where history can be remembered…
and the human being can continue to function…
in order to maintain the species through a dark age.
In other words, we’re talking about an underground…
which did exist in a different way during the Dark Ages…
among the mystical orders of the church.
And the purpose of this underground…
is to find out how to preserve the light, life, the culture…
how to keep things living.
You see, I keep thinking that what we need…
is a new language –
a language of the heart…
a language, as in the Polish forest, where language wasn’t needed.
Some kind of language between people that is a new kind of poetry…
that’s the poetry of the dancing bee that tells us where the honey is.
And I think that in order to create that language…
you’re going to have to learn how you can go through a looking glass…
into another kind of perception…
where you have that sense of being united to all things…
and suddenly you understand everything.”

ZATOICHI: THE BLIND SWORDSMAN

Republished by Blog Post Promoter

For anyone who loves swordplay, blood, guts, killing, slaughter, mayhem and general senseless violence, this is a film clip for you!

This epic samurai fighting scene is from the only film written, directed and starring the legendary Shintaro Katsu. One of Quentin Tarantino’s recommended martial-arts films.

Shintaro Katsu’s Zatoichi is a blood-stained, blind assassin that shows the frailties of a man trying to live up to the way of the samurai. (Tom Cruise, eat your heart out…) Don’t even TRY to count the number of guys he kills in this scene!

SYMPATHY FOR THE DEVIL

Republished by Blog Post Promoter

Tonight I watched a concert by The Rolling Stones, Live at Hyde Park in 2013.   Mick Jagger and Keith Richards are 70 years old!!!!!  These guys still rock harder and longer than any 18 year old stud on the planet!!  Seriously.  They make me proud to be an “old” guy!!!  This song, “SYMPATHY FOR THE DEVIL” spells out the truth of the scene on planet Earth as it has been during it’s entire human history.

Evil and Love are Timeless and Eternal in the gods-forsaken “reality” of prison-planet Earth!   

“Please allow me to introduce myself
I’m a man of wealth and taste
I’ve been around for a long, long years
Stole many a man’s soul and faith

And I was ’round when Jesus Christ
Had his moment of doubt and pain
Made damn sure that Pilate
Washed his hands and sealed his fate

Pleased to meet you
Hope you guess my name
But what’s puzzling you
Is the nature of my game

I stuck around St. Petersburg
When I saw it was a time for a change
Killed the czar and his ministers
Anastasia screamed in vain

I rode a tank
Held a general’s rank
When the blitzkrieg raged
And the bodies stank

Pleased to meet you
Hope you guess my name, oh yeah
Ah, what’s puzzling you
Is the nature of my game, oh yeah
(woo woo, woo woo)

I watched with glee
While your kings and queens
Fought for ten decades
For the gods they made
(woo woo, woo woo)

I shouted out,
“Who killed the Kennedys?”
When after all
It was you and me
(who who, who who)

Let me please introduce myself
I’m a man of wealth and taste
And I laid traps for troubadours
Who get killed before they reached Bombay
(woo woo, who who)

Pleased to meet you
Hope you guessed my name, oh yeah
(who who)
But what’s puzzling you
Is the nature of my game, oh yeah, get down, baby
(who who, who who)

Pleased to meet you
Hope you guessed my name, oh yeah
But what’s confusing you
Is just the nature of my game
(woo woo, who who)

Just as every cop is a criminal
And all the sinners saints
As heads is tails
Just call me Lucifer
‘Cause I’m in need of some restraint
(who who, who who)

So if you meet me
Have some courtesy
Have some sympathy, and some taste
(woo woo)
Use all your well-learned politesse
Or I’ll lay your soul to waste, um yeah
(woo woo, woo woo)

Pleased to meet you
Hope you guessed my name, um yeah
(who who)
But what’s puzzling you
Is the nature of my game, um mean it, get down
(woo woo, woo woo)

Woo, who
Oh yeah, get on down
Oh yeah
Oh yeah!
(woo woo)

Tell me baby, what’s my name?
Tell me honey, can ya guess my name?
Tell me baby, what’s my name?
I tell you one time, you’re to blame!

Oh, who
woo, woo
Woo, who
Woo, woo
Woo, who, who
Woo, who, who
Oh, yeah”

—————

Lyrics by Mick Jagger and Kieth Richards