William Walker Atkinson was the original author of the “Law of Attraction” in 1906. His ideas have been borrowed, adapted and altered by hundreds of “self-help” and “get rich quick” gurus, many of whom have become wealthy as teachers of his ideas. Here is a YouTube video of the Free audio recording by Librivox.com of his original book on the subject, “Thought Vibration, or The Law of Attraction in the Thought World“.
“When we come to see that Thought is A Force – a manifestation of energy – having a magnet-like power of attraction, we will begin to understand the why and wherefore of many things that have heretofore seemed dark to us.” ~ William Walker Atkinson, 1906
They Live is a 1988 American science fiction-horror film directed by John Carpenter. The film follows a nameless drifter referred to as “Nada”, who discovers the ruling class within the moneyed elite are in fact aliens managing human social affairs through the use of a signal on top of the TV broadcast, concealing their appearance and subliminal messages in mass media. This is a clip from the famous “sunglasses” scene: “I have come here to chew bubble gum and kick ass. And, I’m all out of bubble bum….”
The idea for They Live came from two sources: a short story called “Eight O’Clock in the Morning” by Ray Nelson, originally published in The Magazine of Fantasy and Science Fiction in the 1960s, involving an alien invasion in the tradition of Invasion of the Body Snatchers, and a story called “Nada” from the Alien Encounters comic book. John Carpenter describes Nelson’s story as “…a D.O.A. type of story, in which a man is put in a trance by a stage hypnotist. When he awakens, he realizes that the entire human race has been hypnotized, and that alien creatures are controlling humanity. He has only until eight o’clock in the morning to solve the problem.
The more political elements of the film are derived from Carpenter’s growing distaste with the ever-increasing commercialization of 1980s popular culture and politics. He remarked, “I began watching TV again. I quickly realized that everything we see is designed to sell us something… It’s all about wanting us to buy something. The only thing they want to do is take our money.” To this end, Carpenter thought of sunglasses as being the tool to seeing the truth, which “is seen in black and white. It’s as if the aliens have colorized us. That means, of course, that Ted Turner is really a monster from outer space.” (Turner had received some bad press in the 1980s for colorizing classic black-and-white movies.) The director commented on the alien threat in an interview, “They want to own all our businesses. A Universal executive asked me, ‘Where’s the threat in that? We all sell out every day.’ I ended up using that line in the film.” The aliens were deliberately made to look like ghouls according to Carpenter, who said: “The creatures are corrupting us, so they, themselves, are corruptions of human beings.”
Because the screenplay was the product of so many sources: a short story, a comic book, and input from cast and crew, Carpenter decided to use the pseudonym “Frank Armitage,” an allusion to one of the filmmaker’s favorite writers, H. P. Lovecraft (Frank Armitage is a character in Lovecraft’s The Dunwich Horror). Carpenter has always felt a close kinship with Lovecraft’s worldview and according to the director, “Lovecraft wrote about the hidden world, the “world underneath.” His stories were about gods who are repressed, who were once on Earth and are now coming back. The world underneath has a great deal to do with They Live.” — (Wikipedia.org)
“Any undesirable IS-BEs (Immortal Spiritual Being) who are sentenced to Earth were classified as “untouchable” by the “Old Empire”. This included anyone that the “Old Empire” (intergalactic government) judged to be criminals who are too vicious to be reformed or subdued, as well as other criminals such as sexual perverts, or beings unwilling to do any productive work.
An “untouchable” classification of IS-BEs also includes a wide variety of “political prisoners”. This includes IS-BEs who are considered to be noncompliant “free thinkers” or “revolutionaries” who make trouble for the governments of the various planets of the “Old Empire”. Of course, anyone with a previous military record against the “Old Empire” is also shipped off to Earth.
A list of “untouchables” include artists, painters, singers, musicians, writers, actors, and performers of every kind. For this reason Earth has more artists per capita than any other planet in the “Old Empire”.
“Untouchables” also include intellectuals, inventors and geniuses in almost every field. Since everything the “Old Empire” considers valuable has long since been invented or created over the last few trillion years, they have no further use for such beings. This includes skilled managers also, which are not needed in a society of obedient, robotic citizens.
Anyone who is not willing or able to submit to mindless economic, political and religious servitude as a tax-paying worker in the class system of the “Old Empire” are “untouchable” and sentenced to receive memory wipe-out and permanent imprisonment on Earth.
The net result is that an IS-BE is unable to escape because they can’t remember who they are, where they came from, where they are. They have been hypnotized to think they are someone, something, sometime, and somewhere other than where they really are.”
Definition of hubris: exaggerated pride or self-confidence.
Human beings, with rare exceptions, do not confront their own mortal frailty. Humans die. Only spirits are immortal. A human is an immortal spirit who temporarily animates a fragile body. The tragedy of humans is their failure to be the spirit they really are.
The English language picked up both the concept of hubris and the term for that particular brand of cockiness from the ancient Greeks, who considered hubris a dangerous character flaw capable of provoking the wrath of the gods. In classical Greek tragedy, hubris was often a fatal shortcoming that brought about the fall of the tragic hero. Typically, overconfidence led the hero to attempt to overstep the boundaries of human limitations and assume a godlike status, and the gods inevitably humbled the offender with a sharp reminder of his or her mortality.
To the Greeks, hubris referred to extreme pride, especially pride and ambition so great that they offend the gods and lead to one’s downfall. Hubris was a character flaw often seen in the heroes of classical Greek tragedy, includingOedipus and Achilles. The familiar old saying “Pride goeth before a fall” is basically talking about hubris. — Merriam-Webster Dictionary