REMEMBER WHO YOU ARE

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AI editions & translations“Most people will not believe any of it, I’m sure. It seems too incredible. No “reasonable” person would ever believe a word of it. However, it only seems “incredible” to an IS-BE whose memory has been erased and replaced with false information inside the electronically controlled illusion of a prison planet. We must not allow the apparent incredibility of our situation to prevent us from confronting the reality of it.
Frankly, “reasons” have nothing to do with reality. There are no reasons. Things are what they are. The government agencies that classified the enclosed transcripts as “TOP SECRET” are run by IS-BEs who are nothing more than mindless automatons covertly ordered about through hypnotic commands given by the “Old Empire” prison operators. They are the unknowing slaves of unseen slave masters — and all the more enslaved by their willingness to be slaves.
Most of the IS-BEs on Earth are good, honest, able beings: artists, managers, geniuses, free thinkers and revolutionaries who have harmed no one, really. They are no threat to anyone except the criminals who have imprisoned them.
They must remember their own past lives. The only way this will ever happen is to communicate, coordinate and fight back. We have to tell other people and they have to discuss it openly with each other. Communication is the only effective weapon against secrecy and oppression.
This is why I am asking you to tell this story. Please share these transcripts with as many people as you can. If the people of Earth are told what is really going on here, perhaps they will begin to remember who they are, and where they came from.
For now, we can begin our own release and rescue with words. We can be free again. We can be ourselves again. Perhaps I will meet you in person, with or without a body, somewhere in our Eternal Future.” 
~ Excerpts from a letter published in the book ALIEN INTERVIEW written by US Army Air Force Nurse Matilda O’Donnell MacElroy shortly before her passing  in 2007 at the age of 83 years.

GUITARRA FLAMENCO

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I first hear Flamenco music in 1964 when the uncle and father of members of The Gypsy kings released their first record album in the US  titled: Manitas de Plata: Guitarra Flamenco.  It was recorded in a small room with a few invited guests, including the world famous artist Pablo Picasso.  His cousin, a carpet layer, Jose Reyes, who is the father of several of the members of The Gypsy Kings, was the vocalist.  When I heard the magnificent and authentic guitar playing on this record I was instantly electrified!  Memories of my past lives spent in Spain and France as a gypsy flooded back into my consciousness with overwhelming passion for this music and these beautifully crude, by free, peasants who were originally refugees from India and Egypt.  Here are two cuts from Manitas De Plata performing  Tarantas. This is the first US recordings ever made of Manitas De Plata — October 1963, in Arles, France, produced by Connoisseur Society (the recording engineer was David B. Jones). It was initially released as an LP (“Manitas de Plata aux Saintes Maries de la Mer“) on the Philips and Connoisseur Society labels.  To this day I have never heard a performance of authentic Flamenco guitar playing as flawlessly performed as those recorded on this record.

Here are TWO selections from that album:


In 2003 I attended a concert of the Gypsy Kings at The Greek Theater in L.A. as a birthday present to myself.  This is my favorite music group of all time!  They continue the proud heritage of the true gypsy spirit of freedom and passion and musical genius!  Here is the complete album of the Gypsy Kings Greatest Hits:

TEARS OF JOY!

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10,000 VOICES and Orchestra performing “Ode To Joy” by Beethoven…..   Turn up the volume on your speakers to make the windows shatter!!!!   Tears of Joy!!!  Tears of Joy, My Beautiful Friends!!!!

The Symphony No. 9 in D minor, Op. 125 (sometimes known simply as “the Choral”), is the final complete symphony of Ludwig van Beethoven (1770–1827). Completed in 1824, the symphony is one of the best-known works of the repertoire of classical music. Among critics, it is almost universally considered to be among Beethoven’s greatest works, and is considered by some to be the greatest piece of music ever written.  The symphony was the first example of a major composer using voices in a symphony (thus making it achoral symphony). The words are sung during the final movement by four vocal soloists and a chorus. They were taken from the “Ode to Joy”, a poem written by Friedrich Schiller in 1785 and revised in 1803, with additions made by the composer.